A Stranger in Olondria

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Overview

Jevick, the pepper merchant's son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick's life is as close to perfect as he can imagine. But just as he revels in Olondria's Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl.

In desperation, Jevick seeks ...

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A Stranger in Olondria

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Overview

Jevick, the pepper merchant's son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick's life is as close to perfect as he can imagine. But just as he revels in Olondria's Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl.

In desperation, Jevick seeks the aid of Olondrian priests and quickly becomes a pawn in the struggle between the empire's two most powerful cults. Yet even as the country shimmers on the cusp of war, he must face his ghost and learn her story before he has any chance of becoming free by setting her free: an ordeal that challenges his understanding of art and life, home and exile, and the limits of that seductive necromancy, reading.

A Stranger in Olondria is a skillful and immersive debut fantasy novel that pulls the reader in deeper and deeper with twists and turns reminiscent of George R. R. Martin and Joe Hill.

Sofia Samatar is an American of Somali and Swiss German Mennonite background. She wrote A Stranger in Olondria in Yambio, south Sudan, where she worked as an English teacher. She has worked in Egypt and is pursuing a PhD in African languages and literature at the University of Madison, Wisconsin.

2014 World Fantasy Award Winner for Best Novel
2013 Nebula Award Nominee

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Editorial Reviews

Publishers Weekly
Samatar weaves superstition, religion, politics, and a strong love of reading into a biography of Jissavet, a simple illiterate girl who has died young. The frame story depicts Jevick of Tyom’s first trip to the country of Olondria after his father’s death. A modern young man, Jevick can read and write, something most of his people in Tyom cannot do, and loves the time spent in Bain, the Incomparable City. When Jissavet’s ghost begins haunting him, Jevick thinks he’s going mad, the Olondrian priesthood thinks he’s a fraud masquerading as a saint, and a group of religious fanatics become convinced he has magical powers. Somehow he has to navigate the warring factions in Olondria and work up the courage to listen to Jissavet, because it’s the only way to help her soul and stop the haunting. Some of the religious and cultural terms are never clearly defined, and context is not always sufficient, but the country and the people are vividly painted. (Sept.)
From the Publisher
"Samatar's sensual descriptions create a rich, strange landscape, allowing a lavish adventure to unfold that is haunting and unforgettable."
Library Journal (*starred review*)

"A book about the love of books. Her sentences are intoxicating and one can easily be lost in their intricacy.... Samatar’s beautifully written book is one that will be treasured by book lovers everywhere.”
—Raul M. Chapa, BookPeople, Austin, TX

"Thoroughly engaging and thoroughly original. A story of ghosts and books, treachery and mystery, ingeniously conceived and beautifully written. One of the best fantasy novels I've read in recent years."—Jeffrey Ford, author of The Girl in the Glass

"Mesmerizing—a sustained and dreamy enchantment. A Stranger in Olondria reminds both Samatar's characters and her readers of the way stories make us long for far-away, even imaginary, places and how they also bring us home again."—Karen Joy Fowler, New York Times bestselling author of The Jane Austen Book Club

"Gorgeous writing, beautiful and sensual and so precise—a Proustian ghost story."—Paul Witcover, author of Tumbling After

"Let the world take note of this dazzling and accomplished fantasy. Sofia Samatar's debut novel is both exhilarating epic adventure and loving invocation of what it means to live through story, poetry, language. She writes like the heir of Ursula K. Le Guin and Gene Wolfe."—Kelly Link, author of Magic for Beginners

"Imagine an inlaid cabinet, its drawers within drawers filled with spices, roses, amulets, bright cities, bones, and shadows. Sofia Samatar is a merchant of won-ders, and her A Stranger in Olondria is a bookshop of dreams."—Greer Gilman, author of Cloud and Ashes

Library Journal
Samatar's richly woven debut fantasy takes us far from home. Growing up in the primitive isolation of the Tea Islands, Jevick has longed to travel to the spice markets in Bain, where the family's pepper harvest is sold. He impatiently devours descriptions and stories when his imperious father returns every season, and the arrival of an Olondrian tutor only adds to the allure of the unknown land. When Jevick finally begins his own voyage, he discovers he is traveling down a perilous path of mystery, passion, and danger that no counsel could have foreseen. A chance meeting of a young woman traveling on a pilgrimage will change the course of Jevick's life forever. VERDICT Jevick's journey is an enchanting tale of wonder and superstition, revealing the power of books and the secret traditions of ancient voices. Samatar's sensual descriptions create a rich, strange landscape, allowing a lavish adventure to unfold that is haunting and unforgettable.—Jennifer Anderson, Texas A&M Univ. Lib., Corpus Christi
From the Publisher

