A Legacy of Spies (George Smiley Series #9)
#1 NEW YORK TIMES BESTSELLER

The undisputed master returns with his first Smiley novel in more than twenty-five years--a #1*New York Times*bestseller and ideal holiday gift.


Peter Guillam, staunch colleague and disciple of George Smiley of the British Secret Service, otherwise known as the Circus, is living out his old age on the family farmstead on the south coast of Brittany when a letter from his old Service summons him to London. The reason? His Cold War past has come back to claim him. Intelligence operations that were once the toast of secret London, and involved such characters as Alec Leamas, Jim Prideaux, George Smiley and Peter Guillam himself, are to be scrutinized by a generation with no memory of the Cold War and no patience with its justifications.
*
Interweaving past with present so that each may tell its own intense story, John le Carré has spun a single plot as ingenious and thrilling as the two predecessors on which it looks back:*The Spy Who Came in from the Cold*and*Tinker Tailor Soldier Spy. In a story resonating with tension, humor and moral ambivalence, le Carré and his narrator Peter Guillam present the reader with a legacy of unforgettable characters old and new.
1125889814
A Legacy of Spies (George Smiley Series #9)
#1 NEW YORK TIMES BESTSELLER

The undisputed master returns with his first Smiley novel in more than twenty-five years--a #1*New York Times*bestseller and ideal holiday gift.


Peter Guillam, staunch colleague and disciple of George Smiley of the British Secret Service, otherwise known as the Circus, is living out his old age on the family farmstead on the south coast of Brittany when a letter from his old Service summons him to London. The reason? His Cold War past has come back to claim him. Intelligence operations that were once the toast of secret London, and involved such characters as Alec Leamas, Jim Prideaux, George Smiley and Peter Guillam himself, are to be scrutinized by a generation with no memory of the Cold War and no patience with its justifications.
*
Interweaving past with present so that each may tell its own intense story, John le Carré has spun a single plot as ingenious and thrilling as the two predecessors on which it looks back:*The Spy Who Came in from the Cold*and*Tinker Tailor Soldier Spy. In a story resonating with tension, humor and moral ambivalence, le Carré and his narrator Peter Guillam present the reader with a legacy of unforgettable characters old and new.
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A Legacy of Spies (George Smiley Series #9)

A Legacy of Spies (George Smiley Series #9)

by John le Carré

Narrated by Tom Hollander

Unabridged — 8 hours, 28 minutes

A Legacy of Spies (George Smiley Series #9)

A Legacy of Spies (George Smiley Series #9)

by John le Carré

Narrated by Tom Hollander

Unabridged — 8 hours, 28 minutes

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Overview

#1 NEW YORK TIMES BESTSELLER

The undisputed master returns with his first Smiley novel in more than twenty-five years--a #1*New York Times*bestseller and ideal holiday gift.


Peter Guillam, staunch colleague and disciple of George Smiley of the British Secret Service, otherwise known as the Circus, is living out his old age on the family farmstead on the south coast of Brittany when a letter from his old Service summons him to London. The reason? His Cold War past has come back to claim him. Intelligence operations that were once the toast of secret London, and involved such characters as Alec Leamas, Jim Prideaux, George Smiley and Peter Guillam himself, are to be scrutinized by a generation with no memory of the Cold War and no patience with its justifications.
*
Interweaving past with present so that each may tell its own intense story, John le Carré has spun a single plot as ingenious and thrilling as the two predecessors on which it looks back:*The Spy Who Came in from the Cold*and*Tinker Tailor Soldier Spy. In a story resonating with tension, humor and moral ambivalence, le Carré and his narrator Peter Guillam present the reader with a legacy of unforgettable characters old and new.

Editorial Reviews

The Barnes & Noble Review

Almost sixty years have passed since George Smiley first appeared in John le Carré's novel Call for the Dead. And even then the diffident spy felt "pedestrian and old-fashioned," as though " . . . he had entered middle age without ever being young." Just two years later came his apparent defeat in The Spy Who Came in from the Cold, which ended with Smiley desperately waiting for British agent Alec Leamas to to escape over the Berlin Wall: " 'Jump, Alec! Jump, man!' . . . [Leamas] heard Smiley's voice from quite close: 'The girl, where's the girl?' Shielding his eyes he looked down at the foot of the wall and at last managed to see her, lying still." (Both Leamas and the unknowing Liz Gold have been betrayed by Leamas's spymasters, sacrificed to protect an East German double agent.

