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A Night on the Town

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All Music Guide - Stephen Thomas Erlewine
In some ways, it's easy to think of A Night on the Town, Rod Stewart's second album for Warner, as a reprisal of the first, cut with many of the same musicians as Atlantic Crossing, produced once again by Tom Dowd, and even following its predecessor's conceit of having a "Slow Side" and "Fast Side" granted, this flips the two around, opening with the slow one first. Superficially, this seems true, but A Night on the Town has a crucial difference: despite its party-hearty title, this album finds Stewart folding folk back into his sound, a move that deepens the music tonally and emotionally, particularly in the case of "The Killing of Georgie Pts. 1 & 2," ...
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03/22/2011 CD Original recording remastered BRAND NEW! Fast Shipping! Tracking included! 100% Satisfaction Guaranteed! ! ! Brand New, Fast Shipping, Satisfaction Guaranteed! ! ! ... Satisfaction Guaranteed! Read more Show Less

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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
In some ways, it's easy to think of A Night on the Town, Rod Stewart's second album for Warner, as a reprisal of the first, cut with many of the same musicians as Atlantic Crossing, produced once again by Tom Dowd, and even following its predecessor's conceit of having a "Slow Side" and "Fast Side" granted, this flips the two around, opening with the slow one first. Superficially, this seems true, but A Night on the Town has a crucial difference: despite its party-hearty title, this album finds Stewart folding folk back into his sound, a move that deepens the music tonally and emotionally, particularly in the case of "The Killing of Georgie Pts. 1 & 2," Rod's most ambitious original. A winding, sensitive narrative about the murder of a gay friend -- a hate crime years before the term existed -- "The Killing of Georgie" finds Stewart filtering Dylan through his own warm, conversational style, creating a remarkable work unlike anything else in his body of work, yet the song's smooth synthesis of folk storytelling, soul, and incipient disco act as an appropriate conclusion to a side-long suite of songs of seduction, beginning with his classic come-on "Tonight's the Night Gonna Be Alright," running through his splendid reading of Cat Stevens' "The First Cut Is the Deepest," and his fine original "Fool for You." On the Fast Side, Stewart has only one original -- the lewd, riotous "The Balltrap" -- but he more makes up for it by spinning two country classics, Gib Guilbeau's "Big Bayou" and Hank Thompson's "The Wild Side of Life," into thick, Stonesy rock & roll, and turning Manfred Mann's "Pretty Flamingo" into a rave-up. With all this in mind, A Night on the Town isn't a revival of Atlantic Crossing, it's its inverse, with Stewart shining as an interpreter on the fast songs and writing the best slow ones, but it's also its equal, proving that Stewart could still stay true to his open-hearted, ragged soul while on a big budget.
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Product Details

  • Release Date: 3/22/2011
  • Label: Rhino
  • UPC: 081227977702
  • Catalog Number: 47730

Album Credits

Performance Credits
Rod Stewart Primary Artist
Steve Cropper Guitar
David Lindley Guitar
Joe Walsh Guitar
Plas Johnson Tenor Saxophone, Soloist
Tommy Vig Percussion
David Foster Keyboards
Barry Beckett Keyboards
J. Davis Guitar
Donald "Duck" Dunn Bass
Bob Glaub Bass
Roger Hawkins Drums
David Hood Bass
John Jarvis Keyboards
Jerry Jumonville Tenor Saxophone, Soloist
Joe Lala Percussion
Andy Newmark Drums
Lee Sklar Bass
J. Smith Keyboards
Fred Tackett Guitar
Willie Weeks Bass, Guitar
Al Jackson Jr. Drums
Tower of Power Horn Section Horn
Richard Schlosser Drums
Technical Credits
Cat Stevens Composer
Rod Stewart Composer
Mel Lewis String Arrangements
Jimmy Horowitz String Arrangements
Ralph MacDonald Composer
Mike Bryan Cover Painting
Arlie Carter Composer
Tom Dowd Producer
Arif Mardin String Arrangements
Dee Robb Engineer
Joe Robb Engineer
William Salter Composer
William Warren Composer
Mark Barkan Composer
Arnold Stiefel Management
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