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One of the first media superstars receives an uninspiring biography.
The Fosters (The Secret Lives of Alexandra David-Neel: A Biography of the Explorer of Tibet and Its Forbidden Practices, 1997, etc.) chart the life and career of Adah Isaacs Menken (1835–68), an actress and poet who briefly captivated the world in with her iconic turn in the playMazeppa, in which she played a male Cossack and, in a sensational set piece, rode a horse up the side of a four-story artificial mountain, clad in not much more than a pair of pink tights. The danger and provocative sexuality attending this stunt cemented Menken's status as a "dangerous woman" and media superstar, but contemporary scholars are more interested in pinning down the actress's vague ethnicity and identity politics—she has been variously identified as a woman of color, a Jew and a lesbian (or at the very least bisexual). The authors enthusiastically explore these possibilities, but a crippling dearth of verifiable evidence reduces their sleuthing to a convoluted series of educated guesses. What is certain is Menken's status as a proto–sex symbol and feminist touchpoint. Her multiple husbands included famous boxer John Heenan and Alexander Menken, a Jewish musician—this union would lead to Menken's conversion to Judaism and her stridently pro-Jewish poetry. The Fosters praise Menken's writing profusely, but the work excerpted here is didactic and shrill. She did enjoy many high-profile literary friendships, including relationships with Mark Twain, Charles Dickens and Alexandre Dumas, but the Fosters fail to establish their heroine as a significant artist in her own right. Her lasting contributions boil down to a series of slightly hysterical poems, a starring role in a crowd-pleasing spectacle and some racy photographs. More troubling, Menken, who must have cut a charismatic figure, fails to come to life in the Foster's pedestrian prose. The authors exhort the reader to appreciate Menken's singular nature, but she remains an enigma, and the catalog of her lovers, confidants, enemies, professional reversals and emotional crises becomes a tedious litany of woe.
A dull account of a largely forgotten American icon.
Posted December 29, 2010
"The public needs a goddess, if only to sacrifice!" was a powerful illustration of Adah Isaacs Menken by the Fosters that shook me a bit being myself a young Indian author.
Michael Foster and Barbara Foster have presented the world with the biography of the great woman, the original superstar of America, unmistakably, Adah Isaacs Menken, a true Lady, true to herself and the world.
The honesty, with which the authors have portrayed the life, loves, and scandals, makes it worthwhile calling it the best biography ever written of this great Lady; for, it immortalizes her with utmost sincerity.
There have been movies portraying this superstar, but I am sure that even centuries later, people will read the future editions of this wonderful work of the Fosters of the Life of this great Lady and she will live until the English language lives; for, books are closer to people than movies.
This book is a page turner and is so delicious like a great novel. I couldn't take my eyes off the book until reading the last word. The reading was not like reading a bio. It was like watching a beautiful movie.
The authors have cited various references to portray the real great lady Adah Isaacs Menken was and when I finished reading this book, I understood that she was not really a dangerous lady as referred by her betrayer.
Her transparency showed her trust on fellow beings. Her inability to act against the feelings of her heart showed her strength and honesty as well as weakness. Her only defect being self pity couldn't win her either.
The life of this great life-risking Actor, Sensational Poet, and Rebel who struggled for Feminine Freedom, gives lessons of how lack of caution tried to pull her down each time and how perseverance kept her the superstar she was.
I wish that everyone learn the wonderful lessons this biography offers.
Ann Wilson, Indian Author
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Posted January 1, 2011
Oprah would love this story. A Dangerous Woman is the best biography of America's first global superstar, actress Adah Menken. She was a woman of color born poor and Jewish in New Orleans. During her short life of 33 years Adah Isaacs Menken triumphed over racial prejudice and became world famous, the highest paid actress of Victorian society, and the best known and loved Civil War celebrity. Our modern publicity industry owes a lot to "the naked lady." She was the first American superstar to become famous for being rich and famous. A Dangerous Woman gets to the heart and soul of the woman behind the myth making. It reads like a good novel and leaves you wondering--Is there any actress out there today who could or would risk so much for fame? A highly recommended book! Ten stars.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted January 1, 2011
We have come a long way since the days of actress Adah Isaacs Menken. Or have we? Her life was a Victorian scandal. She wore pants on and off stage, smoked cigars, and gambled the night away. She married the world's boxing champion and became world famous herself playing Mazeppa. Her brief exciting life 1835 - 1868 is the subject of this finely written biography that reads like a novel. The depth of the Fosters' research is amazing. The style is easy to read and captivating. I could not put it down until I'd read it all. The book should be required reading in courses for womens' studies, black history, and fashion Institutes. Adah Menken was a fashion goddess, a trend-setter that bared all. The book's early photographs by Napoleon Sarony are a treasure. More than an elegant coffee table book, A Dangerous Woman details a period of American history we would rather cover up. Adah was a woman of color who used lead makeup to appear white. Racial ambivalence. She was a woman playing a man onstage. Sexual ambivalence. Adah Menken's story has universal appeal. A Dangerous Woman explores the mystery of a mystery woman. A delight!Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted December 28, 2010
I was delighted to learn from this brilliant, extremely well researched biography by M. and B. Foster that Adah Menken, the original American superstar and Civil War pin-up was secretly a black woman, Jewish, a poet and actress, a Confederate spy, a friend of Walt Whitman, Mark Twain, Swinburn and Dumas. The toast of Paris, she was a gambler and cross dresser friend of George Sand. Why is the best part of history too often ignored? We learn about battles and casualties not the human dramas that reshape society and relationships. Adah Menken, this heroic woman, fought duels on and off stage. During Victorian times she appeared apparently nude on stage playing prince Mazeppa (Byron's poem.) She married five husbands and wrote passionately about womens' causes. She used celebrity scandal and photography to become world famous and infamous. She personified the Civil War conflict that divides America today. A love goddess is celebrated and sacrificed young and beautiful in each great war. Adah Menken--A Dangerous Woman--shook Victorian morals to their foundation but was loved by heros from North and South.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.