Girl with Death Mask
Love, tequila, sex, first periods, late nights, abuse, and heartache. The journey from girl to womanhood is brimming with transformative magic that heals even as it shatters. These are the memories that haunt the dreams of what was and what could have been in Girl with Death Mask.

In four rich and imaginative movements of poems, Jennifer Givhan profiles the suffering and the love of a Latina girl and then mother coming to terms with sexual trauma. Her daughter is a touchstone of healing as she seeks to unravel her own emotions as well as protect the next generation of budding women with a fierceness she must find within. Givhan exploits changing poetic forms to expose what it means to mature in a female body swirling with tenderness, violence, and potential in an uncertain world. Girl with Death Mask is a cathartic and gripping confession of the trials of adolescence and womanhood.

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Girl with Death Mask
Love, tequila, sex, first periods, late nights, abuse, and heartache. The journey from girl to womanhood is brimming with transformative magic that heals even as it shatters. These are the memories that haunt the dreams of what was and what could have been in Girl with Death Mask.

In four rich and imaginative movements of poems, Jennifer Givhan profiles the suffering and the love of a Latina girl and then mother coming to terms with sexual trauma. Her daughter is a touchstone of healing as she seeks to unravel her own emotions as well as protect the next generation of budding women with a fierceness she must find within. Givhan exploits changing poetic forms to expose what it means to mature in a female body swirling with tenderness, violence, and potential in an uncertain world. Girl with Death Mask is a cathartic and gripping confession of the trials of adolescence and womanhood.

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Girl with Death Mask

Girl with Death Mask

by Jennifer Givhan
Girl with Death Mask

Girl with Death Mask

by Jennifer Givhan

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Overview

Love, tequila, sex, first periods, late nights, abuse, and heartache. The journey from girl to womanhood is brimming with transformative magic that heals even as it shatters. These are the memories that haunt the dreams of what was and what could have been in Girl with Death Mask.

In four rich and imaginative movements of poems, Jennifer Givhan profiles the suffering and the love of a Latina girl and then mother coming to terms with sexual trauma. Her daughter is a touchstone of healing as she seeks to unravel her own emotions as well as protect the next generation of budding women with a fierceness she must find within. Givhan exploits changing poetic forms to expose what it means to mature in a female body swirling with tenderness, violence, and potential in an uncertain world. Girl with Death Mask is a cathartic and gripping confession of the trials of adolescence and womanhood.


Product Details

ISBN-13: 9780253032799
Publisher: Indiana University Press
Publication date: 03/17/2018
Series: Blue Light Books
Pages: 94
Product dimensions: 5.50(w) x 8.30(h) x 0.40(d)
Age Range: 18 Years

About the Author

Jennifer Givhan is a Mexican-American poet from the Southwestern desert. She is the author of Landscape with Headless Mama (2015 Pleiades Editors' Prize) and Protection Spell (2016 Miller Williams Poetry Prize Series). Her honors include a National Endowment for the Arts Fellowship in Poetry, a PEN/Rosenthal Emerging Voices Fellowship, and The Frost Place Latin@ Scholarship, and her work has appeared or is forthcoming in many publications including Ploughshares, POETRY, Boston Review, Blackbird, and The Kenyon Review. She is Editor-in-Chief at Tinderbox Poetry Journal, and she lives with her family in New Mexico.

