A Fatal Winter (Max Tudor Series #2)by G. M. Malliet
"There are certain things you want in a village mystery: a pretty setting, a tasteful murder, an appealing sleuth . . . Malliet delivers all that." —Marilyn Stasio, The New York Times
Last year, Agatha Award-winning author G. M. Malliet charmed mystery lovers, cozy fans, and Agatha Christie devotees with Wicked Autumn, the first/i>/p>/i>/i>
"There are certain things you want in a village mystery: a pretty setting, a tasteful murder, an appealing sleuth . . . Malliet delivers all that." —Marilyn Stasio, The New York Times
Last year, Agatha Award-winning author G. M. Malliet charmed mystery lovers, cozy fans, and Agatha Christie devotees with Wicked Autumn, the first mystery featuring her captivating protagonist, Max Tudor, and the small English village of Nether Monkslip.
In A Fatal Winter, Max—Anglican priest, former MI5 agent, and village heartthrob—investigates two deaths at Chedrow Castle. But his growing attraction to Awena Owen complicates his case, as does the recent arrival at Chedrow Castle of a raucous group of long-lost, greedy relatives, any one of whom has a motive for murder. With a cozy setting, intricate puzzles, and a handsome (non-celibate) priest doing the sleuthing, the books in this series are destined to become instant classics in the mystery world.
"Michael Page narrates this manor house mystery in an elegant British voice. He's got Malliet's sarcasm about the exploits of the wealthy down. At the same time, Page has a harsher - and, at times, sad - voice for Tudor, which reminds listeners of the hero's troubled past in MI5. The story is complicated. The reading starts with a list of characters and their relationships. At the end, Tudor's explanation of the elaborate murder plot takes quite a chunk of time. Nonetheless, Malliet's well-observed descriptions, matched with her sly humor and offbeat characters, will hold listeners' interest." - AudioFile Magazine
Starred review. "Clever deduction and a logical fair-play solution are enhanced by the author's wry humor..." - Publishers Weekly
Read an Excerpt
A Fatal Winter
A Max Tudor Novel
By G. M. Malliet
St. Martin's PressCopyright © 2012 G. M. Malliet
All rights reserved.
Ticket to Ride
DECEMBER 13 — MORNING
Max Tudor, returning to Nether Monkslip from a routine mission on a bitterly cold but beautiful December day, was not to know he would be pulled into the investigation of strange events at nearby Chedrow Castle — an investigation that would haunt many of his future nights.
At the little self-service kiosk at Waterloo station, Max's biggest concern was what to eat to fortify himself for his hours-long journey. He hesitated over a slice of marzipan cake tightly wrapped in cling film. It made him think of the Battenberg sold by Sainsbury's, a sponge cake with not so much icing as a thick slab of sweetened concrete which had not completely set. That cake had been one of his guilty pleasures ever since he was a child. This imposter of a cake had the concrete yellow icing but not the pink-and-yellow-checkered pattern to its layers. Reluctantly, Max passed it by.
He scanned the display of food for something marginally more nutritious, but this particular outpost of British Rail offered the kind of sandwich that left you wondering if an ambulance could bully its way through the crowded London streets in time to save you.
He was returning from a symposium in London, where he'd delivered a short, well-received talk on the need to preserve Britain's churches. English Heritage had recently launched an initiative to save such Grade I and Grade II listed structures and somehow Max's name had come up as someone having experience in these matters. Roofing and timber and masonry repairs to churches in Great Britain were endless and ongoing, and the skilled workmen needed to make the repairs dwindling in number. Worse, in some cases, the lead and copper from roofs were being stolen, so the venerable old edifices were being demolished piece by piece.
As the vicar of a small church steeped in antiquity and unparalleled beauty, Max felt he would be negligent not to exploit every avenue to funds to pay for its upkeep. If becoming some sort of expert within the inner circle of preservationists would help, so be it.
