A New Venetian Coronation, 1595

Editorial Reviews

All Music Guide - Blair Sanderson
A New Venetian Coronation, 1595, is a speculative reconstruction of the liturgy for the solemnization of Marino Grimani as Doge, which occurred April 27, 1595, in the Basilica of San Marco. It is also a vivid re-creation of the first CD by Paul McCreesh and the Gabrieli Consort & Players, A Venetian Coronation, 1595, which was recorded almost 25 years earlier. Evoking the festivities of a late Renaissance celebration, the album opens with tolling bells, crowd noises, firecrackers, and the instrumental pieces that might have accompanied the Doge's procession, such as the "Intrada" by Hans Leo Hassler. The "Coronation Mass" follows, sung in Gregorian chant and ...
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Editorial Reviews

All Music Guide - Blair Sanderson
A New Venetian Coronation, 1595, is a speculative reconstruction of the liturgy for the solemnization of Marino Grimani as Doge, which occurred April 27, 1595, in the Basilica of San Marco. It is also a vivid re-creation of the first CD by Paul McCreesh and the Gabrieli Consort & Players, A Venetian Coronation, 1595, which was recorded almost 25 years earlier. Evoking the festivities of a late Renaissance celebration, the album opens with tolling bells, crowd noises, firecrackers, and the instrumental pieces that might have accompanied the Doge's procession, such as the "Intrada" by Hans Leo Hassler. The "Coronation Mass" follows, sung in Gregorian chant and augmented with polychoral works by Andrea Gabrieli and Giovanni Gabrieli, and punctuated by shorter pieces by Cesare Bendinelli, and Cesario Gussago. One can easily imagine the pomp and ritual of the event from hearing this typically ad hoc Venetian mix of sacred and secular music. However, sticklers may be quick to point out that several of Giovanni Gabrieli's publications are dated from 1597, so their use here probably involves some guesswork of the original composition dates. Furthermore, because there is no surviving Venetian trumpet music, the generic fanfares by Bendinelli are used as substitutes. Taken on the strength of the performances, which demonstrate the diversity of styles in Venice and the varied purposes for which music was used in San Marco, this album is a delightful look at history with a highly imaginative presentation.
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Product Details

  • Release Date: 6/19/2012
  • Label: Signum Uk
  • UPC: 635212028728
  • Catalog Number: 287
  • Sales rank: 58,869

Tracks

Disc 1
  1. 1 Work(s): Bells / Intrada Tertia / Sexta / Septima (Hassler) - Cesare Bendinelli & Hans Leo Hassler (8:21)
    Composed byCesare Bendinelli, Hans Leo Hassler, Various Composers
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  2. 2 Toccata secondo tono, for organ - Giovanni Gabrieli & Gabrieli Consort & Players (2:02)
    Composed byGiovanni Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  3. 3 Introit - Gregorian Chant & Various Composers (4:23)
    Composed byGregorian Chant, Various Composers
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Gabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  4. 4 Intonazione del primo tono, for organ - Giovanni Gabrieli & Gabrieli Consort & Players (0:29)
    Composed byGiovanni Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  5. 5 Missa, for 5 to 16 voices: Kyrie à 5 - Andrea Gabrieli & Gabrieli Consort & Players (1:59)
    Composed byAndrea Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh, Richard Butler
  6. 6 Missa, for 5 to 16 voices: Christe à 8 - Andrea Gabrieli & Gabrieli Consort & Players (2:13)
    Composed byAndrea Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh, Richard Butler, William Gaunt
  7. 7 Missa, for 5 to 16 voices: Kyrie à 12 - Andrea Gabrieli & Gabrieli Consort & Players (3:28)
    Composed byAndrea Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh, Richard Butler, William Gaunt
  8. 8 Missa, for 5 to 16 voices: Gloria à 16 - Andrea Gabrieli & Mark Chambers (5:01)
    Composed byAndrea Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh, Eamonn Dougan, Richard Butler
  9. 9 Collect - Gregorian Chant & Various Composers (1:23)
    Composed byGregorian Chant, Various Composers
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Gabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  10. 10 Epistle - Gregorian Chant & Various Composers (1:04)
    Composed byGregorian Chant, Various Composers
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Gabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  11. 11 Canzon, for 12 parts - Giovanni Gabrieli & Gabrieli Consort & Players (2:47)
    Composed byGiovanni Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  12. 12 Intonazione del settimo tono, for organ - Andrea Gabrieli & Giovanni Gabrieli (1:13)
    Composed byAndrea Gabrieli, Giovanni Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  13. 13 Deus qui beatum Marcum, motet for 10 voices - Giovanni Gabrieli & Mark Chambers (2:50)
    Composed byGiovanni Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  14. 14 Missa, for 5 to 16 voices: Sanctus & Benedictus à 12 - Andrea Gabrieli & Gabrieli Consort & Players (3:40)
    Composed byAndrea Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh, Richard Butler, William Gaunt
  15. 15 Canzon No. 16, for 12 parts - Giovanni Gabrieli & Gabrieli Consort & Players (4:33)
    Composed byGiovanni Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  16. 16 Pater Noster - Gregorian Chant & Various Composers (2:02)
    Composed byGregorian Chant, Various Composers
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Gabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  17. 17 Agnus Dei - Gregorian Chant & Various Composers (1:24)
    Composed byGregorian Chant, Various Composers
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Gabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  18. 18 Intonazione del quinto tono alla quarta bassa, for organ - Giovanni Gabrieli & Gabrieli Consort & Players (0:41)
    Composed byGiovanni Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  19. 19 O sacrum convivium, motet for 5 voices - Andrea Gabrieli & Gabrieli Consort & Players (3:58)
    Composed byAndrea Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Gabrieli Consort & Players, Paul McCreesh, Paul McCreesh, Eamonn Dougan, Richard Butler, William Gaunt, Greg Skidmore
  20. 20 Canzon No. 9 for 8 parts - Giovanni Gabrieli & Gabrieli Consort & Players (4:22)
    Composed byGiovanni Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  21. 21 Prayer after Communion - Gregorian Chant & Various Composers (1:57)
    Composed byGregorian Chant, Various Composers
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Gabrieli Consort & Players, Paul McCreesh, Paul McCreesh
  22. 22 Omnes gentes plaudite manibus, motet for 16 voices - Giovanni Gabrieli & Mark Chambers (4:27)
    Composed byGiovanni Gabrieli
    Conducted byPaul McCreesh
    Performed byGabrieli Consort & Players, Paul McCreesh, Paul McCreesh, Eamonn Dougan, Richard Butler
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Album Credits

Performance Credits
Paul McCreesh Primary Artist
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