The mysterious
Followill family returns to the front porch/garage on
the Kings of Leon's engaging sophomore effort,
Aha Shake Heartbreak. On
Youth & Young Manhood,
the Kings gave
Southern rock a swift kick in the rear, sounding like
Lynyrd Skynyrd posing as a bunch of N.Y.U. film students (or vice versa). For their latest, the Nashville quartet raises a flag that's equal parts Confederate and Union Jack. Their success in the U.K. is understandable, as
Caleb Followill's lazy drawl sounds like a cross between
Bon Scott,
Ray Davies, and
Eddie Money with a slight Jamaican accent, but it's their seamless and agreeable blend of
rock & roll,
country, and
Roky Erickson-style
psychedelia, matched with a keen lyrical wit, that makes them fascinating to both sides of the pond. On the twenty-something barfly opener
"Slow Night, So Long," Caleb laments/celebrates the soulless dance of the one-night stand ("She's opened up just like she really knows me/I hate her face, but enjoy the company") like a true student of
outlaw country. It's a theme that runs rampant throughout
Heartbreak, and whether it's set against a swamp-sick
boogie (
"Pistol of Fire") or emitted through a lonesome
yodel (
"Day Old Blues"), it resonates as clear and cool as the opening notes of a
Creedence Clearwater Revival tune. ~ James Christopher Monger
