Even though 1987's
Gaudi was inspired by architect
Antonio Gaudi, its songs seem to lack the assertiveness or the instrumental endowments that usually occur within
the Alan Parsons Project's work. With a leaner, edgier sound that is best represented on
"Standing on Higher Ground," the easiness and touch that should have enveloped this album is noticeably absent. While not a complete failure, the album does reveal some passion with the last track,
"Paseo de Graciad," a finely orchestrated instrumental done exquisitely in full
Parsons style. The usual lineup of
Miles,
Woolfson,
Zakatek, and
Rainbow share the singing duties, with
Geoff Barradale taking over on
"Standing on Higher Ground." The songs on the album have difficulty supporting any imagery or symbolism concerning the album's main character, which was done masterfully more than ten years earlier with
Tales of Mystery and Imagination, a musical voyage through
Edgar Allen Poe's work. Here, the songs stand up well individually, but
Parsons is a conceptual virtuoso who usually ties together his main idea through the use of each separate song. Although
Gaudi isn't without some minor merit, its lasting impression doesn't leave much regard for its central character. [The 2007
Sony BMG reissue included bonus tracks.] ~ Mike DeGagne
