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by Pico Iyer

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Pico Iyer’s intoxicating new novel is at once a stylish intellectual mystery and a pulse-quickening love story—the love in question being at once sacred and profane.

John Macmillan, a classically reticent Englishman who has moved to California to study the poems of the Sufi mystic Rumi, unexpectedly becomes involved in two equally absorbing quests. The


Pico Iyer’s intoxicating new novel is at once a stylish intellectual mystery and a pulse-quickening love story—the love in question being at once sacred and profane.

John Macmillan, a classically reticent Englishman who has moved to California to study the poems of the Sufi mystic Rumi, unexpectedly becomes involved in two equally absorbing quests. The first is for a mysterious Rumi manuscript that may have been smuggled out of Iran; the second for the elusive Camilla Jensen, who continually offers herself to him only to repeatedly slip from his grasp. Are these quests somehow related? And can Macmillan give himself over to them without losing his career and identity?

Moving deftly from California academia to the mosques of Iran, filled with insights into the minds of Islam and the modern West, Abandon is a magic carpet-ride of a book.

Editorial Reviews

From the Publisher
“A rapturous narrative . . . a perfect gift for young scholars in any field, tied with a bow by the prolific world traveler Iyer.” – San Francisco Chronicle

“A remarkable novel. . . .sunlit, atmospheric, and intelligent.” —The Washington Post Book World

“Iyer has a poet’s gift for the sharply-drawn, just-right descriptive. . . quietly powerful.” —Los Angeles Times Book Review

“Iyer treats Macmillan’s spiritual confusion and hunger with sympathy, even tenderness. . . . A wise and graceful novel.” —The New York Times Book Review

The New York Times
Iyer charts Macmillan's dilemmas and his slow journey to mystical insight with a sensitivity to mood and landscape reminiscent of that other book by a religiously inclined writer about a lonely Englishman in California: Christopher Isherwood's novel A Single Man. But it is apparent that Iyer wishes to do more than gently usher Macmillan and Camilla toward a Sufi-style redemption: the letting go of fears and certainties and the embracing of passionate love and ambiguity. — Pankaj Mishra
Stephanie Foote
Englishman John Macmillan expected both grad school and California to be simple. Alas for our best laid plans. In short order, he finds himself in a series of puzzles. His dissertation topic, the cryptic Persian poet Rumi, seems more and more opaque, his girlfriend Camilla is secretive and mysterious and he begins to suspect that his advisor, an urbane Iranian exile, knows more than he is saying about lost Persian manuscripts. Iyer's novel drops a good-hearted if methodical heir to the British empire at the crossroads of intensely emotional intercultural negotiations, revealing to him, as well as to us, that abandoning the expectation to really understand others sometimes leads to radiant forms of knowing that cannot be explained in a dissertation. In the current political climate, this is an especially noteworthy book, for it understands the Middle East as the site of remarkable cultural achievement and remarkable human understanding.
Publishers Weekly
Framed by the conflict between Islamic and secular Western values, this novel from travel writer, critic and novelist Iyer (Cuba and the Night; The Global Soul; etc.) is part mystery, part spiritual coming-of-age tale and part romance. John Macmillan is a student at a Santa Barbara, Calif., university trying to finish his thesis on the lesser works of Sufi master Rumi. John begins searching the globe for a secret Islamic manuscript, reputedly smuggled out of Iran after the Shah's downfall, that may contain lost poems by Rumi. He travels through Syria, Iran, Spain and India; though the search is mostly fruitless, along the way he finds himself drawn into a romance with the flighty, fragile, slightly New Agey Camilla Jensen. At first the affair seems a trifling distraction, but as Macmillan's academic investigation stalls, he finds himself falling in love; Camilla, for her part, turns out to know much more about Sufism than John could have suspected. As he tries to get to the bottom of her connection with his field of study, she suddenly disappears. Iyer's intellectual detective story evolves into a deeper probing of love, spirituality and the clash of two world views. Without being forced or didactic, Iyer explores American ideas and misconceptions about Islamic faith, while exposing the political corruption that continues to plague many Muslim countries. Though the book is obviously timely, it never feels as though Iyer is mining the headlines for material. Perhaps its greatest achievement is the evolution of the deep, passionate love between John and Camilla, which Iyer renders with grace and psychological acuity. (Jan. 27) Forecast: Expect interviews galore with Iyer-in his double role as accomplished novelist and prominent cultural commentator-on talk shows and in the print media. Copyright 2002 Cahners Business Information.
Library Journal
"Poems are what we make of them," concludes Islamic scholar John Macmillan after searching the world for the elusive (and possibly nonexistent) manuscripts of lost Sufi poetry so important to his research. Placed in his path is the sad and enigmatic Camilla Jensen, a California native who may possess the volume he seeks and who dares to seek her own salvation through the aloof scholar's love. Subtitled A Romance (decidedly not of the bodice-ripper type), this thoughtful novel strays from resolving the heady and mystical issues it raises about the Sufi religion to pursue John and Camilla's destiny. However, Iyer (The Lady and the Monk; Falling Off the Map) expertly creates characters who effectively embody his ideas without making them stiff or unrealistic. Iyer's story reflects the beliefs of its devout characters in valuing the journey over the end result, and the reader is richer for it. Highly recommended. [Previewed in Prepub Alert, LJ 9/15/02.]-Marc Kloszewski, Indiana Free Lib., PA Copyright 2003 Cahners Business Information.
Kirkus Reviews
A displaced English graduate student pursues ancient manuscripts of Sufi mysticism-and the obscure object of desire who embodies it-in travel writer Iyer's finely wrought and sinuous second novel (after Cuba and the Night, 1995).

