A Vibrant Voyage from China: Pith Paintings at the Chinese University of Hong Kong Library
The Qing Dynasty of China was perceived as mysterious and beautiful in the eyes of Westerners. From the magnificent pleasure boats on the Pearl River to women with bound feet, all these sparked great curiosity among Europeans and Americans. These fantasies about China created a lucrative market for export paintings. Pith paper paintings, which adopted Western painting techniques, were prevalent in Guangzhou during the late Qing period in the 19th century. Due to their Chinese themes, affordable prices and portability, these paintings became popular souvenirs among European and American traders, collectors, and sailors residing at the port. These small pith paper paintings not only helped bridge the gap of mutual understanding between the East and the West, but also reflected the Westerners’ romantic imagination of this exotic land.
This album showcases the pith paper paintings collected by The Chinese University of Hong Kong Library. Created in 19th-century Guangzhou, these artworks vividly depict daily life scenes of that era. After almost two centuries, these beautiful yet fragile “postcards” have returned to their place of origin. Despite the changes over time, the rich social landscape of China from a century ago is preserved through these delicate pith paper paintings, still radiating with vibrant colours before us.
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A Vibrant Voyage from China: Pith Paintings at the Chinese University of Hong Kong Library
The Qing Dynasty of China was perceived as mysterious and beautiful in the eyes of Westerners. From the magnificent pleasure boats on the Pearl River to women with bound feet, all these sparked great curiosity among Europeans and Americans. These fantasies about China created a lucrative market for export paintings. Pith paper paintings, which adopted Western painting techniques, were prevalent in Guangzhou during the late Qing period in the 19th century. Due to their Chinese themes, affordable prices and portability, these paintings became popular souvenirs among European and American traders, collectors, and sailors residing at the port. These small pith paper paintings not only helped bridge the gap of mutual understanding between the East and the West, but also reflected the Westerners’ romantic imagination of this exotic land.
This album showcases the pith paper paintings collected by The Chinese University of Hong Kong Library. Created in 19th-century Guangzhou, these artworks vividly depict daily life scenes of that era. After almost two centuries, these beautiful yet fragile “postcards” have returned to their place of origin. Despite the changes over time, the rich social landscape of China from a century ago is preserved through these delicate pith paper paintings, still radiating with vibrant colours before us.
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A Vibrant Voyage from China: Pith Paintings at the Chinese University of Hong Kong Library

A Vibrant Voyage from China: Pith Paintings at the Chinese University of Hong Kong Library

A Vibrant Voyage from China: Pith Paintings at the Chinese University of Hong Kong Library

A Vibrant Voyage from China: Pith Paintings at the Chinese University of Hong Kong Library

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Overview

The Qing Dynasty of China was perceived as mysterious and beautiful in the eyes of Westerners. From the magnificent pleasure boats on the Pearl River to women with bound feet, all these sparked great curiosity among Europeans and Americans. These fantasies about China created a lucrative market for export paintings. Pith paper paintings, which adopted Western painting techniques, were prevalent in Guangzhou during the late Qing period in the 19th century. Due to their Chinese themes, affordable prices and portability, these paintings became popular souvenirs among European and American traders, collectors, and sailors residing at the port. These small pith paper paintings not only helped bridge the gap of mutual understanding between the East and the West, but also reflected the Westerners’ romantic imagination of this exotic land.
This album showcases the pith paper paintings collected by The Chinese University of Hong Kong Library. Created in 19th-century Guangzhou, these artworks vividly depict daily life scenes of that era. After almost two centuries, these beautiful yet fragile “postcards” have returned to their place of origin. Despite the changes over time, the rich social landscape of China from a century ago is preserved through these delicate pith paper paintings, still radiating with vibrant colours before us.

Product Details

ISBN-13: 9789882373310
Publisher: The Chinese University of Hong Kong Press
Publication date: 04/29/2025
Pages: 134
Product dimensions: 9.50(w) x 7.50(h) x (d)
Language: Multiple Languages

About the Author

The Chinese University of Hong Kong Library (Author)
The Chinese University of Hong Kong Library is a leading research library in East Asia. It has a significant bilingual collection of electronic and print resources. The Special Collections ranging from Shang dynasty oracle bones to modern Chinese literary archives. Its mission is to partner in the creation, access, dissemination and preservation of knowledge to inspire and support The Chinese University of Hong Kong in its research, learning and teaching.

Ching May Bo (Foreword by)
Ching May Bo is Professor of History at the Department of Chinese and History, the City University of Hong Kong.

Benjamin Meunier (Preface by)
Benjamin Meunier is Librarian of The Chinese University of Hong Kong Library.

Table of Contents

Preface: From China to the World and Back: Exquisite Paintings on a Journey
Foreword: Pith Paper Watercolours: Our Local Souvenirs Returning from Afar
I. Tea Plantation
II. Rice Cultivation
III. Boats
IV. Costumes
V. Entertainment
VI. Punishment
VII. Nature
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