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| The Gossip | Primary Artist |
| Beth Ditto | Vocals |
| Nathan Howdeshell | Bass, Guitar, Keyboards |
| Jeremy Sherrer | Percussion |
| Hannah Blilie | Percussion, Drums |
| Toby Scott | Composer, Programming, Engineer |
| Tom Coyne | Mastering |
| Brian Higgins | Composer, Programming, Producer |
| The Gossip | Composer, Additional Production |
| Xenomania | Composer |
| Jerry Bouthier | Programming |
| Fred Falke | Programming |
| Beth Ditto | Composer |
| Nathan Howdeshell | Composer, Programming |
| Matt Gray | Programming |
| Jeremy Sherrer | Engineer |
| Kieran Jones | Programming |
| Owen Parker | Programming |
| Jason Resch | Programming |
| Hannah Blilie | Composer, Programming |
| Andrea Gorgerino | Programming |
| Luke Fitton | Composer, Programming |
| Jeri Lynn | Art Direction |
| Joshua Jenkin | Programming |
| Sam Martin | Programming |
Editorial Reviews
All Music Guide - Heather Phares
"So you're not a rock & roller/And there's nothin' wrong with that," Beth Ditto sings near the beginning of A Joyful Noise -- a knowing line, considering that she used to be one of the best female rock & rollers out there. However, since Standing in the Way of Control, the Gossip has moved in an increasingly pop direction, and never more so than on this set of songs. Inspired by ABBA, the band hired Brian Higgins from production team extraordinaire Xenomania to add a slick sheen to the album, which is most evident on "Get Lost," Ditto and crew's most convincing pop bid yet. But A Joyful Noise isn't especially frothy; there's some grit here, especially on "Melody ...