Graham Greene called le Carré's 1963 novel "the best spy story I have ever read," and its bleak force remains undiminished while Smiley has, of course, endured. Guilt-ridden yet relentless, English literature's most complex espionage agent soon became both the sage and conscience of his trade. And of his country. For if the two novels mentioned above — along with The Looking Glass War — constitute the early distillation of le Carré's themes of secrecy and betrayal, loyalty and courage, and the subsequent Karla trilogy (Tinker, Tailor, Soldier, Spy; The Honourable Schoolboy; Smiley's People) their fleshier incarnation, all are indictments of post-Empire Britain. And of class, always class, which le Carré skewers with lethal accuracy. "His suit was just too light for respectability," Smiley notes in Call for the Dead of a bureaucrat who is "a barmaid's idea of a real gentleman."

And now in A Legacy of Spies, "A fresh-faced, bespectacled English public schoolboy of indefinable age in shirt and braces bounces out from behind a table. "I'm Bunny, by the by," he announces. "Bloody silly name, but it's followed me around since infancy and I can't get rid of it." Bunny, a lawyer for the Service, is about to interrogate (chummily, at first) Smiley's old protégé Peter Guillam, who has been summoned to London from retirement in Brittany — "to clear up a bit of unpleasantness from the past, dear boy." The unpleasantness in question is, in fact, the story of The Spy Who Came in from the Cold — for Alec Leamas, it turns out, had a son, and Liz Gold had a daughter. "They have convinced themselves, not without reason, that their respective parents died as a consequence of what appears to have been a five-star-cock-up by this Service, and by you and George Smiley personally," Bunny explains. "They are seeking full disclosure, punitive damages and a public apology that will name names."

Guillam, his passport confiscated, must revisit the files on Operation Windfall (conveniently if improbably stored in the original safe house) and reveal all. Because, as Bunny's colleague puts it, "Once we have the truth, we'll know how to doctor it." Le Carré has lost none of his sardonic wit. And his taut descriptions still exude menace and dread, particularly in the flashbacks that bring this novel to life. "Inside Berlin city limits," Alec Leamas reports in his 1960 debriefing, "but it's forest, flat roads and flying snow. We pass the old Nazi radio station which is our first marker. The Citroen's a hundred yards behind us, not enjoying the icy roads. We go into the dip, gathering speed." Leamas is extracting an agent, code-named Tulip, from East Germany, in a subplot that forms a critical link with The Spy Who Came in from the Cold and is expertly interwoven. "In one chair sits George Smiley," Leamas recalls of the session, soon after Tulip's escape, in which an enemy agent is turned, "looking the way only George looks when he's conducting an interrogation: a bit put out, a bit pained, as if life is one long discomfort for him and no one can make it tolerable except just possibly you. And across from George in the other chair sits a powerful blond man of my own age with fresh bruises round his eyes." Leamas is looking at the man who will soon have him killed.

Peter Guillam is our guide through this maze of interlocking plots, which does indeed lead to Smiley, but not before a child of the past runs Guillam himself to ground. "The face [is] Alec's, but with pouchy discontent where pain lines should have been. The same pugnacious jaw. In the brown eyes, when they bothered with you, the same flashes of buccaneering charm." This is Christoph, Alec Leamas's son and another of le Carré's masterful character sketches. "You know what? Patriotism is dead, man," he lectures Guillam. "Patriotism is for babies. If this case goes international, patriotism as a justification will not fly. Patriotism in mitigation is officially fucked. Same as elites. Same as you guys." Coked up and scruffily menacing, he demands a million euros: "No lawyers, no human rights, no bullshit." A gun does come into it, in a brilliantly pathetic scene that shows how death might arrive clumsily, with no more purpose than a tantrum. Where his father had courage, Christoph has merely appetite.

But le Carré, clear-eyed as ever, is not casting back to a nobler age. If the narrator of an earlier novel, The Secret Pilgrim, says of Smiley, "He hates nostalgia, even if he's part of other people's," then the same can be said of his creator. In A Legacy of Spies, the glib technocrats of the shiny new Service are wonderfully and contemptuously drawn, but their old-school predecessors are the ones called to account. And, fittingly, by children. For children, in one form or another, have always been central in le Carré's novels. From Billy Roach, the watchful schoolboy in Tinker, Tailor, Soldier, Spy, to the vengeful orphans here and, indeed, to Guillam himself, the golden boy molded by Smiley. "Well, now for the reckoning at last," he concludes, " . . . did you, George, consciously set out to suppress the humanity in me, or was I just collateral damage too?" And was Guillam's Cold War a noble cause? "Or were we simply suffering from the incurable English disease of needing to play the world's game when we weren't world players any more." (The question haunts le Carré's fiction. The enduring appeal of his novels, however, lies not in their philosophy but in their exquisite density of character and place, the result of le Carré's unrivaled ability to see: winter light after rain, snow on cobblestones, a traitor's smile. And if A Legacy of Spies is thinner in this sense, the reader, unlike the spy, can always return to the past for pleasure.