Although the symposium had gone well, he soon found himself longing to return to his isolated little village with its little frictions. Well, he thought (here hastily pushing aside the memory of a recent murder in the village) mostly little frictions.
For London seemed to be slowly turning into a madhouse. Almost, it seemed, in honor of his first foray into the city in months MI5 had raised the terror alert level to severe. Which meant not a lot these days in the face of ongoing threats from more than one group in more than one part of the world. A general acceptance of the fact the world had forever changed on 9/11 seemed the best that could be hoped for from a public worn cynical and wearied by a stream of heightened precautions. Besides, a recommendation for extra alertness seemed de trop when Max by nature was seldom not alert, watching, waiting — for what he could not have said.
He had stayed at a London hotel booked for him by the diocese with an eye on the bottom line — very bottom — as if left to his own devices Max might stop at Claridge's and order jeroboams of champagne sent up to his suite. The place chosen for him did not even pretend to have once been a star in the galaxy of the hospitality industry; no deposed barons of even very minor baronetcies were to be found taking tea in the lobby. The place had always been shabby about the edges and now was unapologetically shabby through and through. He had been greeted by the receptionist, a gum-chewing girl of surly disposition obviously forced to work beneath her level of unrecognized genius. It may have been a job she held for the school break, although she had the look of an actress between jobs, all sparkly mascara and languorous, studied movements. There had been a certain accretion of interest in her eyes as she took in the handsome features of her new guest. The gum chewing stopped abruptly, only to be resumed as she cogitated the question he put to her. No, she didn't think they had a room with a view. She'd check. She began flapping her long painted nails about on a keyboard and came up with the expected answer: All the rooms with views were full up.
At least, he reflected, the hotel had a plain, old-fashioned lift with deeply padded sides — none of these modern horrors made of glass, apparently conceived as a trial for people who are afraid of heights. The last time he'd had reason to stay in London, the hotel lift had been made of stainless steel with water cascading artistically down the sides — it was like being hoisted aloft in a high-tech colander.
Max, on seeing his forlorn, seedy London hotel room, longed momentarily in an all-too-human way for something gilt-edged and dripping with crystal chandeliers. But in particular he longed for the cozy if fussy and old-fashioned study of his vicarage, which he told himself now was at least rich in character.
Instead he was in an ancient London hotel whose lack of amenities in no way inhibited the management from charging an exorbitant amount for a dollhouse-sized room with no view. It was an amount that should have lent itself to luxury terry cloth robes and shower caps folded into little boxes and shampoos from the official Shampooers to Her Majesty, and yet Max was grateful to have been provided a postage stamp-sized bar of soap made from, apparently, tar and ground pepper. The room boasted a bed with a single thin mattress that might have been stuffed with straw, and a radio so old it had probably first been used by someone listening to King Edward VIII's abdication speech. It had dials as big as scones and speakers covered in a dusty open-weave fabric like burlap. The hot water in the bathroom was as close to nonexistent as made no difference, and the breakfast the next morning made him long for the homey, calorie-laden canteen offerings of his housekeeper Mrs. Hooser, a sure sign that something in his universe had gone badly awry.
He'd had a further bad experience in London that made him eager to return to the shelter of his village. He'd seen — he could swear he'd seen — a man in the street who had been involved in the death of his MI5 colleague, Paul. At any rate, it was a man of roughly the same physical type, wearing the same weird blue sunglasses with white frames, that Max had seen hovering near the crime scene that day. He couldn't be certain — indeed, couldn't be certain the man he'd seen the day of Paul's death was involved in the killing. But Max had been sure enough that he'd spun around in the push and shove of pedestrians to follow the man, thinking as he hustled after him that his clerical collar offered the perfect cover for tailing a suspect. He followed him for many blocks, thinking how well he'd retained his training from those old days. And then, somewhere a few streets away from Pall Mall, he lost him. He looked frantically left, right, and even overhead. And then he'd pounded his fist against a wall, scraping his knuckles in his rage.
