A Real Live Hero (Harlequin Super Romance Series #1911) [NOOK Book]

Overview

Go big, or go home 

TV producer Delainey Clarke thought she was done with Homer, Alaska. Until a last-ditch attempt to save her career lands her in town, filming a reality-show pilot about expert search-and-rescue tracker Trace Sinclair. Trace is also the man whose heart she broke in half years ago. A man whose kisses are as powerful as the grudge he still holds against her. 

Delainey can't afford to let Trace's attitude interfere ...

See more details below
A Real Live Hero (Harlequin Super Romance Series #1911)

Available on NOOK devices and apps  
  • NOOK Devices
  • Samsung Galaxy Tab 4 NOOK 7.0
  • Samsung Galaxy Tab 4 NOOK 10.1
  • NOOK HD Tablet
  • NOOK HD+ Tablet
  • NOOK eReaders
  • NOOK Color
  • NOOK Tablet
  • Tablet/Phone
  • NOOK for Windows 8 Tablet
  • NOOK for iOS
  • NOOK for Android
  • NOOK Kids for iPad
  • PC/Mac
  • NOOK for Windows 8
  • NOOK for PC
  • NOOK for Mac
  • NOOK for Web

Want a NOOK? Explore Now

NOOK Book (eBook - Original)
$3.99
BN.com price

Overview

Go big, or go home 

TV producer Delainey Clarke thought she was done with Homer, Alaska. Until a last-ditch attempt to save her career lands her in town, filming a reality-show pilot about expert search-and-rescue tracker Trace Sinclair. Trace is also the man whose heart she broke in half years ago. A man whose kisses are as powerful as the grudge he still holds against her. 

Delainey can't afford to let Trace's attitude interfere with production—any more than she can resist falling back into his bed. But for how long? Because Delainey isn't trading Hollywood for Homer…not even for Trace.

Read More Show Less

Product Details

  • ISBN-13: 9781460327890
  • Publisher: Harlequin
  • Publication date: 3/1/2014
  • Series: Sinclairs of Alaska
  • Sold by: HARLEQUIN
  • Format: eBook
  • Edition description: Original
  • Pages: 304
  • Sales rank: 301,906
  • File size: 341 KB

Meet the Author

Kimberly Van Meter started her writing career at the age of 16 when she finished her first novel, typing late nights and early mornings, on her mother’s old portable typewriter. She received The Call in March 2006 with Harlequin Superromance and hasn't looked back since. She currently writes for Harlequin Superromance and Harlequin Romantic Suspense.

Kimberly, her husband and their three children make their home in the Central Valley of California.

Read More Show Less

Read an Excerpt

"Tough break on Vertical Blind.'

Delainey Clarke glanced up at the sympathetic voice and offered a tight smile in response, but hurried all that much more quickly down the brightly lit hallway, hoping she could reach her small cubicle of an office and hide.

She managed to slip inside and dropped the fake smile the minute she was safely behind the closed door.

Tough break? More like death knell. Vertical Blind had been her last chance at making her mark at the network as an associate producer, and it had bombed so badly her boss had not only passed on picking up the pilot but had given her newest idea the sardonic brow, as if to ask, "Are you kidding me?" which did not bode well for her future.

Hollywood was a rough town-no, actually, it wasn't a town at all because that would imply that it was inhabited by people. Hollywood was a shark tank, and she was definitely feeling more like chum than a predator at the top of the food chain. What was she going to do? At this rate, she needed more than just a hit, she needed an award-winning, knock-it-out-of-the-park hit in order to restore her status around the network before someone else came along and booted her from her tiny, cramped office.

Suddenly, the back of her head connected with the door as someone tried to enter, and she stumbled away, rubbing the back of her skull with a scowl as Hannah Yaley walked in looking day-spa fresh and plainly perplexed.

"Delainey…were you leaning against the door?" she asked.

Speaking of sharks. Delainey smiled for Hannah's benefit, though why she even bothered, Delainey wasn't sure. They didn't like each other, but for the sake of appearances they played the same passive games as everyone else in this fake town. "What can I do for you, Hannah?" she asked, smoothing the tiny wrinkles from her slim skirt and wondering how Hannah always managed to look as if she'd just collected her clothes from the dry cleaners. "Congratulations on the ratings of Hubba Hubba," she added with false cheer while gagging on the inside. Reality shows were cheap to produce and easy to make a good impression on within the right demographic, but shooting a reality show about the wild shenanigans of college coeds during spring break was like shooting fish in a barrel. Hubba Hubba had beaten out every other show in its demographic, making Hannah Yaley the new network darling. And Hannah hated Delainey.

"Thank you, we're very proud of our team," Hannah murmured with put-on modesty. Then her expression crumpled appropriately as she added, "I was so bummed to hear about Vertical Blind. I had such high hopes."

Sure you did. "Well, I should've known… A drama about rock climbing was a logistic nightmare, not to mention expensive, and if you don't get the right time slot…" She let the rest of the excuses trail, knowing she sounded like a pathetic loser and preferring to act as if the failure was simply an unfortunate casualty of the business and no real tragedy to her personally.

