A Cultural History of the Emotions in the Baroque and Enlightenment Age
During the period of the Baroque and Enlightenment the word “emotion”, denoting passions and feelings, came into usage, albeit in an irregular fashion. “Emotion” ultimately emerged as a term in its own right, and evolved in English from meaning physical agitation to describe mental feeling. However, the older terminology of “passions” and “affections” continued as the dominant discourse structuring thinking about feeling and its wider religious, political, social, economic, and moral imperatives. The emotional cultures described in these essays enable some comparative discussion about the history of emotions, and particularly the causes and consequences of emotional change in the larger cultural contexts of the Baroque and Enlightenment. Emotions research has enabled a rethinking of dominant narratives of the period-of histories of revolution, state-building, the rise of the public sphere, religious and scientific transformation, and more. As a new and dynamic field, the essays here are just the beginning of a much bigger history of emotions.
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A Cultural History of the Emotions in the Baroque and Enlightenment Age
During the period of the Baroque and Enlightenment the word “emotion”, denoting passions and feelings, came into usage, albeit in an irregular fashion. “Emotion” ultimately emerged as a term in its own right, and evolved in English from meaning physical agitation to describe mental feeling. However, the older terminology of “passions” and “affections” continued as the dominant discourse structuring thinking about feeling and its wider religious, political, social, economic, and moral imperatives. The emotional cultures described in these essays enable some comparative discussion about the history of emotions, and particularly the causes and consequences of emotional change in the larger cultural contexts of the Baroque and Enlightenment. Emotions research has enabled a rethinking of dominant narratives of the period-of histories of revolution, state-building, the rise of the public sphere, religious and scientific transformation, and more. As a new and dynamic field, the essays here are just the beginning of a much bigger history of emotions.
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A Cultural History of the Emotions in the Baroque and Enlightenment Age

A Cultural History of the Emotions in the Baroque and Enlightenment Age

A Cultural History of the Emotions in the Baroque and Enlightenment Age

A Cultural History of the Emotions in the Baroque and Enlightenment Age

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Overview

During the period of the Baroque and Enlightenment the word “emotion”, denoting passions and feelings, came into usage, albeit in an irregular fashion. “Emotion” ultimately emerged as a term in its own right, and evolved in English from meaning physical agitation to describe mental feeling. However, the older terminology of “passions” and “affections” continued as the dominant discourse structuring thinking about feeling and its wider religious, political, social, economic, and moral imperatives. The emotional cultures described in these essays enable some comparative discussion about the history of emotions, and particularly the causes and consequences of emotional change in the larger cultural contexts of the Baroque and Enlightenment. Emotions research has enabled a rethinking of dominant narratives of the period-of histories of revolution, state-building, the rise of the public sphere, religious and scientific transformation, and more. As a new and dynamic field, the essays here are just the beginning of a much bigger history of emotions.

Product Details

ISBN-13: 9781472535764
Publisher: Bloomsbury Academic
Publication date: 03/11/2021
Series: The Cultural Histories Series
Pages: 232
Product dimensions: 6.66(w) x 9.85(h) x 0.58(d)

About the Author

Katie Barclay is Professor and Future Fellow at Macquarie University, Sydney. She writes widely on the history of emotions, gender, and family life. With Kate De Luna and Giovanni Tarantino, she is the editor of Emotions: History, Culture, Society.

Table of Contents

List of Illustrations vi

General Editors' Preface ix

Introduction Katie Barclay David Lemmings Claire Walker 1

1 Medical and Scientific Understandings Stephen Pender 15

2 Religion and Spirituality Giovanni Tarantino 35

3 Music and Dance Tim Carter 53

4 Drama Peter Holbrook 71

5 The Visual Arts Lisa Beaven 85

6 Literature John D. Staines 111

7 In Private: The Individual and the Domestic Community Laura Alston Karen Harvey 137

8 In Public: Collectivities and Polities Brian Cowan 155

Notes on Contributors 173

Notes 177

References 181

Index 207

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