He called the sighting in directly to his old boss at MI5, dialing his private line, and ended up having dinner with George Greenhouse that evening. It was a bittersweet occasion — Max had always held the man in esteem, but he knew how disappointed George had been by Max's decision to leave the life behind for the priesthood.
He learned a few things at that dinner in Covent Garden. One was that MI5 had decided someone besides Paul and Max had been injured by the car explosion that killed Paul. For the man with those strange glasses Max had described to investigators had been recorded on one of the ubiquitous London security cameras shortly after the explosion, and he was holding his arm as if injured.
"But he didn't go to any hospital in London despite his injuries and that's further evidence it's him," George told Max. Whether he was supposed to share this information was doubtful, but then George hadn't gotten where he was by being a company man. Nerveless, famous for his bravery, he also had more integrity than practically anyone Max had ever met.
Midway through the main course George had stunned him by saying, "She's remarried, you know. Sheila. She got married again recently."
Sheila — Paul's wife. Max had barely known her, hadn't seen her since the funeral, which she'd attended, against all advice, clutching their young son, hers and Paul's — grimly holding the blue-swaddled bundle to her. She'd stumbled through the service looking as numb as Max had felt.
Max was brokenhearted by the news of her remarriage but struggled to hide it from George. What had he expected, though? That Sheila would go into some form of purdah forever? Life had gone on. But something about this permanent move on Sheila's part made him realize how much he himself had stayed in the past of that terrible day.
He wondered — idle, stupid thought — why he hadn't been invited to the wedding. And realized that in some completely mad, irrational way, this bothered him, even though he barely had known Sheila, and his presence at her marriage would have been downright odd. Then he hoped — to heaven — that it wasn't because she blamed him, Max. For Max blamed himself, and a world of invitations wouldn't change that. Paul wouldn't have been the one killed that day if he hadn't switched places on the job with Max.
Paul's death had changed Max's course in life completely, for it was not long afterward that he began training for the priesthood. It wasn't as if he believed — not really believed — that his life that day in London had been spared by Divine Providence. He refused to see Paul as some placeholder for himself, simply unluckier than he. They had exchanged schedules, he and Paul, as they often had done in the past, in the chaos of a crisis elsewhere, not seeing the danger in front of them. That the blast had happened that day, at that moment, was almost a coincidence. The next day would have worked as well, for the purposes of the thugs with whom they were dealing.
And yet, his escape had forced Max to slow down, to stop, and to think. It had led directly to the 180-degree change he had made in his life.
Yet ... and yet, in the furthest corner of his mind, wasn't there a voice, a small voice that might start to jabber if he granted it freedom, a voice that said he'd left his old life behind not because of some high-flown need to serve his fellow man, but because otherwise he might die young, in the same senseless way his comrade Paul had died. This voice had a name, and it answered to either Coward or Reason, depending on the given day.
So now Paul's wife had remarried. On the rebound, or so Max would always think. Remarried to a man he would try hard to like, recognizing his instinctive dislike had little to do with Sean's — his name was Sean — with his shortcomings. It was that Sean was there only because Paul had gone.
Later that night as Max removed his clerical collar he thought of a different collar — a collar with a stain on it, a pinprick of red against the white linen. He'd never been able to throw away that shirt, stained on that day by a small drop of Paul's blood. It sat now, undisturbed and wrapped in plastic, on the top shelf of his closet at the vicarage.
* * *
So it was with a sense of relief that he began the first leg of his journey back to Nether Monkslip. He would take the Great Western from Waterloo, change trains, and eventually catch the short spur on the Swanton and Staincross Minster Steam Railway connecting to his village. He would not be traveling first class on the initial stages of his journey, of course. But on the seven-mile home stretch to Nether Monkslip he would ride a gloriously restored train, where all the seats were first class. This refurbished train, at one time for the village squire's private use, had been donated to the village in the squire's will with a fund to keep it in good repair.
