Pass the Trauma, Please: My Father's not-so-depressing Holocaust memoir about love, loss, laughter, and legacy
PASS THE TRAUMA, PLEASE is a comedy-drama memoir that presents the most brutal moment of Jewish history in an unorthodox manner. It honors the life lessons of a Holocaust survivor who reveals long-buried truths about surviving as an orphan and soldier who fought for Israeli independence. His scandalous secrets are disclosed to his son during an unforgettable Sunday night dinner in a Chinese restaurant.

But it’s not just stories that were passed down from a survivor to his children. Genetically Inherited Holocaust Trauma hitches a ride, resulting in his son’s dysfunctional relationships and dubious behaviors.

Like many books about the Holocaust, PASS THE TRAUMA, PLEASE addresses loss. But there’s also drug smuggling, attempts to reverse a circumcision, brothels, kibbutz ambushes, divorce, death camp visits, decadent nights at Studio 54, and tales of lost virginity.

Despite his own insecurities as a writer, plus deep concerns that other genocides might soon eclipse the Holocaust, a catalyst that drives the author is... will he finish the book while his father, one of the last Holocaust survivors, is still alive?

Another motivation for the book’s unique structure and irreverent tone is the challenge thrown down by Todd Diamond’s father who said, “Do me a favor, son. No long-winded descriptions of the smells in the Ghetto, the corpses. Everyone knows this already. Elie Wiesel, Primo Levy, Anne Frank, that guy who wrote the comic book about the mouse, they all covered it. Don’t be afraid to slip in a few jokes. What do you call it again… that bullshit you always say… oh yeah, write something poster-punk.”He meant to say, post-punk. Todd’s father concluded his appeal by saying, “And besides, you’re no Elie Wiesel.”

So, while PASS THE TRAUMA, PLEASE probes the darkness of humanity, you’ll also find an equal amount of irreverence and humor that distinguishes it from most holocaust memoirs.

Put another way, if Mel Brooks and Amy Schumer adopted a second-generation Holocaust survivor, raised him, then sent him off to a writer’s retreat for anxious Jews, you’d get PASS THE TRAUMA, PLEASE.

To reach an ever-growing uninformed audience about the Holocaust, Todd Diamond has written this new resonant memoir, PASS THE TRAUMA, PLEASE with the intent to try and engage a wider, more diverse audience with different per­spective that illuminates the past in a way that will help new generations of readers to understand the ongoing impact of these tragedies on succeeding generations.

Second-Generation Holocaust memoirs are bridges between the past and the future and useful reminders of the complex ways trauma manifests and is transmitted across generations. Pass the Trauma, Please isn’t just about the death camps, the gas cham­bers, the incomprehensible evil. It’s about the Holocaust and its after­shocks. The unrelenting ripple effect of a unique trauma that echoes through children raised in the long shadow of tragedy. He writes his story and the story of his parents and his extended family who perished in the Holocaust in a provocative and irreverent style to hopeful appeal and educate a broader readership. To that end, Todd finds light and humor amidst the wreckage, a real testament to the power of memory.

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Pass the Trauma, Please: My Father's not-so-depressing Holocaust memoir about love, loss, laughter, and legacy
PASS THE TRAUMA, PLEASE is a comedy-drama memoir that presents the most brutal moment of Jewish history in an unorthodox manner. It honors the life lessons of a Holocaust survivor who reveals long-buried truths about surviving as an orphan and soldier who fought for Israeli independence. His scandalous secrets are disclosed to his son during an unforgettable Sunday night dinner in a Chinese restaurant.

But it’s not just stories that were passed down from a survivor to his children. Genetically Inherited Holocaust Trauma hitches a ride, resulting in his son’s dysfunctional relationships and dubious behaviors.

Like many books about the Holocaust, PASS THE TRAUMA, PLEASE addresses loss. But there’s also drug smuggling, attempts to reverse a circumcision, brothels, kibbutz ambushes, divorce, death camp visits, decadent nights at Studio 54, and tales of lost virginity.