God, if only that were true. Hannah nodded in complete understanding, but her eyes glittered with undisguised mirth as she said, "Well, I just wanted to pop in and see how you were doing. I was worried you might've taken this recent failure a little hard. But I should've known you'd handle it with grace. You are such an inspiration, Delainey. If I were you, I'd probably end up sobbing in a corner, sucking down vodka and cranberry until I died of alcohol poisoning."

She emitted a sharp laugh at her own joke, and Delainey gave her a brittle smile in return.

"Yes, well, where I'm from, giving up isn't an option."

"Oh, that's right, you're from Alaska…." Hannah shuddered delicately. "Must be murder on the skin. But then, it's not as if there's much opportunity to show much skin when you're bundled in a parka, right?"

Delainey affected a surprised expression as she glanced at the wall clock. "Damn, I have an appointment to get to," she said, grabbing her purse. "Thanks for checking up on me. It means a lot that you care."

Hannah's expression was mildly frosty as she replied, "Of course. We girls have to stick together in this boys' club."

"Absolutely," Delainey agreed, yet wished she could roll her eyes so hard she saw her brain. Just once, she'd like to call Hannah on all her fake bullshit, but Hannah was the favored one right now and Delainey was already getting appraising glances from the other producers, the vultures. She shouldered her purse and followed Hannah out into the hall. "Anyway, good chatting with you. On to bigger and better, right?"

Hannah's expression was patronizing as she said, "That a girl. Such spirit…" before walking away-and if Delainey wasn't mistaken, her shoulders were shaking with suppressed laughter.

Argh! Delainey wished she had a real appointment to dash off to. That might lift her spirits at least a little bit, but as it was, her calendar was depressingly free of appointments. No one was interested in taking a meeting with Delainey Clarke.

Not even the public access channels.

When she'd first arrived in California, she'd been hungry for a new life. Everything had been new and exciting, and she'd been eager to learn the rules of Hollywood's brutal social game. But the bloom had certainly worn off the rose at this point. You're just depressed over Vertical Blind, she told herself, trying to prop up her ego and heal her bruised feelings. This is the nature of the business that you love.

Did she love it? Not at the moment.

Delainey detoured to her favorite coffee shop, and even though she knew she shouldn't spend the money on such a frivolous purchase, she really didn't think she could face the rest of the day without something sugary and caf-feinated.

She needed a hit. God, please. She'd come too far to fail now. She'd do anything to succeed. Just send me something I can work with…

Trace Sinclair fought the urge to bat the microphone out of his face as he cast the reporter at the other end a dark look. "I've already given a statement," he said curtly, pushing his way past the throng of reporters all clamoring for an exclusive that he'd already said repeatedly he wasn't going to give. Damn nuisances. He was just doing his job. Why didn't they pester someone who was interested in flapping their jaws about themselves? "Is it true you're the best tracker in the state of Alaska?"

"How did you know where to find Clarissa Errington?"

"Were the conditions a hindrance to your tracking skills?"

"How close to death was the governor's daughter when you rescued her from the mountain?"

"Please, Mr. Sinclair, don't you know you're a hero? Wouldn't you like to tell your side of the story?"

"No."

"Mr. Sinclair!"

Trace climbed into his truck and gladly put the horde behind him, finally able to breathe. But before he could fully relax, his cell phone rang. He peered at the evil piece of technology that he abhorred and restrained himself from chucking it into a snowbank when he saw his boss's number pop up on the screen. He bit back a muttered curse and answered the phone.

"Yeah?"

"Would it kill you to grant an interview or two? It's really good publicity for the Search and Rescue program, and we could use a little good press, if you know what I mean."

"It's not my job to pander to the press. It's my job to find people. End of story. I don't remember reading anything in my job description that said one word about granting interviews that no one's going to care about when the next big story hits."

"No one cares about lost tourists-but everyone cares about a lost thirteen-year-old girl who just happens to be the governor's daughter. It might not be your thing, but it's big news, and you will give the press a story."

"If I said 'bite me,' would you fire me?" he asked.

"No, because that's exactly what you'd want me to do so you could get out of talking to the press. C'mon, Trace…take one for the team. We need this."

Trace swore and shook his head, knowing Peter would badger him almost as incessantly as the press, and frankly, it would be harder to avoid his boss than the reporters. "One interview," he said. "And I mean-one."

"I guess if that's all I can get out of you," grumbled Peter, adding a sharp, "But it'd better be a good interview. Plug the program several times and make sure you mention how you couldn't have found the girl without your support crew."

"Yeah, sure," Trace said. "Gotta go. Set up the interview and let me know when and where. I'll show up with bells on."

"Sure you will," Peter said, not believing him for a second. "If you don't show up…"

"I will," he assured Peter, sighing. "I promise."

"Good." Peter clicked off and Trace tossed his phone onto the seat, freshly irritated. He didn't understand what the big fascination was with him doing his job. Nobody got this fired up about the mailman delivering the mail. Why should anyone care about what he did? In a perfect world, everyone minded their own damn business and left each other alone.

