×

Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.

Songwriter's Tribute to George Strait, Vol. 1
     

A Songwriter's Tribute to George Strait, Vol. 1

3.5 2
 

Product Details

Release Date:
10/05/2004
Label:
Compadre Records
UPC:
0616892605720
catalogNumber:
926057

Tracks

Album Credits

Performance Credits

Pat Alger   Acoustic Guitar,Electric Guitar,Guitar (Resonator)
Eric Kaz   Piano,Vocals
Charlie Black   Acoustic Guitar
Steve Bogard   Electric Guitar,Vocals
Joe Manuel   Acoustic Guitar
Pat McInerney   Percussion,Drums
Steve Oliver   Electric Guitar
Dave Pomeroy   Upright Bass
Barry Walsh   Piano
Whitey Shafer   Vocals
Mack Vickery   Acoustic Guitar,Harmonica,Vocals
Jeff Stevens   Acoustic Guitar,Electric Guitar,Vocals,Vocal Harmony
Gretchen Peters   Acoustic Guitar,Vocals
Abe Manuel   Concertina
Kent Goodson   Piano
Darrell Staedtler   Acoustic Guitar,Vocals
Byron Hill   Acoustic Guitar,Vocals,Vocal Harmony
Shad Cobb   Fiddle,Mandolin
Dana Hunt Black   Vocals

Technical Credits

Jeff Stevens   Composer
Pat Alger   Liner Notes
Eric Kaz   Composer
Eric Paul   Engineer
Richard Adler   Engineer
Charlie Black   Engineer
Steve Bogard   Composer
Steve Dorff   Composer
Casey Kelly   Composer
Blake Mevis   Composer
Dave Pomeroy   Tic Tac
Sanger D. Schafer   Composer
Darlene Shafer   Composer
Sonny Throckmorton   Composer,Producer
Wayne Kemp   Composer
Mack Vickery   Composer
Gretchen Peters   Composer
Tony Lane   Composer
Richard McLaurin   Engineer
Darrell Staedtler   Composer
Green Daniel   Composer
A. Smith   Composer
Byron Hill   Composer
Adam Bednarik   Engineer
Dana Hunt Black   Composer

Customer Reviews

Average Review:

Post to your social network

     

Most Helpful Customer Reviews

See all customer reviews

A Songwriter's Tribute to George Strait, Vol. 1 3.5 out of 5 based on 0 ratings. 2 reviews.
Guest More than 1 year ago
This is a great idea: have the original writers - who are almost invariably singers themselves - record versions of songs they wrote that became hits for a major artist, in this case George Strait. The arrangements are simple, relying manily on acoustic instruments, and the result sometimes sounds more folky than modern country, which isn't necessarily a bad thing. Simplicity often helps these songs. But it also shows how a top notch singer like George Strait can lift an otherwise good song to greatness. (Listeners who dislike polished music, feel free to disagree.) Of course, this isn't a matter of only liking - or owning - one version or the other; they complement each other nicely. This is, however, the perfect CD to give to any person who thinks that only the people who write songs can do them best.
Guest More than 1 year ago
The standard division of labor in pop music was fashioned for a reason: many great singers are not great songwriters, and many of the best songwriters simply aren't star-quality singers. While there are plenty of exceptions (e.g., Dolly Parton and The Beatles, to name just two), George Strait and the talented writers who've contributed to his unparalleled chart success aren't generally among them. ¶ Strait has been one of country music's most consistently successful vocalists - a hugely talented singer with golden ears for great songs from others' pens, and the personality and connections to make his own music in an industry that's twisted and turned around him. In contrast, many of the songwriters who've provided Strait's material remain invisible to the record-buying public. A few of those featured here, like Gretchen Peters (who adds a delicate touch to her own "Chill of an Early Fall") and Byron Hill ("Hearted Memory"), got a shot or two at a recording career, but more often than not, their songs outperform their performances. It may not be fair, but if everyone were as good a performer as George Strait, George Strait wouldn't be the 1-in-a-million star that he is. ¶ What we get here is a collection of songwriters with good-but-not-great vocal ability singing songs that were indelibly stamped into the public consciousness by one of country music's greatest vocalists. Though these versions were nicely produced for this collection, they can't help but pale in comparison to the hits, and rarely rise above the quality of songwriter demos. Picks of the litter include Whitey Shafer's craggily rustic renditions of "Does Fort Worth Ever Cross Your Mind" and "All My Ex's Live in Texas," Dana Hunt Black's folky "Check Yes or No," and Jeff Stevens surprisingly compelling "Carrying Your Love With Me." The bulk of the album's performances simply don't match up to the quality of the songs, however. ¶ Fans wanting to gain an appreciation of how George Strait picks and shapes his songs will enjoy this look into the raw materials, but those just looking for great country music would be better off with one of Strait's own hit collections.