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TimeAt minimum, it is the most rigorous modern study of the various strains of Western tradition that culminate in [Dante's] Paradiso. But its introductory chapter goes beyond that to sketch out an apologia for passionate heavenly belief. In effect, Russell tries to re-establish the honor of the Christian mystical tradition. . . . Like Dante's, Russell's paradise is deeply God-oriented. . . .
— David Van Biema