John Macmillan, a buttoned-up Englishman, breaks with the Old World and his girlfriend, Martine, to complete his dissertation on the mystical verse of Rumi amid the emotional New Age misfits of Santa Barbara. Under the tutelage of brilliant, laconic Iranian scholar Javad Safadhi, Macmillan steeps himself in the Sufi mystics-in verse that's sensuous on the one hand, deeply sacred on the other-though he's warned not to confuse the two: "Keep your life separate from your studies," Safadhi advises. Macmillan hopes to unearth manuscripts that made their way to the West during the Iranian "Second Revolution," but he encounters only obfuscation. When he meets the timid, waiflike, traumatized Camilla Jensen-a strange mixture of Nadja and Alice in Wonderland who speaks in the platitudes of her native California-Macmillan abandons his pursuit of manuscripts (plus the completion of his dissertation) in favor of oblivion with the knowing girl-woman. Iyer, despite his disclaimer of ignorance about Sufism and Iran, has delved deeply into mystical poetry, and his evident passion for it (and his knowledge of parallel strains in Buddhism and Hinduism) infuses the tale with erudite riches. A longtime visitor to California, Iyer gives a portrait of this "orphaned state" that's vividly descriptive and utterly convincing. Overall, though, the desert-meandering narrative loses momentum as Macmillan puzzles over Camilla's erratic behavior (she's fond of making love in abandonedhouses, then vanishing), a problem that Iyer hastily remedies by sending Macmillan off to India or England to meet shadowy characters who may enlighten him: The travel writer and novelist are still jockeying for position.

A compelling scholarly mystery gives way to a steamy modern-day Persian romance.

Product Details

Knopf Doubleday Publishing Group
Publication date:
Vintage Contemporaries Series
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Product dimensions:
5.22(w) x 8.00(h) x 0.80(d)

Read an Excerpt

He reached for his alarm clock in the dark, and then realized that the sound was coming from somewhere else. All across the city the long, slow, heart-torn cry of love—“La ilaha illa ’Llah” (There is no god but God)—rose up, as if from a widow in her grief alone. Pulling back the curtains, he saw the high-rises with their rickety antennae in the brownish light, pictures of Assad the size of six-story buildings, green-lit minarets standing sentinel across the town. Nearby, on the hill, a scatter of lights, and then the desert began.

He went down, as was now his custom, to the lobby—two women slumped enigmatically in chairs—and saw a pair of taxis idling under the line of trees. He walked up to the first, tapped at the window, and the man, startled from his sleep, reached back a lazy arm to open the door. Then they drove through the hushed, still-darkened streets to where the suq began, inside what looked to be a Crusader castle.