Anna Mundow, a longtime contributor to The Irish Times and The Boston Globe, has written for The Guardian, The Washington Post, and The New York Times, among other publications.

Reviewer: Anna Mundow

The New York Times - Dwight Garner

The good news about A Legacy of Spies is that it delivers a writer in full. Le Carré's prose remains brisk and lapidary. His wit is intact and rolls as if on casters. He is as profitably interested as ever in values, especially the places where loyalty, patriotism and affection rub together and fray. He wears his gravitas lightly…Le Carré is not of my generation but I have read him for long enough to understand how, for many readers, his characters are old friends—part of their mental furniture. There's something moving about seeing him revive them so effortlessly, to see that the old magic still holds. He thinks internationally but feels domestically. In an upside-down time, he appeals to comprehension rather than instinct. I might as well say it: to read this simmering novel is to come in from the cold.

From the Publisher

[Le Carré's] novels are so brilliant because they’re emotionally and psychologically absolutely true, but of course they’re novels.” —New York Times Book Review

“Le Carré’s prose remains brisk and lapidary. His wit is intact and rolls as if on casters... I might as well say it: to read this simmering novel is to come in from the cold.” New York Times

“Le Carré is such a gifted storyteller that he interlaces the cards in his deck so they fit not simply with this book, but with the earlier ones as well.” —The Atlantic

"A kind of eulogy for the present as well as the past, A Legacy of Spies is haunting." —Chicago Tribune

"Swift and satisfying." USA Today

“We wish for more complexity and logic in our politics, so we look to make political art that is logical and complex: a genre defined by John le Carré.” —New Republic

“The spy master’s latest Smiley novel entwines today’s world with a lost one... Ingenious."
—Washington Post

"Intricately plotted and richly satisfying." —Star Tribune

"Gripping."—The Christian Science Monitor

"[Le Carré] can convey a character in a sentence, land an emotional insight in [a] phrase & demolish an ideology in a paragraph." Publishers Weekly (starred)

“Any reader who knows le Carré's earlier work, and quite a few who don't, will assume that any attempt to second-guess the mandarins of the Service will backfire. The miracle is that the author can revisit his best-known story and discover layer upon layer of fresh deception beneath it.”
Kirkus

Praise for John le Carré

“One of our great writers of moral ambiguity, a tireless explorer of that darkly contradictory no-man’s land.”
Los Angeles Times
 
“No other writer has charted—pitilessly for politicians but thrillingly for readers—the public and secret histories of his times.”
The Guardian (UK)
 
“I would suggest immortality for John le Carré, who I believe one of the most intelligent and entertaining writers working today.”
—Alan Cheuse, Chicago Tribune
 
“The constant flow of emotion lifts le Carré not only above all modern suspense novelists, but above most novelists now practicing.”
Financial Times
 
“A writer of towering gifts.”
The Independent (UK)

Kirkus Reviews

2017-06-20
After having turned from his peerless chronicles of George Smiley and his fellow spies to the tale of his own life (The Pigeon Tunnel: Stories from My Life, 2016), le Carré returns to put yet another spin on the events of The Spy Who Came in from the Cold (1963).Looking back from half a century later, Peter (ne Pierre) Guillam resolves to tell the truth of how his senior colleague Alec Leamas met his death along with his lover, Elizabeth Gold, that fatal day at the Berlin Wall. More than an old man's memories prompt this valediction. When Peter, long retired from the British Intelligence Service to a Brittany farm, is summoned back to London, the Service's chief lawyer, a man who introduces himself only as Bunny, informs him that Christoph Leamas, Alec's bastard son, has discovered Liz's daughter, Karen, and made common cause with her, threatening a lawsuit against the Service and correspondingly ruinous publicity for leading their parents to their deaths through misdirection, falsehood, and professional betrayal. Many of the documents that might help explain the circumstances, Bunny notes with asperity, have gone suspiciously missing; what troubles Peter even more is the documents that survive, which root Alec's and Liz's fatal shootings not only in Alec's long-known battle of wits against Stasi Deputy Head Hans Dieter Mundt, but also Alec's well-concealed and institutionally unauthorized attempt to smuggle out of East Germany his most recent supplier of information, Doris Gamp (codenamed Tulip), the put-upon assistant to senior Stasi official Dr. Emmanuel Rapp who's been passing on photographs of classified documents her husband, ambitious Stasi functionary Lothar Quinz, has brought home. Any reader who knows le Carré's earlier work, and quite a few who don't, will assume that any attempt to second-guess the mandarins of the Service will backfire. The miracle is that the author can revisit his best-known story and discover layer upon layer of fresh deception beneath it.