Read an Excerpt

CHAPTER 1

The Dying Girl & the Date Palm

Come find me under the black persimmon tree Mama where prayers bear wrinkled fruit bear messages home

Come tend me at sunrise like sweeping a grave offering fresh tortillas

rolled each morning menudo steaming on the stove My patch of yellowing in the grass my lungs culling holes

in the sweet so close to my palms I can nearly grasp What does a mouth hold but secrets What tongue in mine

What bone-handled crotch & tissue paper wadded to staunch the bleeding The boy on the bicycle called my name pulled

it from my mouth like meat from the seed &
A hole in the world Persimmons call themselves stories

of the gods Mama did you also wake into the mythical I mean raise yourself hold the cast of yourself

bones splitting as moonstones as midnight undone Leaves fall across my eyes Mama come find me before I bloom

The Change

When I was still small I began growing antlers as a stag grows antlers as a girl grows breasts My chest remained flat & the blood didn't come but the velvet skin sprang spongy behind my temples No one at school laughed at the antlers like they did when I'd grown hair under my arms & razor-scraped my shins to the blood-bright thrill of the locked bathroom door Mom said she would've given me warm water & lotion if I'd let her in The girls asked could I pierce my antlers like ears or a nose & if they hurt The boys asked were they strong enough to break glass crush tin cans & how long would they grow The doctor said to stick out my tongue & drink peach tea from a soda fountain in the nurse's lounge so I could pee into a cup & prove myself Sometimes a female deer grows a stub He asked if there was any chance I could be growing something else I told Mom there was a boy but it didn't mean anything I couldn't even use a tampon yet Soon small red birds gathered & settled as the velvet turned to bone matured into branches They were too heavy & I knew I had a choice Mom scoured every myth required every curandera crack eggs over my belly rub sagebrush across my forehead chant & pray One even told me to sing I could learn to love my antlers or I could wait see if they fell off on their own see how long would they stay gone

Plan B

He held my hand on the ride from El Centro from the Clinicas de Salud before the morning after

came in a little box like gum at corner drugstores for girls fifteen & older past the sugar beet plant its smell of dying

frogs like the ones we'd dissected in biology lab the formaldehyde on my fingers

for days the way lettuce smelled like slicing or tomatoes little hearts They formed a white

mountain the sugar hulls sweet climbing hill gated & locked beside alfalfa fields

The desert sky roiled its summer monsoon irrigation ditches hissing in the broil

I traced shapes in the fogged car window while he ordered drive-thru two carne asada burritos

& an extra-large Coke I loved him that much I loved him all the way up that fucking slope & drop

Billiards

It's Main Street I'm holding a black 8-ball

against the felt of my palm its heft could dent plaster I've shot

tequila off a baby changing table in a public restroom I'm

Metropolitan chic all tight pants & white scarves

blowing across my face as I strut to the tamale stand

toileting California's tank where I grew up girls pregnant in high school

or just after with or without the child's father our parents watching

our kids while we down gin & vodka in someone's backyard

my man is screwing someone else in the shed & I swore

I'd never find myself in this mess but only fear of looking foolish

& pride & the baby keep me from screaming

I'm not your pinche 1950s housewife cabrón
across my thigh I'm trying to remember

it's not her fault nor his We're all pawns in this game of bullshit

Is this how it is where you live

Quinceañera

1

My body he burned glue-gunning the papier-mâché of my breasts

to the smell of arts & crafts in the recreation room
like the cumbias of my girlhood dancefloors flailing like Pentecostal Sunday Nothing tasted so good

as the mango con chile from the fruit stand at the razor-edge of town not even the lime-

squeezed beer its smell of nigh-
out my window & Danny with his brother's truck wasn't the one who squashed

the June bugs spiraling from my navel my collarbones the peach-

fuzzed skin of my newly-shaped breasts
diving you survived anything)

2
on their thighs in the apricot-soft within their elbows photographs the judge ruled

circumstantial or unprovable the wife could not prove I'm wrecked for a system failing to protect what we love

When I say wrecked I mean the razorblade I stole when I was fifteen from the hardware store

pressed to my wrists like cat claws I told my mom were the neighbor's cat's

Mom she's wild she's untamable that fat tabby
unmothered things)

