Publishers Weekly
07/31/2017
Historian and Vietnam veteran Reston (Luther’s Fortress) shares the rocky, controversy-filled story behind the Vietnam Veterans Memorial (popularly known as the Wall) in this well-written examination of how the memorial was conceived and built. The story of the Wall has been told before, including in two first-person books by men who were instrumental in building it: Jan Scruggs (To Heal a Nation, written with Joel Swerdlow) and Robert Doubek (Creating the Vietnam Veterans Memorial). Reston makes liberal use of those two books here, along with many secondary sources. Few of the main players come out unscathed in Reston’s telling: while Scruggs vacillated in his support for extra design elements, designer Maya Lin remained “brusque and uncompromising”; Tom Carhart and Jim Webb, critics of Lin’s design, are portrayed as blustering bullies; benefactor H. Ross Perot was bullheaded and petulant; and memorial proponent Sen. John Warner was “self-congratulatory.” Some readers may take issue with Reston’s occasional references to the Wall as the “Vietnam Memorial” or the “Vietnam War Memorial.” The memorial was not intended as a monument to the war; rather, it was designed as a tribute to those who served in the war, living and dead. That minor criticism aside, Reston has produced a creditable account of this contentious affair. Illus. Agent: Markus Hoffman, Regal Hoffman & Associates. (Sept.)
From the Publisher
"The divisions that ripped the country apart during the Vietnam War were rekindled in the struggle to bring the Vietnam Memorial to life. But unlike the war itself, that second struggle resulted in a shared reconciliation this extraordinary book charts."—Ken Burns
"This book is just fantastic in its insights and quality of writing."—Jan Scruggs, founder and president emeritus of the Vietnam Veterans Memorial Fund
"Superb and unexpectedly affecting . . . [The] definitive history of the memorial."—New York Times Book Review
"Reston retells the story dramatically, dredging up material that many of the players in this drama might wish to remain forgotten."—Washington Post
“Searing and sweeping, Reston’s narrative captures the political, cultural, and social ferment of those heady days of Vietnam and its aftermath with great skill and erudition. A Rift in the Earth is an indispensable guide through the cultural wars at the heart of the memorial itself, and a powerful reminder why it was so important that we find a way to move forward from the division of war to begin a healing within our country and between the United States and Vietnam.”—John F. Kerry, 68th US Secretary of State
"This is a story that needs to be told, and James Reston, Jr., tells it very well. I believe that readers will soon find themselves taking and even changing sides as the Art War in his account heats up and then reaches its conclusion. For me, the Wall and the entranceway that resulted from the Art War controversy provide a place to find closure for those who fought the war, those whose loved ones did not return, and even those who violently opposed it."—Lieutenant General Ron Christmas, USMC (Retired), Former President & CEO, Marine Corps Heritage Foundation
“In A Rift in the Earth, Army veteran James Reston details the controversy surrounding the creation of the Vietnam War Memorial — an undertaking that reopened political, moral and cultural divisions about the war long after its end. Deeply personal, as moving as it is instructive, Reston’s account captures the complicated struggle that ensued over how to honor our Vietnam War veterans, and reminds us that in the decades following that bloody and protracted conflict, a generation of Americans continue to find healing at the powerful memorial in our nation’s capital.”—Senator John McCain
“A Rift in the Earth is an absolutely fascinating account of the artistic, political, personal, and cultural tensions that arose from America's most divisive war, and that led to one the country's greatest works of public art. I followed the controversy over the Vietnam Veterans memorial when it was underway, but I learned from almost every page of this book. This is a great narrative and reportorial success."—James Fallows, The Atlantic
“James Reston's clear-eyed account of how the Vietnam Veterans Memorial came to be is fascinating, wrenching, and ultimately uplifting. He illuminates the war and its complicated aftermath with a dramatic narrative of the fierce battle behind the Memorial's creation. Told from a deeply affecting personal perspective, this is an important story about the significance of art to the nation.”—Bobbie Ann Mason, author of In Country and The Girl in the Blue Beret
"The Vietnam Memorial Wall would never have existed if a handful of angry Vietnam Veterans and their influential allies had won their fight to kill the project a generation ago. Reston's riveting history of the battle for Maya Lin's unconventional and moving monument brings to life the personalities on both sides as well as the emotions that galvanized such intense disagreement and mirrored the deep rift of the war itself. Equally powerful is Reston's final "Author's Reflection," about his journey to Vietnam today to recapture the last days of a friend killed in Hue whose name is on the Wall."—Myra MacPherson, author of the bestselling Long Time Passing: Vietnam and the Haunted Generation and the award-winning All Governments Lie: The Life and Times of Rebel Journalist I. F. Stone