"Samatar's sensual descriptions create a rich, strange landscape, allowing a lavish adventure to unfold that is haunting and unforgettable."
Library Journal (*starred review*)

“Sofia Samatar has an expansive imagination, a poetic and elegant style, and she writes stories so rich, with characters so full of life, they haunt you long after the story ends. A real pleasure.”
—Chris Abani, author of GraceLand and The Virgin of Flames

"A book about the love of books. Her sentences are intoxicating and one can easily be lost in their intricacy.... Samatar’s beautifully written book is one that will be treasured by book lovers everywhere.”
—Raul M. Chapa, BookPeople, Austin, TX

"Thoroughly engaging and thoroughly original. A story of ghosts and books, treachery and mystery, ingeniously conceived and beautifully written. One of the best fantasy novels I've read in recent years."—Jeffrey Ford, author of The Girl in the Glass

"Mesmerizing—a sustained and dreamy enchantment. A Stranger in Olondria reminds both Samatar's characters and her readers of the way stories make us long for far-away, even imaginary, places and how they also bring us home again."
—Karen Joy Fowler, New York Times bestselling author of The Jane Austen Book Club and We Are All Completely Beside Ourselves

"Gorgeous writing, beautiful and sensual and so precise—a Proustian ghost story."
—Paul Witcover, author of Tumbling After

"Let the world take note of this dazzling and accomplished fantasy. Sofia Samatar's debut novel is both exhilarating epic adventure and loving invocation of what it means to live through story, poetry, language. She writes like the heir of Ursula K. Le Guin and Gene Wolfe."
—Kelly Link, author of Magic for Beginners

"Imagine an inlaid cabinet, its drawers within drawers filled with spices, roses, amulets, bright cities, bones, and shadows.  Sofia Samatar is a merchant of wonders, and her A Stranger in Olondria is a bookshop of dreams."
—Greer Gilman, author of Cloud & Ashes

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Product Details

  • ISBN-13: 9781931520768
  • Publisher: Small Beer Press
  • Publication date: 4/30/2013
  • Pages: 320
  • Sales rank: 481,349
  • Product dimensions: 8.30 (w) x 5.30 (h) x 0.80 (d)

Meet the Author

Sofia Samatar: Sofia Samatar is an American of Somali and Swiss-German Mennonite background. She wrote A Stranger in Olandria in Yambio, South Sudan, where she worked as an English teacher. She has worked in Egypt and is pursuing a PhD in African Languages and Literature at the University of Madison, WI.