3
my ex-railyard familia barbacoa & soaking beans like I'm never drunk in the grass anymore wailing

like that alley tabby I've never stopped needing — she lies in bed

between my husband & me stomach pressed to sheets & waiting hollowed calavera

en Día de los Muertos marigolds laid on the altar of her belly button

though now she could be my ex's daughter at her Quinceañera in white like a mother in the news

who measured her daughter's growth through years pressed in a wedding dress from the time

she was a baby God she was too young

4
of my hips bone dry asparagus fields crackling heatwave where I'm still burying placenta fat as hearts

& beating back border roots with my fists
chance the doors will shut love in your face love —
escape) year I first learned to light myself on fire call the firetruck of my own

body that holiest of waters

Daughter Page Ripped from The Symbol Sourcebook

I smudge henna above our bed protect us from the evil eye rub it on our grassy

cow's forehead in the backyard Sally named me La Henna as a joke

for how my name sounded in Spanish like I was gringa until she realized my mama's Mexican too

but the apodo stuck like red rice burnt in the belly

My husband steams the carpets with Fabuloso purple cleanser Sally once bought from Dollar Store

picking me out dish towels & plastic table cloths for my all-alone apartment her son wouldn't leave

her house for mine he didn't love me enough

I'm terrified my daughter will turn gourd & fennel for a boy who'll believe she's no different

than the Maxim- or Showtime-bodied targets he calls women will hold her head down make her

swallow The springtime smell of Callery Pear blooms gorgeous white buds that make me gag

I spit on the sidewalk La Henna dripping bloodstone ghost of a girl who'll shove bezoars

down a daughter's throat to keep her from pulling worms from the stomach Sex is not a plague

my husband tells me spring cleaning our sheets flipping our mattress redbrick stains corral-

gates dripping rust relentless in a patch of spines darling girl I'm sorry the body resigns

Miracle of the River Pig

behold the whole herd of swine ran violently down a steep place into the sea & perished in the waters

* * *

Animals like women are cast in leading roles in plays of superstition One story if an observant countryman is right plots the alleged inability of a pig to swim Her sharp trotters swing so the story goes in circular motion in the water till she cuts her own throat This the countryman cheerfully claims did not happen to a sow who awaiting her litter & finding her sty flooded patiently swam round it unharmed until rescue arrived

* * *

My ex-mother-in-law served me pigs' feet on a plate her son my madness & I his evil porcine brewing in the sopa de pat slow-simmered pigs' feet soup

* * *

Years ago a young porker fell into an old bramble-covered well The water level was I don't know some 10 ft down the water deep It took us half an hour to borrow a ladder & come back She was still swimming round & round The well mouth too narrow for a man to go down that she-pig had her forelegs over one rung her snout under the rung above We raised that ladder slow The pig held on until she reached the top & we hefted her up She shook herself grunted & trotted off her throat unscratched & utterly unperturbed

* * *

The boy I met at the swine barns took me in the piss-yellow straw
Look there's the cemetery where I will not be buried Will my ex-fisher king be scattered at sea I will not join him nor be crowned his ex-fisher queen ex-voto ex-wife ex-plaything

* * *

Down the river did glide with wind & with tide A pig with vast celerity

& the devil looked wise as he saw how the while It cut its own throat

* * *

Another example of a swimming pig was witnessed in 1946 during the testing of the atom bomb on the Bikini atoll A total of 3,352
* * *

Mama sewed me into a wedding gown white as my communion when I was uneven in lacey socks & piggy tails

I followed again flint-grey up the river channel potbellied stones speckling the Río Nuevo

I was that unlucky bride in the river on the fence border trash a little piggy swimming
* * *

There was no sign of any kind that its throat had been cut In fact it was quite lively when being returned to its pen

Ignorance

Nights those Jesus bugs skimmed the creek's surface my bare feet glimmering like risen again I'd snuck

past date palms & horse corrals graveyard trilling beyond highway & the boys & their shining

bodies I'd brought my own carried it with me only newer sticky

summer air & white flies circling streetlamps what bliss was mine those moments before

glistening rocks before shivering water & wet with what could've loved me could've hovered me home