It only went as far as Staincross Minster where more modern connections could be made to the wider world. The train was seldom crowded even though it was small and the service infrequent — there were easier ways for the general populace to travel to Staincross Minster without going via such an obscure place as his village. So difficult was it to get to and from Nether Monkslip, in fact, it was difficult to say quite what the village was doing there. Apart from the presence of the river, significant in terms of early commercial transport, how and why the village had evolved was lost in the mists of time.
Since few people knew of Nether Monkslip's existence (which was how the villagers liked it) the little mahogany-paneled conveyance suited the villagers' purposes exactly. It had a tea trolley (dining cars being nearly a thing of the past) but service was intermittent, and the ride was too short to warrant much more than intermittent.
Nothing was as it once had been, Max reflected sadly. Hotels, trains. And George had looked to be getting on in years, the movements of the old warrior now stiff, fraught with effort. Arthritis, probably ...
As Max stood in this brooding manner waiting to board at Waterloo, he failed to notice the woman who had actually stopped dead in her tracks to stare at him. Her expression seemed to say: There must be a God if he's got vicars like you.CHAPTER 2
The waiting area at Waterloo had been, for some reason, full of young parents with their caffeinated children; he might have been in Disney World. Now contentedly settled in for the longest stretch of his journey, all was blessed silence except for the soothingly mechanical noises of a train in motion, and he watched mesmerized as the winter-barren landscape rolled past. Max loved above all the wail of a train whistle — a mournful sound that still somehow lifted the heart with hope and anticipation. Anticipation of what, he could not say. Adventure, perhaps, of which he had not been in short supply, before and during his tenure as parish priest.
Robert Louis Stevenson had written something about the heart being full of the stillness of the country, and that was what Max felt on a train. Even short delays en route didn't bother him. So long as he had something to read or something to gaze at out the window, he was renewed in spirit by the enforced stillness, even though his mind might be racing.
They reached Staincross Minster where the last part of his journey by steam engine would begin. There a group of four Japanese tourists walked by, two couples, part of the chaotic scrum of passengers sheltered by the wooden canopy. God only knew what they were doing in this part of the world. Nether Monkslip was a hidden treasure of South West England, although more and more intrepid tourists seemed to find their way there. If these tourists were headed to Nether Monkslip (and there was little point in being on this obscure train route otherwise) then they were in luck: The Horseshoe could just accommodate two couples in its cramped, ancient rooms, provided the couples didn't take up much space. Max inadvertently tripped up one of the men in the group as he was getting on and with the exquisite politeness of the Japanese, the man apologized, presumably for walking where Max's foot should not have been. They exchanged little bows and "so sorry's" and forgiving smiles, and the man rejoined his group, now spilling down the corridor and into one of the antique compartments.
Max walked on to the next compartment, which happened for the moment to be empty. He was soon followed by an elderly woman struggling with a string bag and an old-fashioned Gladstone large enough to secrete half the contents of the British Library. Max, jumping to offer his aid, discovered it was heavy enough to have actually been used for this purpose, and wondered how on earth the old lady had managed to drag it this far. It was becoming harder each day to find a porter. But once free of her burden she carried herself erectly if stiffly, with the caution of one whose old bones were becoming fragile.
"Thank you so much," she brayed in an upper-class accent from behind the netting of her rakishly tilted black hat, which matched the rest of what Max was sure she would call her travel costume. The hat was in fact recently back in style because of the fondness of royalty for these creations, particularly at weddings — a hat with a dotted veil, attached to her head by an ebony hatpin. He'd seen a hat much like it on the head of one of the royals as he'd perused the magazine racks at the station's newsagent stand. This lady had just managed to avoid the Mad Hatter look the royal family went in for on formal occasions.