"Powerful . . . Readers will find it nearly impossible not to have visceral reactions, taking sides in these events that, in light of fights over Civil War monuments today, still seem fresh."—Kirkus, starred review
"Moving . . . casts a wide net of interest and will appeal to Vietnam-era scholars, art historians, and general readers."—Library Journal
“Historian and Vietnam veteran Reston shares the rocky, controversy-filled story behind the Vietnam Veterans Memorial (popularly known as the Wall) in this well-written examination of how the memorial was conceived and built. . . . A creditable account of this contentious affair.”—Publishers Weekly
“Reston, who served in army intelligence during the Vietnam War, dramatically and incisively chronicles the “art war” over the Vietnam Veterans Memorial that raged from 1979 to 1984, reopening the wounds of that tragic conflict. . . . As current battles are waged over public statues honoring leaders of the Confederacy, Reston’s account of an earlier struggle over the art of remembrance offers a clarifying and affecting perspective.”—Booklist
“Reston’s newest book is not only timely, it’s also the perfect complement to Ken Burns’s ten-part documentary on the Vietnam War, airing now on PBS.”—Houston Press
"For those readers who believe the study of history may contain meaning for the present generation, this book, especially when combined with David Halberstam’s The Best and the Brightest and Ken Burns’s recent Vietnam documentary, will illuminate a dark corner in America’s past. . . . A fitting capstone to that critical period of our history."—Lincoln Journal Star
Library Journal
07/01/2017
Architect Maya Lin's design for a Vietnam War Memorial required a physical split in the land; it also ignited a social division among veterans' groups who claimed the monument was disrespectful to Americans who fought and died in the war and those who saw it as public art that would help heal the nation. Reston (Luther's Fortress) recounts not only this conflict but also the "art war" between those who advocated for Lin's abstract design and the traditionalists who lobbied the U.S. Commission of Fine Arts to add renown sculptor Frederick Hart's compelling statues of three soldiers to the monument. Although overshadowed by Hart and her defamers, Lin stood her ground and refused to modify her design, believing it should recognize the horrors of all battles and not solely commemorate those who served in Vietnam. Hart's sculptures were added by the commission as a compromise. Reston concludes with a poignant contemplation on his friend Ronald Ray, whose name is one of the more than 58,000 that adorns the memorial, and a discussion with a Vietnamese scholar about the war's impact on Vietnam. VERDICT This moving historical snapshot casts a wide net of interest and will appeal to Vietnam-era scholars, art historians, and general readers.—Karl Helicher, formerly with Upper Merion Twp. Lib., King of Prussia, PA
Kirkus Reviews
★ 2017-05-31
A gripping history of the fights over how to memorialize the Vietnam War.Given the contentiousness of the war, the clashes it aroused on the home front, and the way that it undermined the confidence Americans had in their government, it should come as no surprise that the question of how to honor the war and those who fought it created its own controversy. In this fine book, accomplished journalist and military veteran Reston (Luther's Fortress: Martin Luther and His Reformation Under Siege, 2015, etc.) brings to life the intense wars of words and political machinations inspired by the decision to build a Vietnam Veterans Memorial on the National Mall in Washington, D.C. At the center of the book and the conflicts it depicts is the outcome of the 1981 competition to determine the design for the memorial, at the time the largest such competition in the histories of Europe and the United States. The winner was Maya Lin, at the time a 21-year-old undergraduate at Yale. Lin, equally parts naïve and stubborn, had no idea the maelstrom that her victory would create. The by-now familiar design—a wall that in her conception represented the titular "rift in the earth," stark and simple—proved deeply contentious, with various veterans' groups, politicians, and general rabble-rousers taking public and sometimes brutally malicious stands against the design and its implementation, which in turn caused Lin and her supporters to dig in their own heels. Readers will find it nearly impossible not to have visceral reactions, taking sides in these events that, in light of fights over Civil War monuments today, still seem fresh. The Vietnam Memorial, with Lin's wall as the centerpiece (but with a series of compromises also put in place), is one of the most striking features on the National Mall. As this relatively brief but powerful book shows, this outcome was far from a foregone conclusion.