Even now the smell of cardamom and spices, as if, he always thought, he were walking into a curry. The store where they’d shown him a manuscript, two days before, that came, they said, from Isfahan; the other stall, where the owner, it was rumored, was a member of the secret orders. Everywhere, thin alleyways trailing off into silence, and then, five minutes later, out again into the faint light to see a few huddled figures slipping into the great mosque through its northern entrance. He followed them in, and a huge flock of pigeons took sudden flight, lit up against the blue-black sky, and settled around the minarets like guards.

Inside the prayer hall, everything was hushed. But everywhere, across the red-carpeted space, was a sense of murmurous chant, as if the building itself were muttering prayers under its breath. Mullahs sat here and there, thirty or forty before them, and delivered soft talks on the faithful’s duties. A woman sat on a raised platform at the center of the hall, reading her Quran while her son banged his legs impatiently on the step. Under the great dome, tall students from the desert countries paced back and forth, reciting their holy verses in a quiet singsong.

He’d been told that someone might approach him here, in the safety of the sacred place at dawn. No one knew who the Sufis were, of course—not even their partners or their children—but if anyone were to make contact, his adviser had told him, it would most likely be here, under cover, as it were. He watched a gang of elders walk across the carpets, clapping rough hands on familiar shoulders, telling their beads. Not far away, a young man was sitting in front of a mihrab, so motionless and alone it looked as if he had taken flight himself, and lost himself in the silence all around.

The visitor watched and watched, but no one showed any sign of acknowledging him. Defeated, he got up and slipped out, through the southern entrance this time, into the riddle of lanes that snake around the Old City, this way and that, like a theological argument. Passageways so narrow that opposing houses seem to touch on their second floors; alleyways that lead to alleyways, and then under archways too low for a man to walk through without bowing. Colorful checkerboard doors in the low walls, and, now and then, in the distance, the outline of a fruit tree, a minaret.

The streets were always deserted at this hour, no sound to keep him company but the fall of his own footsteps. Following a dusty alleyway—a woman in black emerged from a door, and looked at him—he turned a corner, and found himself amidst a blaze of lights and stalls and shouts: children running under carts, men calling out prices, a press of women, all in black, pushing their way across a marble floor into a courtyard guarded by a golden dome. He followed them in—the marble cold on his bare feet—and stepped into Iran. Ten years before, after Khomeini’s triumph, his followers had built two mosques here in Damascus, white and gold and blue, to house two Shia saints.

Across the marble space there was a small door, and when he went through it he found himself inside a space as hectic and overlit as a casino in the desert. Like walking into a kaleidoscope as it was being shaken, the low chandeliers, the tilework and glinting mirrors, the pieces of colored glass in the windows throwing off an ecstasy of reflections. Everywhere, people were sitting or standing, tears streaming down their faces, or hunched over (even the roughest men) as if they’d lost everything they cared for in the world.

Grown men came up to other men, and patted them on the shoulder, then began to cry, to cry again. Younger men, in light black jackets, as if they’d just stepped out of a restaurant in Los Angeles, sobbed and sobbed, wiping away their tears and then collapsing once again. Around the grille of the shrine, where the great-granddaughter of the Prophet lay, women were running their fingers along the bars and then running the same fingers along their faces, as if to pass on the sympathetic magic. Men sat with heads buried in their hands, and at the center of a great group on the floor, fifty or sixty perhaps, a young man, lightly bearded, with an elegant rosy face—the kind of man you might expect to see emerging from a nightclub—was singing, in a beautiful, high, and quavering voice, as if he’d lost his sweetheart yesterday.

The scholar’s habit is to take down everything as it happens, before the moment flies away. But this time, the weeping men bent over beside him, the women running their frenzied hands along the bars, as if to pull back a two-year-old now thirteen hundred years dead, the young couples reading from their Qurans, he reached for his notebook, and held back. A few hours later, the people around him would be merchants and housewives and butchers once again; now, for a few moments, they could let their real selves out.