Product Details

BN ID: 2940169123722
Publisher: Penguin Random House
Publication date: 09/05/2017
Series: George Smiley Series
Edition description: Unabridged

Read an Excerpt

Chapter One

What follows is a truthful account, as best I am able to provide it, of my role in the British deception operation, codenamed Windfall, that was mounted against the East German Intelligence Service (Stasi) in the late nineteen fifties and early sixties, and resulted in the death of the best British secret agent I ever worked with, and of the innocent woman for whom he gave his life.
 
A professional intelligence officer is no more immune to human feelings than the rest of mankind. What matters to him is the extent to which he is able to suppress them, whether in real time or, in my case, fifty years on. Until a couple of months ago, lying in bed at night in the remote farmstead in Brittany that is my home, listening to the honk of cattle and the bickering of hens, I resolutely fought off the accusing voices that from time to time attempted to disrupt my sleep. I was too young, I protested, I was too innocent, too naive, too junior. If you’re looking for scalps, I told them, go to those grand masters of deception, George Smiley and his master, Control. It was their refined cunning, I insisted, their devious, scholarly intellects, not mine, that delivered the triumph and the anguish that was Windfall. It is only now, having been held to account by the Service to which I devoted the best years of my life, that I am driven in age and bewilderment to set down, at whatever cost, the light and dark sides of my involvement in the affair.
 
How I came to be recruited to the Secret Intelligence Service in the first place–the ‘Circus’ as we Young Turks called it in those supposedly halcyon days when we were quartered, not in a grotesque fortress beside the River Thames, but in a fustian Victorian pile of red brick, built on the curve of Cambridge Circus–remains as much of a mystery to me as do the circumstances of my birth; and the more so since the two events are inseparable.
 
My father, whose acquaintance I barely remember, was according to my mother the wastrel son of a wealthy Anglo-French family from the English midlands, a man of rash appetites, fast-diminishing inheritance and a redeeming love of France. In the summer of 1930, he was taking the waters in the spa town of Saint-Malo on Brittany’s north coast, frequenting the casinos and maisons closes and generally cutting a dash. My mother, sole offspring of a long line of Breton farmers, at that time aged twenty, also happened to be in town, performing the duties of a bridesmaid at the wedding of the daughter of a wealthy cattle auctioneer. Or so she claimed. However, she is a single source, not above a little decoration when the facts were against her, and it would not at all surprise me if she came into town for less upright purposes.
 
After the ceremony, so her story goes, she and a fellow bridesmaid, the better for a glass or two of champagne, played truant from the reception and, still in their finery, took an evening stroll along the crowded promenade, where my father was also strolling with intent. My mother was pretty and flighty, her friend less so. A whirlwind romance followed. My mother was understandably coy about the pace of it. A second wedding was hastily arranged. I was the product. My father, it appears, was not naturally connubial, and even in the early years of marriage contrived to be more absent than present.
 
But now the story takes an heroic turn. War, as we know, changes everything, and in a trice it had changed my father. Scarcely had it been declared than he was hammering on the doors of the British War Office, volunteering his services to whoever would have him. His mission, according to my mother, was to save France single-handed. If it was also to escape the ties of family, that is a heresy I was never permitted to utter in my mother’s presence. The British had a newly formed Special Operations Executive, famously tasked by Winston Churchill himself with ‘setting Europe ablaze’. The coastal towns of south-  west Brittany were a hotbed of German submarine activity and our local town of Lorient, a former French naval base, the hottest bed of all. Five times parachuted into the Breton flatlands, my father allied himself with whatever Resistance groups he could find, caused his share of mayhem and died a gruesome death in Rennes prison at the hands of the Gestapo, leaving behind him an example of selfless dedication impossible for any son to match. His other legacy was a misplaced faith in the British public school system, which notwithstanding his dismal performance at his own British public school condemned me to the same fate.
 