Excerpted from A Fatal Winter by G. M. Malliet. Copyright © 2012 G. M. Malliet. Excerpted by permission of St. Martin's Press.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Meet the Author
Winner of the Agatha Award for Death of a Cozy Writer, G. M. MALLIET attended Oxford University and holds a graduate degree from the University of Cambridge. She lives in Alexandria, Virginia.
G.M. MALLIET’s novels and short stories have been nominated for many crime writing awards including the Anthony, Agatha, and Macavity, and she won the Agatha Award for Death of a Cozy Writer. She holds a graduate degree from the University of Cambridge and continued her graduate study at Oxford University. She lives with her husband in the Washington, DC, area.
Most Helpful Customer Reviews
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The follow-up to the first-in-series Wicked Autumn is deep, clever, and seriously hilarious. Kudos to the author.
composed of red herrings in too much detail and all known in just last page not a cozy or quite classic it is one of the many anglo catholic series which in usa is a woman x army combat copter delayed vocation who after several books reenlists as combat again borrow as is archive
The story is especially interesting on audiobook, with the delightful narration of Michael Page. The characters bounce from the pages as truly sinister figures, and how to decide which is responsible for the deaths of the patriarch Oscar, Lord Footrustle, and his twin, Lady Baynard. Christmas sings through the chapters or well as the halls of Chedrow Castle, as Max aides Inspector Cotton in finding the killer. Malliet uses many references to The Bible, Shakespeare, and various famous movie lines to unfold the story. A gifted reader could write an excellent paper on all these allusions. In Nether Monkslip, the females plot to catch Max in a matrimonial web, which will be the lucky woman? A most delightful afternoon passed in a wonderful
Keeps you guessing. Father Max is an unlikely detective until you learn of his past. This is a finely crafted seriess, a glimpse into village life with its quirky charactrs. The daily trials of a pastor are detailed as well with wry humor.
After reading Malliet's Wicked Autumn, I knew I would enjoy Fatal Winter. I was not disappointed.
Book #2 of this series was very in-depth and descriptive. This made it a bit more of a challenging read .... ...but I found it to be engaging and delightful. The author digs in deeper to her main character "Father Max." The character himself even describes himself as "father brown." A cool way to pay kudos to the Father Brown mystery series. As a reader, we are learning so much more about Father Max. His history, his parish, and his personality. Father Max is even starting to fall in love. The story itself is intriguing. The typical murders at the manor. We learn a lot about all the suspects during individual interviews with the police and Father Max. So the reader is told everything about the suspects until....the very end of the story. The police do things on the side at the end which is wrapped up very nicely once the case is solved. I would recommend GM Malliet to all cozy mystery readers.
I loved this book for so many reasons. I believe Malliet must be the reincarnation of Agatha Christie and some popular present day satirist/ comedian. Max Tutor is a handsome Anglican priest who used to be a MI-5 agent. His church is located in the small English village of Nether Monkslip, with all the foibles and characters one would expect to inhabit such a village. But Malliet has updated their thoughts and actions to fit expertly into the twenty-first century. Max is a combination of Hercule Poirot, Father Brown, and Sherlock Holmes. As an Anglican Priest, his life is further complicated by his 'love interest', the beautiful spiritualist and town's herbalist. He is also haunted by the death of his MI-5 partner who had taken Max's place in their last mission together, where Paul was killed. This second in the Father Max Tutor series, ( Wicked Autumn was book one) finds Max being asked to go to an English Manor house to 'observe' the remaining family gathered there for a Christmas holiday. The Lord of the manor has been murdered, just before his twin sister died of natural causes. Of course the family is full of 'characters' that have many idiosyncrasies of their own. The interactions between these characters is written wonderfully, with stereotypes and additional characteristics that were a feast for this reader!! AND---the mystery was wonderfully done also. Never guessed till the end, but the clues had been placed expertly throughout the book ! I had read book one and enjoyed it very much, but book two was exponentially better. So looking forward to reading Malliet's take on spring and summer with Father Max and more mysteries!!