Liberation Historiography: African American Writers and the Challenge of History, 1794-1861

by John Ernest

Overview

As the story of the United States was recorded in pages written by white historians, early—nineteenth—century African American writers faced the task of piecing together a counterhistory: an approach to history that would present both the necessity of and the means for the liberation of the oppressed. In Liberation Historiography, John Ernest demonstrates that African Americans created a body of writing in which the spiritual, the historical, and the political are inextricably connected. Their literature serves not only as historical recovery but also as historical intervention.

Ernest studies various cultural forms including orations, books, pamphlets, autobiographical narratives, and black press articles. He shows how writers such as Martin R. Delany, David Walker, Frederick Douglass, William Wells Brown, and Harriet Jacobs crafted their texts in order to resituate their readers in a newly envisioned community of faith and moral duty. Antebellum African American historical representation, Ernest concludes, was both a reading of source material on black lives and an unreading of white nationalist history through an act of moral imagination.

Product Details

ISBN-13:	9780807863534
Publisher:	The University of North Carolina Press
Publication date:	12/15/2005
Sold by:	Barnes & Noble
Format:	eBook
Pages:	448
File size:	1 MB

About the Author

John Ernest is associate professor of English at the University of New Hampshire. He is author of Resistance and Reformation in Nineteenth—Century African American Literature: Brown, Wilson, Jacobs, Delany, Douglass, and Harper and editor of three volumes of nineteenth—century African American writing.

What People are Saying About This

From the Publisher

“Wide-ranging in its coverage and provocative in its conclusions, Liberation Historiography represents a much-needed addition to the growing literature on black historiography.” — Journal of American History

“Places [Ernest] solidly at the forefront of [early African American literary studies], in league with our most careful, nuanced, and erudite scholars. . . . A unique work of scholarship that demonstrates what is possible when a scholar who is a serious student of literature and culture also becomes a serious student of history and historiography.” — American Historical Review

“Ernest writes with impressive authority: his mastery of the surprisingly voluminous body of early black public discourse and of the now substantial secondary literature on that discourse is obvious throughout.” — Journal of Southern History

“[Ernest’s] keen analyses make these texts come alive again. . . . Make no mistake about it, this book should be challenging and instructive to the most sophisticated students of African American and American history.” — Journal of African American History

“Ernest brings together the best of revisionist historical methodology with sensitivity to the specific religious and political culture of a largely Northern African American community. . . . With its subtle, well-grounded contextual readings of a number of lesser-known historical texts, Ernest’s work will serve as a valuable starting point for scholars and students conducting research in nineteenth-century African American culture.” — American Literature

“A welcome addition to the scholarly contributions in this engagingly contentious subfield of intellectual history. . . . John Ernest has done a remarkably adept job of exhuming long forgotten writers.” — CLIO

“[Ernest’s] book will provoke discussion and shape new agendas for scholars of African American literature, history, and culture and for American studies scholars more generally.” — Register of the Kentucky Historical Society

“Ernest raises important questions regarding race, identity, spirituality, and power.” — CHOICE

“Ernest knows the antebellum African American literary world, and knows it well. His book considerably deepens our appreciation for the rich tradition of African American historical thought and the forces that have shaped it.” — Dickson D. Bruce Jr., University of California, Irvine

Editorial Reviews

“Wide—ranging in its coverage and provocative in its conclusions, Liberation Historiography represents a much—needed addition to the growing literature on black historiography.” — Journal of American History

“Places [Ernest] solidly at the forefront of [early African American literary studies], in league with our most careful, nuanced, and erudite scholars. . . . A unique work of scholarship that demonstrates what is possible when a scholar who is a serious student of literature and culture also becomes a serious student of history and historiography.” — American Historical Review

“Ernest writes with impressive authority: his mastery of the surprisingly voluminous body of early black public discourse and of the now substantial secondary literature on that discourse is obvious throughout.” — Journal of Southern History

“[Ernest’s] keen analyses make these texts come alive again. . . . Make no mistake about it, this book should be challenging and instructive to the most sophisticated students of African American and American history.” — Journal of African American History

“Ernest brings together the best of revisionist historical methodology with sensitivity to the specific religious and political culture of a largely Northern African American community. . . . With its subtle, well—grounded contextual readings of a number of lesser—known historical texts, Ernest’s work will serve as a valuable starting point for scholars and students conducting research in nineteenth—century African American culture.” — American Literature

“A welcome addition to the scholarly contributions in this engagingly contentious subfield of intellectual history. . . . John Ernest has done a remarkably adept job of exhuming long forgotten writers.” — CLIO

“[Ernest’s] book will provoke discussion and shape new agendas for scholars of African American literature, history, and culture and for American studies scholars more generally.” — Register of the Kentucky Historical Society

“Ernest raises important questions regarding race, identity, spirituality, and power.” — CHOICE

“Ernest knows the antebellum African American literary world, and knows it well. His book considerably deepens our appreciation for the rich tradition of African American historical thought and the forces that have shaped it.” — Dickson D. Bruce Jr., University of California, Irvine

From the Publisher