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Read an Excerpt


Book One: The Wind of Miracles

Chapter One: Childhood in Tyom

As I was a stranger in Olondria, I knew nothing of the splendor of its coasts, nor of Bain, the Harbor City, whose lights and colors spill into the ocean like a cataract of roses. I did not know the vastness of the spice markets of Bain, where the merchants are delirious with scents, I had never seen the morning mists adrift above the surface of the green Illoun, of which the poets sing; I had never seen a woman with gems in her hair, nor observed the copper glinting of the domes, nor stood upon the melancholy beaches of the south while the wind brought in the sadness from the sea. Deep within the Fayaleith, the Country of the Wines, the clarity of light can stop the heart: it is the light the local people call “the breath of angels” and is said to cure heartsickness and bad lungs. Beyond this is the Balinfeil, where, in the winter months, the people wear caps of white squirrel fur, and in the summer months the goddess Love is said to walk, and the earth is carpeted with almond blossom. But of all this I knew nothing. I knew only of the island where my mother oiled her hair in the glow of a rush candle, and terrified me with stories of the Ghost with No Liver, whose sandals slap when he walks because he has his feet on backwards.
My name is Jevick. I come from the blue and hazy village of Tyom, on the western side of Tinimavet in the Tea Islands. From Tyom, high on the cliffs, one can sometimes see the green coast of Jiev, if the sky is very clear; but when it rains, and all the light is drowned in heavy clouds, it is the loneliest village in the world. It is a three-day journey to Pitot, the nearest village, riding on one of the donkeys of the islands, and to travel to the port of Dinivolim in the north requires at least a fortnight in the draining heat. In Tyom, in an open court, stands my father’s house, a lofty building made of yellow stone, with a great arched entryway adorned with hanging plants, a flat roof, and nine shuttered rooms. And nearby, outside the village, in a valley drenched with rain, where the brown donkeys weep with exhaustion, where the flowers melt away and are lost in the heat, my father had his spacious pepper farm.
This farm was the source of my father’s wealth and enabled him to keep the stately house, to maintain his position on the village council and carry a staff decorated with red dye. The pepper bushes, voluptuous and green under the haze, spoke of riches with their moist and pungent breath; my father used to rub the dried corns between his fingers, to give his fingertips the smell of gold. But if he was wealthy in some respects, he was poor in others: there were only two children in our house, and the years after my birth passed without hope of another, a misfortune generally blamed on the god of elephants. My mother said the elephant-god was jealous, and resented our father’s splendid house and fertile lands; but I knew that it was whispered in the village that my father had sold his unborn children to the god. I had seen people passing the house nudge one another and say, “He paid seven babies for that palace”; and sometimes our laborers sang a vicious work-song: “Here the earth is full of little bones.” Whatever the reason, my father’s first wife had never conceived at all, while the second wife, my mother, bore only two children: my elder brother Jom, and myself. Because the first wife had no child, it was she whom we always addressed as Mother, or else with the term of respect, eti-donvati, “My Father’s Wife”; it was she who accompanied us to festivals, prim and disdainful, her hair in two black coils above her ears. Our real mother lived in our room with us, and my father and his wife called her “Nursemaid,” and we children called her simply by the name she had borne from girlhood: Kiavet, which means Needle. She was round-faced and lovely, and wore no shoes. Her hair hung loose down her back. At night she told us stories while she oiled her hair and tickled us with a gull’s feather.
Our father’s wife reserved for herself the duty of inspecting us before we were sent to our father each morning. She had merciless fingers, and pried into our ears and mouths in her search for imperfections; she pulled the drawstrings of our trousers cruelly tight and slicked our hair down with her saliva. Her long face wore an expression of controlled rage, her body had an air of defeat, she was bitter out of habit, and her spittle in our hair smelled sour, like the bottom of the cistern. I only saw her look happy once: when it became clear that Jom, my meek, smiling elder brother, would never be a man, but would spend his life among the orange trees, imitating the finches.
My earliest memories of the meetings with my father come from the troubled time of this discovery. Released from the proddings of the rancorous first wife, Jom and I would walk into the fragrant courtyard, hand in hand and wearing our identical light trousers, our identical short vests with blue embroidery. The courtyard was cool, crowded with plants in clay pots and shaded by trees. Water stood in a trough by the wall to draw the songbirds. My father sat in a cane chair with his legs stretched out before him, his bare heels turned up like a pair of moons.
We knelt. “Good morning father whom we love with all our hearts, your devoted children greet you,” I mumbled.
“And all our hearts, and all our hearts, and all our hearts,” said Jom, fumbling with the drawstring on his trousers.
My father was silent. We heard the swift flutter of a bird alighting somewhere in the shade trees. Then he said in his bland, heavy voice: “Elder son, your greeting is not correct.”
“And we love him,” Jom said uncertainly. He had knotted one end of the drawstring about his finger. There rose from him, as always, an odor of sleep, greasy hair and ancient urine.
My father sighed. His chair groaned under him as he leaned forward. He blessed us by touching the tops of our heads, which meant that we could stand and look at him. “Younger son,” he said quietly, “what day is today? And which prayers will be repeated after sundown?”
“It is Tavit, and the prayers are the prayers of maize-meal, passion fruit and the new moon.”
My father admonished me not to speak so quickly, or people would think I was dishonest; but I saw that he was pleased, and felt a swelling of relief in my heart, for my brother and myself. He went on to question me on a variety of subjects: the winds, the attributes of the gods, simple arithmetic, the peoples of the islands, and the delicate art of pepper-growing. I stood tall, threw my shoulders back and strove to answer promptly, tempering my nervous desire to blurt my words, imitating the slow enunciation of my father, his stern air of a great landowner. He did not ask my brother any questions. Jom stood unnoticed, scuffing his sandals on the flagstones—only sometimes, if there happened to be doves in the courtyard, he would say very softly: “Oo-ooh.” At length my father blessed us again, and we escaped, hand in hand, into the back rooms of the house; and I carried in my mind the image of my father’s narrow eyes, shrewd, cynical and filled with sadness.
At first, when he saw that Jom could not answer his questions and could not even greet him properly, my father responded with the studied and ponderous rage of a bull-elephant. He threatened my brother, and, when threats failed to cure his stubborn incompetence, had him flogged behind the house on a patch of sandy ground by two dull-eyed workers from the pepper fields. During the flogging I stayed in our darkened bedroom, sitting on my mother’s lap, while she pressed her hands over my ears to shut out my brother’s loud, uncomprehending screams. I pictured him rolling on the ground, throwing up his arms to protect his dusty head, while the blows of the stout sticks descended on him and my father watched blankly from his chair… Afterward Jom was given back to us, bruised and bloodied, with wide staring eyes, and my mother went to and fro with poultices for him, tears running freely down her cheeks. “It is a mistake,” she sobbed. “It is clear that he is a child of the wild pig.” Her face in the candlelight was warped and gleaming with tears, her movements distracted. That night she did not tell me stories, but sat on the edge of my bed and gripped my shoulder, explaining in hushed and passionate tones that the wild pig-god was Jom’s father; that the souls of the children of that god were more beautiful, more tender than ordinary souls, and that our duty on earth was to care for them with the humility we showed the sacred beasts. “But your father will kill him,” she said, looking into the darkness with desolate eyes. “There is flint in his bowels, he has no religion. He is a Tyomish barbarian.”
My mother was from Pitot, where the women wore anklets of shell and plucked their eyebrows, and her strong religious views were seen in Tyom as ignorant Pitoti superstition. My father’s wife laughed at her because she burned dried fenugreek in little clay bowls, a thing which, my father’s wife said with contempt, we had not done in Tyom for a hundred years. And she laughed at me too, when I told her one morning at breakfast, in a fit of temper, that Jom was the son of the wild pig-god and possessed an untarnished soul: “He may have the soul of a pig,” she said, “but that doesn’t mean he’s not an idiot.” This piece of blasphemy, and the lines around her mouth, proved that she was in a good humor. She remained in this mood, her movements energetic and her nostrils clenched slightly with mirth, as long as my father sought for a means to cure Jom of his extraordinary soul. When the doctors came up from the south, with their terrible eyes and long hats of monkey-skin, she served them hot date-juice in bright glazed cups herself, smiling down at the ground. But the dreadful ministrations of the doctors, which left my brother blistered, drugged and weeping in his sleep, did not affect his luminescent soul, and only put a shade of terror in his gentle pig’s eyes. A medicinal stench filled the house and my bed was moved out into another room; from dusk until dawn I could hear the low moaning of my brother, punctuated with shrieks. In the evenings my mother knelt praying in the little room where the family janut, in whose power only she truly believed, stood in a row on an old-fashioned altar.
The jut is an external soul. I had never liked the look of mine: it had a vast forehead, claw-feet and a twist of dried hemp around its neck. The other janut were similar. Jom’s, I recall, wore a little coat of red leather. The room where they lived, little more than a closet, smelled of burnt herbs and mold. Like most children I had at one period been frightened of the janut . . .