3-Card Spread What Is True What Isn't True Advice

I am safe I say to myself & pray for mercy
1 Trauma

Sponge cradled against wash bin & cracked
2 Lost Girl Broken In

Spilling like spoiled milk that halfway house I shimmied down drainpipe half-
3 The Wilting Field

The last time I had a dick in my mouth I was dying alfalfa withered in rows unable to separate desire from pain There are poets for whom this throbbing is healing My Frida rail-impaled my chingona fighting for whole even after gangrene She loved her body though it betrayed For some of us a dick in the mouth means a fist in the hair a knee in the ribs a spinal cord like a clump of pigweed carelessweed splintering the fingers bright blooms of blood on the skin Do you take your body wherever you go Does it follow Someday I'll find mine dancing in a field without me calling me to join
Daughter Lace Your Fingers to the Sky

Still you could not keep her from the dance our bodies dance

when we let the boys take us out to the country

& oh the moon may have been full
as lighted sky & sweetened earth silhouette backseats

Even through death masks we can kiss & skin pierces fabric

She let the girls in the stalls & the jeers in the halls & the slut

on the walls twine her neck bones string her atop a chair

but her dog didn't bark & no one knocked
& you mother found her swinging from the doorframe

1.0 out of 5 stars Not For Teennage [sic] Girls

Repeat NOT a book for teennage [sic] girls. Depressing and innuendos made about sex. Not the manner it's [sic] which I want my daughter to view sex and love.

Published 35 minutes ago by Amazon Customer It's not what sex & love are supposed to be like
Hallucination with Danny

He dredged mudbound a hole in the sky he fumbled down partway hitchhiked the rest from heaven he'd said perched at a bus stop on Lincoln & Montaño before sunrise He was beautiful he followed me home That was back when I was taken by every strange
What's Been Given Me Secondhand

He bought me a cherry-red dress no a black dress with cherries stemmed & shining as if bubbling atop grenadine & syrup with the insurance money he got

for his mama's dying I'd run out of clothes in that beachfront apartment where his drug friends were letting us crash we slept in a cupboard the length of his 6'4"

rope-coiled body folded like a robot into a box a cardboard home for what almost became of me for loving him too long for loving him at all

Why I always remember him in thrift shops busted lamps & scraggly rugs piled against walls knockoffs paraphernalia of longer legs longer days & how often

I miss that messed up man He bought a wedding band He lost it in the ocean I never asked him for anything but a razor I hadn't shaved in weeks

a bottle of shampoo I'd never tasted oysters & he said let them slide down your throat the ones we found in styrofoam outside the pier eatery but

he wouldn't let me near tinfoil again that white dust made him so mad coming down & every time I bled he understood what I was missing The motherless

recognize the childless He said we'd buried something in the sand Not a castle or a shovel or a bundle of cells that wouldn't stick that wouldn't grow nothing

so routine Once in a while in a Goodwill between faux fur & broken music boxes I find him hiding I'm high enough to believe it his windup his living again

Faithful Woman

Nobody understood her cruelty to herself one would have to chop off one's own hand to end the source of self-torture

Marilyn Chin

Tattooed in red clay his hand prints on my nalgas

while he eats chicharrones con chile
from his fingers I am his undesired bride

of fast times bringing big pots of albondigas to feed his whole

family love utterly

unasked for a belly filled with sticky red rice

& embryonic fluid nopales left to soak too long in salted water

at the edge of the valley sea brined sugar beets

dunes of sand
here is the truth I know

the wanting that aches wildly What do I know of the ancients

Mama your Jesus failed me Could he fly

could he wail could he scrub

the blood-stained trail

Common Carp

I lay in a bathtub of goldfish unlearning the ways the world loved me too tight or too narrow bright

as the orange spirals peeling belly button kneecaps earlobes I never learned to love back properly

not with my head screwed on my tailbone switching dangerously how anything shining has the capacity

for burning I used to worry the water electric dazzling all the neighborhood kids chanting glow glow glow as I rose

peculiar from the riverbed lucky as a well-wished copper penny sinking to a bottom mud like love Mermaid siren longing song Once I was glorious What pond what fish tank ever made me believe that was gone