As soon as the sun was fully up, he returned to his hotel room and packed his few things in his case. He’d hoped Khalil would call him in response to his letter, but the long days had passed and his small room had remained silent. Now, with only a few hours before his departure, he realized he would have to take the initiative himself.

The phone didn’t work, of course, and in any case he remembered what Sefadhi had told him about the old professor’s need for privacy. Since Fatima had died, the rumor had it, he scarcely left his apartment, and stayed inside the circle of his books like a medieval hermit. Besides, a scholar of Sufi poets must always be circumspect in Assad’s Damascus. “Go and visit him one day on a whim,” his adviser had said. “Make nothing of it; don’t even make a plan. If you don’t know when you’re going, they can’t, either.”

He went out into the street, the sun already high and hot, and walked around the square, stopping in at the bookshop, and looking around the lounge of the Umayyad Hotel, as for a friend. Then, consulting a map he didn’t need, he walked deliberately in the wrong direction, doubled back, and then crossed over into one of the quieter streets, all doctors’ signs and dusty Plymouths. Scanning the map, as if a lost tourist, he walked past the house he had scouted out before. Then, as if suddenly struck by a question, he went back and walked up to the door and rang the bell.

The professor opened up a few seconds later—he moved slowly, but clearly there was not much space to move through—and the visitor said quickly, “Professor Sefadhi,” and was ushered in. In the low, dark hall the man looked him over to see what he had brought in, dust clinging to his own dark clothes, as he patted his thinning white hair.

“John Macmillan,” he said, extending a hand. “I hope you got my letter.”

“Of course,” said the man, inclining his head a little, but not returning the handshake. “Come.” And led him through the corri- dor into a small room which obviously hadn’t been cleaned in a very long time. Now and then, he had heard, Khalil visited his daughter and son-in-law in a distant quarter of the city; otherwise he stayed at home alone with his research. There were three black-and-white photographs in silver frames beside a cabinet. Where another man might have kept bottles, he kept books.

“Professor Sefadhi told me that if I was in Damascus I should come and see you,” he said, feeling he’d said this already, but needing somehow to fill the silence. The old man, without a word, disappeared into a tiny kitchen and returned a few minutes later with two glasses of tea and a sad-looking plate of biscuits.

“You’re old friends, he told me.”

“Yes,” said the man. “We have known each other many years.”

A silence fell again, and the man showed no signs of responding to it. “Professor Sefadhi said, actually, you might be able to help me with the poets I’m working on. It’s an honor to meet you, after reading you for so long.”

This was the local form, he knew, but the man seemed indifferent to it.

“You study with Javad now? In Santa Monica?”

“Barbara, yes. I learned Farsi at SOAS under Professor Willingdon and then—well, I moved to California to study with Professor Sefadhi.”

“I see,” said the man, who looked as if he was waiting to be back with his books. “And Javad, he is well?”

“Very well. He has quite a following in Santa Barbara. They say he may get a chair.”

“Of course,” said Khalil, as if this were news from another planet, and he knew it in any case. “Javad has always had friends.”

It was hard to know what exactly lay behind the comment, so he returned to his theme as before. “He said, actually, you might have some suggestions about where I could go for more information. I’m working on the Sufis—lesser-known works of Rumi—and he said you might know of resources not widely available in the West.”

“The Shiraz Manuscript, you’re speaking of?” said the man, sharply, quickly, as if they were haggling over something in the suq. “We are the last to know about that.”

“The ‘Shiraz Manuscript’?” The term was new to him. “That would be . . .”

“Nothing,” said Khalil. “Rumors. In Tehran you will hear one hundred people tell you that the Imam is alive and in hiding. And two hundred people will tell you that the Shah is coming back. It’s only rumors.”

“But it was one of the manuscripts that came out in ’79?”

“Whispers,” said the man, as if to brush off a persistent fly. “To keep the people busy while they wait for the Twelfth Imam. You are studying Hafez, Saadi in Santa Monica?”

“Barbara, yes. All of them. But my main interest is . . .”

“You know Kristina Jensen? A friend of mine.”

A friend of a Syrian professor in Santa Barbara? He’d been told to keep on alert around Khalil—“He knows how to play poker even if he isn’t holding any cards,” Sefadhi had said. “Life’s not easy in Damascus”—but already he felt that the conversation was being taken away from him.

