A Doll's House
A door slams, and the echoes never fade. Henrik Ibsen's A Doll's House (1879) is a play that doesn't shout-it lingers, unsettling and undeniable. Beneath the surface of a seemingly ordinary household lies a quiet storm, gathering strength with every polite exchange, every carefully placed smile. Nora Helmer is a wife, a mother, a woman adored. Her home is warm, her life is comfortable, her husband sings her praises. But when a long-kept secret begins to unravel, so does the delicate balance of her world. What happens when the roles we play no longer fit? When the words we speak don't match the voices inside us? Ibsen doesn't lecture, doesn't plead-he simply opens a door and lets us look inside. What we see is up to us. Is it a tale of liberation or betrayal? A tragedy or a beginning? More than a century later, the questions still stand, just as urgent, just as sharp. With A Doll's House, Ibsen didn't just write a play. He set a stage for countless conversations, forcing audiences to lean in, to question, to wonder. And when the final moment comes, when the door closes behind Nora, it isn't just her world that shifts. It's ours, too.
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A Doll's House
A door slams, and the echoes never fade. Henrik Ibsen's A Doll's House (1879) is a play that doesn't shout-it lingers, unsettling and undeniable. Beneath the surface of a seemingly ordinary household lies a quiet storm, gathering strength with every polite exchange, every carefully placed smile. Nora Helmer is a wife, a mother, a woman adored. Her home is warm, her life is comfortable, her husband sings her praises. But when a long-kept secret begins to unravel, so does the delicate balance of her world. What happens when the roles we play no longer fit? When the words we speak don't match the voices inside us? Ibsen doesn't lecture, doesn't plead-he simply opens a door and lets us look inside. What we see is up to us. Is it a tale of liberation or betrayal? A tragedy or a beginning? More than a century later, the questions still stand, just as urgent, just as sharp. With A Doll's House, Ibsen didn't just write a play. He set a stage for countless conversations, forcing audiences to lean in, to question, to wonder. And when the final moment comes, when the door closes behind Nora, it isn't just her world that shifts. It's ours, too.
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A Doll's House

A Doll's House

by Henrik Ibsen

Narrated by David J Miles

Unabridged — 2 hours, 23 minutes

A Doll's House

A Doll's House

by Henrik Ibsen

Narrated by David J Miles

Unabridged — 2 hours, 23 minutes

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Overview

A door slams, and the echoes never fade. Henrik Ibsen's A Doll's House (1879) is a play that doesn't shout-it lingers, unsettling and undeniable. Beneath the surface of a seemingly ordinary household lies a quiet storm, gathering strength with every polite exchange, every carefully placed smile. Nora Helmer is a wife, a mother, a woman adored. Her home is warm, her life is comfortable, her husband sings her praises. But when a long-kept secret begins to unravel, so does the delicate balance of her world. What happens when the roles we play no longer fit? When the words we speak don't match the voices inside us? Ibsen doesn't lecture, doesn't plead-he simply opens a door and lets us look inside. What we see is up to us. Is it a tale of liberation or betrayal? A tragedy or a beginning? More than a century later, the questions still stand, just as urgent, just as sharp. With A Doll's House, Ibsen didn't just write a play. He set a stage for countless conversations, forcing audiences to lean in, to question, to wonder. And when the final moment comes, when the door closes behind Nora, it isn't just her world that shifts. It's ours, too.

Editorial Reviews

USA Today

New, raw, gut-twisting and gripping. Easily the hottest drama this season.

Wall Street Journal

Bold, brilliant and alive.

Time

A thunderclap of an evening that takes your breath away.

Associated Press

The stuff of Broadway legend.

From the Publisher

Simon Stephens's agile new version [is] . . . quick and clear and full of subtle touches” —Susannah Clapp, Guardian

“A sensible, sensitive and spirited version . . . that chimes with the debt-laden times we're trapped in and poses still-pressing questions” —Dominic Cavendish, Telegraph

“The supple new version of the text by Simon Stephens is [a] great plus point . . . in this definitive take on a classic” —Fiona Mountford, Evening Standard

“An astute, often savagely funny version by Simon Stephens . . . And as the doll at the play's heart and hearth cracks like porcelain and the woman emerges, it's with a force that's shattering.” —Sam Marlowe, Metro

“Simon Stephens's new English-language version of the text . . . makes the characters' anxieties feel contemporary despite the period dress. "Feminism" may not have been in Ibsen's vocabulary, but he was undoubtedly concerned with the roles we all play and why.” —Financial Times

The Review of Arts, Literature, Philosophy and the Humanities - Lolita Lark

Maybe it's Nicholas Rudall's new translation. Maybe it's a matter of the gods. I couldn't put [A Doll's House] down. It's tight, and terse—reads like a fine short novel.

Evening Standard


A powerful statement of [Ibsen's] radical beliefs about gender, the folly of idealism and the nature of modern love.

The New Statesman


Meyer's translations of Ibsen are a major fact in one's general sense of post-war drama. Their vital pace, their unforced insistence on the poetic centre of Ibsen's genius, have beaten academic versions from the field.

Product Details

BN ID: 2940194022007
Publisher: Strelbytskyy Multimedia Publishing
Publication date: 02/28/2025
Edition description: Unabridged
Age Range: 12 - 17 Years
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