(Continues…)



Excerpted from "Girl with Death Mask"
by .
Copyright © 2018 Jennifer Givhan.
Excerpted by permission of Indiana University Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

Table of Contents

Lifeline

I

The Dying Girl & The Date Palm
The Change
Plan B
Billiards
Quinceañera
Daughter Page Ripped from The Symbol Sourcebook
Miracle of the River Pig
Ignorance
3-Card Spread What Is True What Isn't True Advice
Daughter Lace Your Fingers to the Sky
1.0 out of 5 stars Not For Teennage [sic] Girls*
Hallucination With Danny
What's Been Given Me Secondhand
Faithful Woman
Common Carp

II

Girl with Death Mask
Sin Vergüenza (Como los Pájaros)
Warn the Young Ones
First Response
Sea Level
Avra
Failure The Mother of ______
Pulse
The Rhinoceros Calf
On Contemplating Leaving My Children
Mexican Wedding Cookies
Chassis
The Girl (Whose Mother Filled Her Belly with Meth & Let Terrible People Mutilate Her
Body Before Killing Her) Runs Away

III

La Llorona Comes Over for Dinner

IV

When I Am Not Joan of Arc or You Bring Me a Bowl of Green & Purple Olives
Refugio State
Candling The Eggs
Bird Bath (Baño de Pájaros)
Ritual
Shame
Furiosa
Three Wolf Spirits
In the Waiting Room of the Child Psychologist
Reabsorption Elegy
Ghost Girl in the Recovery Room
Myth
Retrograde
At the Altar of Staying
This Bridge Called My Back

What People are Saying About This

Bright Dead Things - Ada Limón

Magic, alchemy, transmogrification, and the body's deep obsessions fill these lyrically charged poems with an unearthed power. Givhan is a poet who knows the bones of her own world so well that she can rearrange them into anything she wishes. Both surreal and rooted in truth, the complex and gorgeous poems in Girl with Death Mask continue to shake, stun, and weave their spells long after the book is closed.

Bright Dead Things - Ada Limón

Magic, alchemy, transmogrification, and the body's deep obsessions fill these lyrically charged poems with an unearthed power. Givhan is a poet who knows the bones of her own world so well that she can rearrange them into anything she wishes. Both surreal and rooted in truth, the complex and gorgeous poems in Girl with Death Mask continue to shake, stun, and weave their spells long after the book is closed.

Four-Legged Girl - Diane Seuss

In the image-rich, circuitous journey of Girl with Death Mask, the girl both defies and weds death and its accomplice, sex, defies and weds collective mythologies. She flies and she falls, floats and drowns. . . In this raw, kinetic masterpiece of survival Givhan assures us, ‘even through death masks,’ Givhan assures us, ‘we can kiss.’

The Last Stone in the Circle - Irena Praitis

Girl with Death Mask shake the bars of our prisons and also those on which we write our music. . . . These poems illuminate how to love the body How hard our bodies work to bring their wisdom to us. How hard it is to love what we How hard it is to learn the ways that love abides despite our best efforts to dislodge, disprove, and doubt it. These poems find their way. They shake up our knowing in the best ways.

Catalog of Unabashed Gratitude - Ross Gay

These poems beautifully, convincingly do what I hope poems might–they disrupt what I know, or what I thought I knew. And in that way they invent for me a world. A world haunted and brutal, yes. But one mended, too, by the love and tenderness and vision and magic by which these poems are made. Again and again I found myself looking into space, sort of shaken, sort of grasping, turning and turning inside a line or phrase, inside an image or metaphor, inside some devastating music.

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