The earliest years of my life had been passed in paradise. My mother cooked and prattled, my grandfather was severe but kindly, the farm prospered. At home we spoke Breton. At the Catholic primary school in our village, a beautiful young nun who had spent six months in Huddersfield as an au pair taught me the rudiments of the English language and, by national decree, French. In the school holidays I ran barefoot in the fields and cliffs around our farmstead, harvested buckwheat for my mother’s crêpes, tended an old sow called Fadette and played wild games with the children of the village.
 
The future meant nothing to me until it struck.
 
At Dover, a plump lady called Murphy, cousin to my late father, detached me from my mother’s hand and took me to her house in Ealing. I was eight years old. Through the train window I saw my first barrage balloons. Over supper, Mr. Murphy said it would all be over in months and Mrs. Murphy said it wouldn’t, both of them speaking slowly and repeating themselves for my benefit. The next day Mrs. Murphy took me to Selfridges and bought me a school uniform, taking care to keep the receipts. The day after that, she stood on the platform at Paddington station, and wept while I waved goodbye to her with my new school cap.
 
The Anglicization wished on me by my father needs little elaboration. There was a war on. Schools must put up with what they got. I was no longer Pierre but Peter. My poor English was ridiculed by my comrades, my Breton-accented French by my beleaguered teachers. Our little village of Les Deux Eglises, I was informed almost casually, had been overrun by Germans. My mother’s letters arrived, if at all, in brown envelopes with British stamps and London postmarks. It was only years later that I was able to imagine through whose brave hands they must have passed. Holidays were a blur of boys’ camps and proxy parents. Redbrick preparatory schools turned into granite-grey public schools, but the curriculum stayed the same: the same margarine, the same homilies on patriotism and Empire, the same random violence, careless cruelty and unappeased, unaddressed sexual desire. One spring evening in 1944, shortly before the D-Day landings, the headmaster called me to his study and told me that my father had died a soldier’s death, and that I should be proud of him. For security reasons, no further explanation was available.
 
I was sixteen when, at the end of a particularly tedious summer term, I returned to peacetime Brittany a half-grown English misfit. My grandfather had died. A new companion named Monsieur Emile was sharing my mother’s bed. I did not care for Monsieur Emile. One half of Fadette had been given to the Germans, the other to the Resistance. In flight from the contradictions of my childhood and fuelled by a sense of filial obligation, I stowed away on a train to Marseilles and, adding a year to my age, attempted to enlist in the French Foreign Legion. My quixotic venture came to a summary end when the Legion, making a rare concession to my mother’s entreaties on the grounds that I was not foreign but French, released me back into captivity, this time to the London suburb of Shoreditch, where my father’s unlikely stepbrother Markus ran a trading company importing precious furs and carpets from the Soviet Union–except he always called it Russia–and had offered to teach me the trade.
 
Uncle Markus remains another unsolved mystery in my life. I do not know to this day whether his offer of employment was in some way inspired by my later masters. When I asked him how my father had died, he shook his head in disapproval–not of my father, but of the crassness of my question. Sometimes I wonder whether it is possible to be born secret, in the way people are born rich, or tall, or musical. Markus was not mean, or tight, or unkind. He was just secret. He was middle-European, his name was Collins. I never learned what it was before that. He spoke accented English very fast, but I never learned what his mother tongue was. He called me Pierre. He had a lady friend named Dolly who ran a hat shop in Wapping and collected him from the door of the warehouse on Friday afternoons. But I never knew where they went for their weekends, whether they were married to each other, or to other people. Dolly had a Bernie in her life, but I never knew whether Bernie was her husband, her son or her brother, because Dolly was born secret too.
 
And I don’t know even in retrospect whether the Collins Trans-  Siberian Fur & Fine Carpet Company was a bona fide trading house, or a cover company set up for the purpose of intelligence gathering. Later, when I tried to find out, I met a blank wall. I knew that every time Uncle Markus was preparing to visit a trade fair, whether in Kiev, Perm or Irkutsk, he trembled a lot; and that when he came back, he drank a lot. And that in the days leading up to a trade fair, a well-spoken Englishman called Jack would swing by, charm the secretaries, pop his head round the door to the sorting room and call ‘hullo, Peter, all well with you?’ – never Pierre – then take Markus out to a good lunch somewhere. And after lunch, Markus would come back to his office and lock the door.
 
