Evidences
Chosen and with an Introduction by Jorie Graham, Evidences is the winner of the sixth annual American Poetry Review/Honickman First Book Prize. In poems that are by turns lyrical, disjunctive, autobiographical, and political, Evidences sifts through residues of landscape and history. The physicality of the language and the invocation of the world of places and things form a meditative process, surveying the conditions of perception and memory, history and grace.

from "The Sand Runs Through"

Coming out of the forest, at the edge of the clearing,
Then at your door bearing a suitcase of vials,
You opened your window to owls
Flying from pines, the sea a maze of color,
Remembering, then, walking in the desert
You whispered the stars too
Must be homeless, the desert the place of
His absence, that was the gift
Or that which was taken away,
You whispered, in the sand the marks of bodies
Stretched out among twisted wood,
As examples, lost, as warnings, figures of evidence.

"One wants to live in a world so very brimful of what one loves and yet so equally full of its destruction: I do not believe it is possible to miss how brave this book is, how daring, and given over to beauty—both in its surface and in its love of what is on our surfaces."—Jorie Graham

An independent scholar and writer, James McCorkle lives in Geneva, New York, with his wife and two young daughters. He received the M.F.A. and Ph.D. from the University of Iowa and has had fellowships from the Ingram Merrill Foundation and the NEA. He is the editor of Conversant Essays: Contemporary Poets on Poetry and the author off The Still Performance, a study of postmodern poetry.

1101159949
Evidences
Chosen and with an Introduction by Jorie Graham, Evidences is the winner of the sixth annual American Poetry Review/Honickman First Book Prize. In poems that are by turns lyrical, disjunctive, autobiographical, and political, Evidences sifts through residues of landscape and history. The physicality of the language and the invocation of the world of places and things form a meditative process, surveying the conditions of perception and memory, history and grace.

from "The Sand Runs Through"

Coming out of the forest, at the edge of the clearing,
Then at your door bearing a suitcase of vials,
You opened your window to owls
Flying from pines, the sea a maze of color,
Remembering, then, walking in the desert
You whispered the stars too
Must be homeless, the desert the place of
His absence, that was the gift
Or that which was taken away,
You whispered, in the sand the marks of bodies
Stretched out among twisted wood,
As examples, lost, as warnings, figures of evidence.

"One wants to live in a world so very brimful of what one loves and yet so equally full of its destruction: I do not believe it is possible to miss how brave this book is, how daring, and given over to beauty—both in its surface and in its love of what is on our surfaces."—Jorie Graham

An independent scholar and writer, James McCorkle lives in Geneva, New York, with his wife and two young daughters. He received the M.F.A. and Ph.D. from the University of Iowa and has had fellowships from the Ingram Merrill Foundation and the NEA. He is the editor of Conversant Essays: Contemporary Poets on Poetry and the author off The Still Performance, a study of postmodern poetry.

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Evidences

Evidences

Evidences

Evidences

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Overview

Chosen and with an Introduction by Jorie Graham, Evidences is the winner of the sixth annual American Poetry Review/Honickman First Book Prize. In poems that are by turns lyrical, disjunctive, autobiographical, and political, Evidences sifts through residues of landscape and history. The physicality of the language and the invocation of the world of places and things form a meditative process, surveying the conditions of perception and memory, history and grace.

from "The Sand Runs Through"

Coming out of the forest, at the edge of the clearing,
Then at your door bearing a suitcase of vials,
You opened your window to owls
Flying from pines, the sea a maze of color,
Remembering, then, walking in the desert
You whispered the stars too
Must be homeless, the desert the place of
His absence, that was the gift
Or that which was taken away,
You whispered, in the sand the marks of bodies
Stretched out among twisted wood,
As examples, lost, as warnings, figures of evidence.

"One wants to live in a world so very brimful of what one loves and yet so equally full of its destruction: I do not believe it is possible to miss how brave this book is, how daring, and given over to beauty—both in its surface and in its love of what is on our surfaces."—Jorie Graham

An independent scholar and writer, James McCorkle lives in Geneva, New York, with his wife and two young daughters. He received the M.F.A. and Ph.D. from the University of Iowa and has had fellowships from the Ingram Merrill Foundation and the NEA. He is the editor of Conversant Essays: Contemporary Poets on Poetry and the author off The Still Performance, a study of postmodern poetry.


Product Details

ISBN-13: 9780971898141
Publisher: Copper Canyon Press
Publication date: 09/01/2003
Pages: 120
Product dimensions: 6.00(w) x 9.00(h) x 0.40(d)

Table of Contents

I
Estuarine3
The Sand Runs Through [... Es Rinnt Uns der Sand aus den Haaren]5
The Hibernaculum8
Birth of the Sun [Geburt der Sonne]11
The Burning of the Rural Districts [Ausbrennen des Landkreises Buchen]15
Infidelities17
The New Season19
The Instance of Water21
Disruptive Patterning24
Star-Gown [Sterntaler]28
II
Cryptography33
Pyromancy36
The Lamprey39
The Anchor41
Reading Basho to My Daughter44
Canaan49
Early Betrayals54
Numerology56
Bee-Yards61
III
Estuarine69
Iron Path [Eisen-Steig]70
From a Proposed Notebook from the Country74
Land of Two Rivers [Zweistromland]79
The Drought81
A Matter of Wind, or [Das Goldene Vlies]85
Rifts88
What is Wanted91
Scripting95
The Order of Angels [Die Ordnung der Engel]101
Estuarine107
Notes109
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