Beautiful Lie

Beautiful Lie

4.6 40
by Thirty Seconds to Mars
     
 

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It's easy to take potshots at actors turned musicians, since it often seems like the actors are taking advantage of their celebrity by turning into recording stars. This ignores two facts: first, often these actors have been playing music for as long as they've been acting; and second, who's to say that these critics, if put in the same position, wouldn't take… See more details below

Overview

It's easy to take potshots at actors turned musicians, since it often seems like the actors are taking advantage of their celebrity by turning into recording stars. This ignores two facts: first, often these actors have been playing music for as long as they've been acting; and second, who's to say that these critics, if put in the same position, wouldn't take advantage of their celebrity to pursue their dream projects? In the case of 30 Seconds to Mars, the metallic post-grunge quartet led by Jared Leto (after all these years, still best-known as Jordan Catalano on the alt rock-era TV series My So-Called Life, although he has been excellent in Darren Aronofsky's Requiem for a Dream and David Fincher's Fight Club and Panic Room, as well), these actor-turned-musician arguments don't really matter since, by any measure, the band is quite awful. A melange of U2 atmospherics, grunge angst, gothic brooding, and metal guitars, the band floats out of time, inspired heavily by '90s alt rock but too clean, heavy, and facile to truly be part of that tradition, yet too indebted to the past to sound like part of the 2000s, either. Their second album, 2005's A Beautiful Lie -- whose title is uncomfortably close to Nine Inch Nails' "Terrible Lie" (and is most likely not borrowed from the Amazing Rhythm Aces' 1975 song of the same name, either) -- is a little tighter and more streamlined than their eponymous 2002 debut, but the basic angst-ridden rock remains the same. Leto isn't a terrible singer -- a little too breathy at times and a little too inclined to dive into a full-throated scream, but not terrible -- and the bandmembers are capable enough at shifting from tense quiet verses to piledriving, heavy choruses, but they borrow the worst habits from all their favorite groups, and then assemble them in insufferably earnest fashion, playing clichés as if they were revelations. It's a bleak yet hammy collection of self-absorbed gloom-rock, a record where an allusion to the title of the Cure's "Just Like Heaven" is treated as something soul-searching and profound (of course, it does hurt that A Beautiful Lie is being released just a month before "Just Like Heaven" is being borrowed for the title of a Reese Witherspoon romantic comedy). It's clear that Leto and the rest of 30 Seconds to Mars really mean it, man -- this is as earnest as an emo record gets.

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Product Details

Release Date:
08/30/2005
Label:
Immortal
UPC:
0724359099224
catalogNumber:
90992
Rank:
8009

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Tracks

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Album Credits

Performance Credits

Thirty Seconds to Mars   Primary Artist
Matt Serletic   Piano
Caroline Campbell   Violin
Shannon Leto   Group Member
James Freebarin-Smith   Cello
Jared Leto   Group Member
Oliver Goldstein   Synthesizer
Miguel Atwood-Ferguson   Viola
Neel Hammond   Violin
Tomo Milicevic   Group Member
Matt Wachter   Group Member
Stephen Dress   Strings,Double Bass
Vanessa Freebairn-Smith   Cello

Technical Credits

Brian Virtue   Engineer
Sean Mosher-Smith   Creative Design
Ryan Williams   Engineer
Josh Abraham   Producer,Audio Production
Thirty Seconds to Mars   Composer,Producer,Creative Design
Jared Leto   Composer
Wataru Hokoyama   Arranger,String Arrangements

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