Despite his own insecurities as a writer, plus deep concerns that other genocides might soon eclipse the Holocaust, a catalyst that drives the author is... will he finish the book while his father, one of the last Holocaust survivors, is still alive?

Another motivation for the book’s unique structure and irreverent tone is the challenge thrown down by Todd Diamond’s father who said, “Do me a favor, son. No long-winded descriptions of the smells in the Ghetto, the corpses. Everyone knows this already. Elie Wiesel, Primo Levy, Anne Frank, that guy who wrote the comic book about the mouse, they all covered it. Don’t be afraid to slip in a few jokes. What do you call it again… that bullshit you always say… oh yeah, write something poster-punk.”He meant to say, post-punk. Todd’s father concluded his appeal by saying, “And besides, you’re no Elie Wiesel.”

So, while PASS THE TRAUMA, PLEASE probes the darkness of humanity, you’ll also find an equal amount of irreverence and humor that distinguishes it from most holocaust memoirs.

Put another way, if Mel Brooks and Amy Schumer adopted a second-generation Holocaust survivor, raised him, then sent him off to a writer’s retreat for anxious Jews, you’d get PASS THE TRAUMA, PLEASE.

To reach an ever-growing uninformed audience about the Holocaust, Todd Diamond has written this new resonant memoir, PASS THE TRAUMA, PLEASE with the intent to try and engage a wider, more diverse audience with different per­spective that illuminates the past in a way that will help new generations of readers to understand the ongoing impact of these tragedies on succeeding generations.

Second-Generation Holocaust memoirs are bridges between the past and the future and useful reminders of the complex ways trauma manifests and is transmitted across generations. Pass the Trauma, Please isn’t just about the death camps, the gas cham­bers, the incomprehensible evil. It’s about the Holocaust and its after­shocks. The unrelenting ripple effect of a unique trauma that echoes through children raised in the long shadow of tragedy. He writes his story and the story of his parents and his extended family who perished in the Holocaust in a provocative and irreverent style to hopeful appeal and educate a broader readership. To that end, Todd finds light and humor amidst the wreckage, a real testament to the power of memory.

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Pass the Trauma, Please: My Father's not-so-depressing Holocaust memoir about love, loss, laughter, and legacy

Pass the Trauma, Please: My Father's not-so-depressing Holocaust memoir about love, loss, laughter, and legacy

Pass the Trauma, Please: My Father's not-so-depressing Holocaust memoir about love, loss, laughter, and legacy

Pass the Trauma, Please: My Father's not-so-depressing Holocaust memoir about love, loss, laughter, and legacy

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Overview

PASS THE TRAUMA, PLEASE is a comedy-drama memoir that presents the most brutal moment of Jewish history in an unorthodox manner. It honors the life lessons of a Holocaust survivor who reveals long-buried truths about surviving as an orphan and soldier who fought for Israeli independence. His scandalous secrets are disclosed to his son during an unforgettable Sunday night dinner in a Chinese restaurant.

But it’s not just stories that were passed down from a survivor to his children. Genetically Inherited Holocaust Trauma hitches a ride, resulting in his son’s dysfunctional relationships and dubious behaviors.

Like many books about the Holocaust, PASS THE TRAUMA, PLEASE addresses loss. But there’s also drug smuggling, attempts to reverse a circumcision, brothels, kibbutz ambushes, divorce, death camp visits, decadent nights at Studio 54, and tales of lost virginity.

Despite his own insecurities as a writer, plus deep concerns that other genocides might soon eclipse the Holocaust, a catalyst that drives the author is... will he finish the book while his father, one of the last Holocaust survivors, is still alive?

Another motivation for the book’s unique structure and irreverent tone is the challenge thrown down by Todd Diamond’s father who said, “Do me a favor, son. No long-winded descriptions of the smells in the Ghetto, the corpses. Everyone knows this already. Elie Wiesel, Primo Levy, Anne Frank, that guy who wrote the comic book about the mouse, they all covered it. Don’t be afraid to slip in a few jokes. What do you call it again… that bullshit you always say… oh yeah, write something poster-punk.”He meant to say, post-punk. Todd’s father concluded his appeal by saying, “And besides, you’re no Elie Wiesel.”