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  • Posted May 7, 2013

    **I received this book for free through Goodreads First Reads**

    **I received this book for free through Goodreads First Reads**
    I really enjoyed this book; there were times where I was a little confused about what was happening (mainly when Avalei was involved, like the Feast Of The Birds and when Jevick visited the High Priestess of Avalei), but then there were moments (such as the last two paragraphs in chapter 19) that more than made up for my confusion.  There were passages in this book that were so deep and spoke such universal truths; I had to share those two paragraphs at the end of chapter 19 with my friend because it touched me so much, more than any other single passage in a book has ever done.  That was my favorite part of the entire book, despite the sadness that surrounded it.  
    When I realized that there were ghosts involved, I was a little bit worried (I am the world's biggest scaredy cat), but not once was I afraid while reading this book.  Yes, Jissavet got angry at times towards Jevick, but even then you could feel her pain and sympathize with her.  It broke my heart when she was sent on from the world of the living and Jevick had to say goodbye to her; I was not sure how he would ever get through that pain.
    The ending really touched me, that Jevick took the written language he created to write Jissavet's vallon and taught the people of his land to read.  He allowed Jissavet to live on even more so than her vallon did.  It was his show of love towards her.
    I cannot wait to read it a second time to pick up anything that I missed in this first reading of it.  For now though, I will savor my memories of Jevick, Jissavet, Lunre, etc.

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