Jack claimed to be a broker in fine sable, but I know now that what he really dealt in was intelligence, because when Markus announced that his doctor wouldn’t allow him to do fairs any more, Jack suggested I come to lunch with him instead, and took me to the Travellers Club in Pall Mall, and asked me whether I would have preferred life in the Legion, and if I was serious about any of my girlfriends, and why I had fled my public school considering I’d been captain of boxing, and whether I had ever thought of doing something useful for my country, by which he meant England, because if I felt I’d missed out on the war on account of my age, this was my chance to catch up. He mentioned my father once only, over lunch, in terms so casual that I might have supposed the topic could equally well have slipped his memory altogether:
 
‘Oh, and concerning your much revered late papa. Strictly off the record, and I never said this. All right by you?’
 
‘Yes.’
‘He was a very brave chap indeed, and did a bloody good job for his country. Both his countries. Enough said?’
‘If you say so.’
‘So here’s to him.’
Here’s to him, I agreed, and we drank a silent toast.
 
At an elegant country house in Hampshire, Jack and his colleague Sandy, and an efficient girl called Emily, whom I immediately fell in love with, gave me the short course in clearing a dead letter box in mid-town Kiev–actually a chunk of loose masonry in the wall of an old tobacco kiosk–of which they had a replica set up in the orangery. And how to read the safety signal that would tell me it was all right to clear it–in this case a piece of tattered green ribbon tied to a railing. And how afterwards to indicate that I had cleared the letter box, by tossing an empty Russian cigarette packet into a litter bin next to a bus shelter.
 
‘And maybe, Peter, when you apply for your Russian visa, better to use your French passport rather than your Brit version,’ he suggested breezily, and reminded me that Uncle Markus had an affiliate company in Paris. ‘And Emily’s off-limits, by the way,’ he added, in case I was thinking otherwise, which I was.
 
*
And that was my first run, my first ever assignment for what I later came to know as the Circus, and my first vision of myself as a secret warrior in my dead father’s image. I can no longer enumerate the other runs I made over the next couple of years, a good half-dozen at least, to Leningrad, Gdansk and Sofia, then to Leipzig and Dresden, and all of them, so far as I ever knew, uneventful, if you took away the business of gearing yourself up, then gearing yourself down again afterwards.
 
Over long weekends in another country house with another beautiful garden, I added other tricks to my repertoire, such as counter-surveillance and brushing up against strangers in a crowd to make a furtive hand-over. Somewhere in the middle of these antics, in a coy ceremony conducted in a safe flat in South Audley Street, I was allowed to take possession of my father’s gallantry medals, one French, one English, and the citations that explained them. Why the delay? I might have asked. But by then I had learned not to.
 
It was not until I started visiting East Germany that tubby, bespectacled, permanently worried George Smiley wandered into my life one Sunday afternoon in West Sussex, where I was being debriefed, not by Jack any more but by a rugged fellow called Jim, of Czech extraction and around my age, whose surname, when he was finally allowed to have one, turned out to be Prideaux. I mention him because later he too played a substantial part in my career.
 
Smiley didn’t say much at my debriefing, just sat and listened and occasionally peered owlishly at me through his thick-rimmed spectacles. But when it was over he suggested we take a turn in the garden, which seemed endless and had a park attached to it. We talked, we sat on a bench, strolled, sat again, kept talking. My dear mother–was she alive and well? She’s fine, thank you, George. A bit dotty, but fine. Then my father–had I kept his medals? I said my mother polished them every Sunday, which was true. I didn’t mention that she sometimes hung them on me and wept. But, unlike Jack, he never asked me about my girls. He must have thought there was safety in numbers.
 
And when I recall that conversation now, I can’t help thinking that, consciously or not, he was offering himself as the father figure he later became. But perhaps the feeling was in me, and not in him. The fact remains that, when he finally popped the question, I had a feeling of coming home, even though my home was across the Channel in Brittany.
 
‘We were wondering, you see,’ he said in a faraway voice, ‘whether you’d ever considered signing up with us on a more regular basis? People who have worked on the outside for us don’t always fit well on the inside. But in your case, we think you might. We don’t pay a lot, and careers tend to be interrupted. But we do feel it’s an important job, as long as one cares about the end, and not too much about the means.’

(Continues…)



Excerpted from "A Legacy of Spies"
by .
Copyright © 2017 John le Carré.
Excerpted by permission of Penguin Publishing Group.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.

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