So, while PASS THE TRAUMA, PLEASE probes the darkness of humanity, you’ll also find an equal amount of irreverence and humor that distinguishes it from most holocaust memoirs.

Put another way, if Mel Brooks and Amy Schumer adopted a second-generation Holocaust survivor, raised him, then sent him off to a writer’s retreat for anxious Jews, you’d get PASS THE TRAUMA, PLEASE.

To reach an ever-growing uninformed audience about the Holocaust, Todd Diamond has written this new resonant memoir, PASS THE TRAUMA, PLEASE with the intent to try and engage a wider, more diverse audience with different per­spective that illuminates the past in a way that will help new generations of readers to understand the ongoing impact of these tragedies on succeeding generations.

Second-Generation Holocaust memoirs are bridges between the past and the future and useful reminders of the complex ways trauma manifests and is transmitted across generations. Pass the Trauma, Please isn’t just about the death camps, the gas cham­bers, the incomprehensible evil. It’s about the Holocaust and its after­shocks. The unrelenting ripple effect of a unique trauma that echoes through children raised in the long shadow of tragedy. He writes his story and the story of his parents and his extended family who perished in the Holocaust in a provocative and irreverent style to hopeful appeal and educate a broader readership. To that end, Todd finds light and humor amidst the wreckage, a real testament to the power of memory.


Product Details

ISBN-13: 9781941493335
Publisher: Mandel Vilar Press
Publication date: 09/16/2025
Pages: 268
Product dimensions: 6.00(w) x 9.00(h) x 1.00(d)
Age Range: 18 Years

About the Author

Born in Queens, New York, TODD DIAMOND delivers narratives that are unapologetically raw and darkly humorous—a reflection of the borough that raised him. Whether it’s sordid tales from his advertising career or stories about his family’s Holocaust experiences, he resonates with those who prefer their prose served with a healthy dose of cynicism and unsweetened insight.
ABOUT THE AUTHOR’S STATE OF MIND In 2015, a research team at New York’s Mount Sinai Hospital published a paper titled, “Holocaust Exposure Induced Intergenerational Effects on FKBP5 Methylation.” Their conclusion? “Genetic changes stemming from the trauma suffered by Holocaust survivors are capable of being passed on to their children, the clearest sign yet that one person’s life experience can affect subsequent generations.” Huh. Genetically Inherited Holocaust Trauma.
Well, I’ll be damned. Doesn’t that explain a few things?

Read an Excerpt

Introduction

I’M A SLOW WRITER IN A RACE AGAINST THE INEVITABLE DATE OF MY FATHER’S death. He is one of the last remaining Holocaust survivors. He is ninety-three years old as I write this. He is healthy; he is wise. He insisted I tell the world that he still gets it up (with a little boost from Viagra). Writing his story is tough for me. I can’t shake the feeling that nearly every child with a parent connected to this unique history has already published a book about it or created a provocative work of genocide-themed art that hangs in a museum or is proudly displayed in the home of a prominent Jewish family on the Upper East Side of Manhattan. At this point, I’ve got a few index cards with general thoughts and outlines. I am way behind, but my father is a survivor, so I expect him to hang around long enough to read some of it, hopefully most of it, and ideally a first draft. My father knows I’m attempting to write his story. He did have one request. He said, “Please, just not another Holocaust memoir with the long-winded descriptions and elaborate accounts of the smells in the Ghetto, the corpses. Everyone knows this already. Elie Wiesel, Primo Levy, Anne Frank, that guy who wrote the comic book about the mouse, they all covered it. Spielberg, too, such a genius, so do something different. Don’t be afraid to slip in a few jokes. What do you call it again . . . that bullshit you always say . . .—Oh yeah, write something poster-punk.” He meant to say, post-punk. My father concluded his appeal by saying, “And besides, you’re no Elie Wiesel.” Indeed. The truth is, I am an advertising copywriter. This book is different, it’s difficult, and I’m afraid I won’t meet the deadline.

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