A Photographer's Life: 1990-2005

A Photographer's Life: 1990-2005

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by Annie Leibovitz

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“I don’t have two lives,” Annie Leibovitz writes in the Introduction to this collection of her work from 1990 to 2005. “This is one life, and the personal pictures and the assignment work are all part of it.” Portraits of well-known figures–Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion,


“I don’t have two lives,” Annie Leibovitz writes in the Introduction to this collection of her work from 1990 to 2005. “This is one life, and the personal pictures and the assignment work are all part of it.” Portraits of well-known figures–Johnny Cash, Nicole Kidman, Mikhail Baryshnikov, Keith Richards, Michael Jordan, Joan Didion, R2-D2, Patti Smith, Nelson Mandela, Jack Nicholson, and William Burroughs–appear alongside pictures of Leibovitz’s family and friends, reportage from the siege of Sarajevo in the early Nineties, and landscapes. The pictures form a narrative of a life rich in contrasts and continuities. The photographer has a long relationship that ends with illness and death. She chronicles the celebrations and heartbreaks of her large and robust family. She has children of her own. All the while, she is working, and the public work resonates with the themes of the life.

Editorial Reviews

From the Publisher
“Annie Leibovitz’s photographic memoir of the past fifteen years in her life captures powerful, intimate moments. . . . She juxtaposes the most personal against the full-color flash of celebrities and the grandeur of the natural landscape against the bloody horror of war. A Photographer’s Life is a testament to a life lived large–and in full embrace.”—More magazine

“Her fans may be astonished both by the range of the work and the unstudied, everyday quality of some of the images–a family day at the beach, a newborn in the delivery room.”—Newsweek

“A revelation.”—Boston Sunday Globe

“Startling.”—Washington Post

"When I say I want to photograph someone, what it really means is that I'd like to know them. Anyone I know I photograph." As if to demonstrate its author's point, A Photographer's Life follows Annie Leibovitz through 15 years of camera encounters, recapturing her lens snaps of presidents, actors, authors, war orphans, sports stars, musicians, and her own children. Her family portraits add balance and ballast to her studies of international celebrities. Those searching for the latter will find them here in abundance: William Burroughs, George W. Bush, Joan Didion, Patti Smith, Johnny Cash, Nicole Kidman, Keith Richards, Jack Nicholson, Nelson Mandela, Mikhail Baryshnikov, Michael Jordan, and more.
Library Journal
Personal images from someone who's so good at turning the lens the other way. Copyright 2006 Reed Business Information.

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Random House Publishing Group
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9.94(w) x 12.54(h) x 1.42(d)

Meet the Author

Annie Leibovitz was born on October 2, 1949, in Waterbury, Connecticut. Her father was an officer in the air force and her childhood was spent on a succession of military bases. She began her career as a photojournalist for Rolling Stone in 1970, while she was still a student at the San Francisco Art Institute. Her pictures have appeared regularly on magazine covers ever since, and her large and distinguished body of work encompasses some of the most well-known portraits of our time.

Leibovitz’s first major assignment was for a cover story on John Lennon. She became Rolling Stone’s chief photographer in 1973, and by the time she left the magazine, ten years later, she had shot 142 covers and published photo-essays on scores of stories, including her memorable accounts of the resignation of Richard Nixon and of the 1975 Rolling Stones tour. In 1983, when she joined the staff of the revived Vanity Fair, she was established as the foremost rock music photographer and an astute documentarian of the social landscape. At Vanity Fair, and later at Vogue, she developed a large body of work–portraits of actors, directors, writers, musicians, athletes, and political and business figures, as well as fashion photographs–that expanded her collective portrait of contemporary life. In addition to her editorial work, she has created several influential advertising campaigns, including her award-winning portraits for American Express and the Gap. She has also collaborated with many arts organizations. Leibovitz has a special interest in dance, and in 1990 she documented the creation of the White Oak Dance Project with Mikhail Baryshnikov and Mark Morris.

Several collections of Leibovitz’s work have been published. They include Annie Leibovitz: Photographs (1983); Annie Leibovitz: Photographs 1970—1990 (1991); Olympic Portraits (1996); Women (1999), in collaboration with Susan Sontag; American Music (2003); and Annie Leibovitz at Work (2008), a first-person commentary on her career, from her coverage of the resignation of Nixon to the commissioned portraits of Queen Elizabeth II. Exhibitions of her work have appeared at museums and galleries all over the world, including the National Portrait Gallery and the Corcoran Gallery in Washington, D.C.; the International Center of Photography in New York; the Stedelijk Museum in Amsterdam; the Maison Européenne de la Photographie in Paris; and the National Portrait Gallery in London. The exhibition A Photographer’s Life, 1990—2005 opened at the Brooklyn Museum and toured internationally.

Leibovitz is the recipient of many honors. In 2006 she was decorated a Commandeur in the Ordre des Arts et des Lettres by the French government. The previous year, in a compilation of the forty top magazine covers of the past forty years by the American Society of Magazine Editors, she held the top two spots (#1 for the photograph of John Lennon and Yoko Ono taken for Rolling Stone the day Lennon was shot, and #2 for the pregnant Demi Moore in Vanity Fair). Leibovitz has been designated a Living Legend by the Library of Congress. She lives in New York with her three children, Sarah, Susan, and Samuelle.

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A Photographer's Life 4.2 out of 5 based on 0 ratings. 9 reviews.
Guest More than 1 year ago
It was a beautiful book. and a memorable one. The photography is enjoyable, but its not a must have book for the photography lover. Its a great coffie table book, but not much else.
Guest More than 1 year ago
I, personally, loved this book. Annie had photographs compiled to show us LIFE, not just a compilation of her best works. This book was a document of her life over the past 15 or so years. She had photos from things she had experienced mixed among pictures she had done on commission done on commission, because all are a part of life to her, and meant something to her personally. I really recommend it to anyone with an appreciation of all things in life or even just photography in general.
Guest More than 1 year ago
I was really looking forward to this new book. I have enjoyed her photography for years. I am glad I was able to look through it at Barnes and Noble before actually purchasing the book....I would have considered it a waste of money because one time through was certainly enough for me.
Guest More than 1 year ago
1990 - 2005 is the period of time brilliant photographer Annie Leibovitz elects to share with us. Not only is this hefty and beautifully designed volume of her work of artistic significance, it is also one of the more understated yet tender musings on the life cycle as it affects one person. One of the most sought after portrait photographers in the world, this volume does not disappoint those whose major interest is seeing the big celebrities in the inimitable manner in which Leibovitz captures them: her portraits arrest time and allow us to linger in that sacred moment of connection between artist and model like few others can achieve. Here are photographs of Sylvester Stallone with his aging upper torso alone showing - a study in the inevitable pull of gravity that age diminishes youth images of stars like Nicole Kidman and Jack Nicholson, of political figures like Bush cum cabinet and Arnold Schwarzenegger, writers like Joan Didion, William Burroughs - the list is long. But what grounds this collection is Leibovitz' self portraits in the tub, images of her family both immediate and extended, and one of the more sensitive tributes to the much missed Susan Sontag who lived with Leibovitz through her chemotherapy and demise. Not since Don Bachardy drew the last days of his dying Christopher Isherwood has there been a more respectful yet wholly immediate audience with death. Leibovitz' writing adds to the portfolio, a bonus here as she is usually not a woman of words. But taken as a whole this is a volume of the work and mind and heart of Annie Leibovitz that is well worth its high cost: these images will stay with the viewer indelibly. Grady Harp
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