He hated reporters.

He hated the limelight.

And he most definitely hated toeing the line for someone else's agenda.

The only thing that made this situation tolerable was the fact that Clarissa Errington hadn't been frozen solid by the time he'd found her.

He swallowed the sour lump in his throat.

Clarissa had cried with relief when she'd seen him appear from the dense forest, his orange vest blazoned with Search and Rescue in bold black lettering, and she had stumbled into his arms, terrified and sobbing, so cold she could barely hold on to him.

It wasn't that he was flippant about saving a child's life; it was that he simply didn't want accolades for doing his job. He wasn't a hero, and he hated when anyone used that term to describe him.

He was no hero. He was just a guy trying to make a living doing the only thing he'd ever been good at.

What was so interesting about that?

He needed a beer. Maybe two or three. Was it considered bad form to show up to an interview drunk? Celebrities did it, so why couldn't he? That ought to quash any more of that hero talk that kept getting tossed around.

Peter would likely blow his top if he walked in three sheets to the wind, and Trace didn't want an earful from Peter's wife, Cindy, who'd blame him for causing Peter's blood pressure to skyrocket.

Nope, he realized. Stone-cold sober was the only way available to him.

Just get it over with and be done with it, he told himself.

Twenty minutes of his life and then he could put the nuisance behind him. After that, everything could return to normal and the rest of the world would find something else to chew on while he went back to doing his job-quietly and without microphones being shoved in his face.

CHAPTER TWO

Delainey settled into her leather-backed chair, ready to throw everything she had into this pitch meeting, having spent a week brainstorming for the most interesting and stellar idea for a new show in the hopes that the gods of television were smiling down on her and would grant her a boon.

Her nerves buzzed from too much caffeine, but she was operating on too little sleep and couldn't chance that she might doze off at the most inopportune time. Calm down, she told herself sternly, working hard to breathe slowly and steadily to still her shaking fingers. This is only the single most important meeting of your life, so why stress? Ugh.

Frank Pilcher, head of programming, sat at the head of the long conference table, looking as austere and foreboding as ever, and no matter how many times Delainey tried smiling and putting on her best face, he rarely appreciated her efforts. In short, that man terrified her- more so now than ever because that baleful stare seemed centered on her more than anyone else. Or maybe she was just being paranoid….

"Vertical Blind has, in the history of this network, lost more money in the first six weeks than any new show given the green light from this company in the past five years. What have you got for us to lose money on this time, Ms. Clarke?"

Oh. Maybe she wasn't being paranoid. Was it possible to slide down in her chair and slink from the room on the power of her own mortification? A shaky smile fit itself to her lips and she opened her day planner with all her notes and ideas, but her eyesight had begun to swim.

"Well?"

"Uh, yes, well, Vertical Blind did not perform as well as we had hoped," Delainey admitted, clearing her voice when a small shake betrayed her. "But, I have been studying the demographic test groups and have found that-"

"Conversely, Ms. Yaley, your show, Hubba Hubba, is blowing all projections out of the water," Frank said, cutting Delainey off in mid-sentence, causing her cheeks to flare with heat as she had no choice but to sit and nod in response to Frank's assessment. "The kids seem to like watching one train wreck after another ad nauseum."

"Yes, sir. We are very pleased with the momentum of Hubba Hubba," Hannah said with a smile. "The show easily snags the seventeen to twenty-five age bracket, and already we're getting calls from quality advertisers eager to place their product in the commercial slots. Overall, I'd call Hubba Hubba a smashing success, one the network can be proud of."

"It's lucrative for sure, but something to be proud of? I wouldn't go that far," Frank said, surprising both Hannah and Delainey. "Although Vertical Blind dropped like a stone, the concept was, at least, less inane than Hubba Hubba."

Hannah lost her smug smile and nodded, unsure of how to respond, not that it mattered because Frank had moved on. "There was a time when we made quality programming. We need to find a way to do that as well as continue to make money. Thus far, we've missed that mark. I want to hear ideas that do both. And I don't want to hear any more ideas about shows that follow young, drunken idiots around all summer," he warned the group with a dark glare. "I want to hear something people can really get behind and care about, and not because it's filled with debauchery or alcohol-soaked shenanigans."

Hannah pretended to study her notes, as if she'd actually jotted something down that might fit the criteria, but Delainey knew for a fact that since Hubba Hubba was a hit, Hannah had been looking for several different ways to copy its success, relying mainly on the same format and concept.

Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star

(0)

4 Star

(0)

3 Star

(0)

2 Star

(0)

1 Star

(0)

Your Rating:

Your Name: Create a Pen Name or

Barnes & Noble.com Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & Noble.com that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & Noble.com does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at BN.com or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation

Reminder:

  • - By submitting a review, you grant to Barnes & Noble.com and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Noble.com Terms of Use.
  • - Barnes & Noble.com reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & Noble.com also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on BN.com. It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

 
Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)