“I don’t think so. She lives in Santa Barbara?”

“Yes. California. I met her at the Islamic Symposium in Oslo, four years ago. You can take a small gift for her?”

“Of course.” It was all happening so quickly, as he’d been warned it would; he’d come here in search of information and now, somehow, he was being used as a courier for the old man, taking who knows what around the world.

He was in no position to say no, though, and already the professor was in the next room, loudly rummaging through what the visitor assumed to be boxes and old papers. Looking around him in the small room, he saw nothing but loneliness and devotion: the biscuits spoke of how few people ever came here, and the black-and-white photographs in the frames had not been dusted for a long time. Above them, on the wall, much larger, was a whole array of photographs of President Assad and his two sons.

“Here, this only,” said the man, coming back into the room with a small package the shape of a box, wrapped in a page of the previous day’s Al Baath.

“You have her address?”

“Address?” said the man, looking suddenly put out. “No. No address. But her telephone number is 00-1-805-964-3271. Please call her and you can find the address. She is close to Javad, I think.” Socially? Geographically? The man claimed only to have met her at a conference, and yet he knew her phone number by heart? “Go into the field,” Mowbray had told him years before, “and you’ll find yourself moving from darkness into deeper darkness.”

“She probably knows Professor Sefadhi?” he tried. “If she’s interested in Islam.”

“Perhaps,” said Khalil, but now that his chore had been taken care of, he seemed to have lost all interest in their talk. He placed his small hands on his large thighs as if to suggest that the interview was over.

“You don’t know anything about Rumi that might be helpful to my project, then?”

“A great poet,” said the man, in what might have been his public voice. “Even we do not know all that he has written.”

The “we” was a way of putting him in his place—reminding him he was a trespasser here—and he realized he would get nothing more from the old man.

He followed him down the unlit corridor, and when his host pulled open the door, he heard, “My regards to Javad, please. And Miss Jensen. A safe trip to Santa Monica.”

“Barbara,” he said.

“Of course,” and the door closed in his face.

That night he couldn’t get to sleep—the way, if someone just mentions a name she thinks you know, you search and search until you lose all focus. When, after what felt like hours, he fell away at last, he was in a desert somewhere, a dusty and abandoned place, and Martine was by his side, though it didn’t look like her. She was working on a puzzle of some kind, and then an alarm went off, and there were voices, lights, a man who looked like Khalil walking past.

“There’s just room for one more letter,” she was saying.

He woke up and realized he’d had the answer to whatever it was she was looking for, but hadn’t managed to bring it out in time. Strange tears were pricking at his eyes.

By the time he got to London, and Nigel and Arabella’s house, he was still feeling displaced somehow, as if the love song in the airport taxi in Damascus, slow and plangent, was still going through him in some way. He made up an excuse, said he had to do something before he came back for dinner, and Nigel looked at him strangely, more than ever convinced, no doubt, that California was robbing him of his reason. But there was nothing his friend could say to stop him, and soon he was out again, in the streets, joining the crowds as they pushed towards the river. The center of London was always jam-packed in the summer, every language audible but English, and as he made his way to Westminster—not at all where he’d expected to be going—he felt like a foreigner at home. The light was just beginning to fade as he slipped into the back of the great drafty space.

The choristers were taking their places in their stalls as he sat down, surpliced and translated out of their schoolboy selves; the red lamps above the scores in front of them threw a strange and ancient light up into their faces. Outside, it was getting dark—he could tell by the smudged light through the stained-glass windows—and as he sat on a bare pew in the back, suddenly the young voices began to rise up around him, high and unfallen, as if angels were summoning every creature to their presence. The voices rose and echoed through the huge space as if to pull the whole building up into the air, and for a moment he thought back, for no reason he could fathom, to the great mosque in Damascus, the men on the floor, their hands upturned on either side of them.

Do with me what you will, their cupped palms said. I am nothing; you are all.

When the hymn was over, a somewhat older boy went up to a lectern and practiced the lesson, and then the choirmaster led them all in a small, massed chanting of the Lord’s Prayer—“Adveniat regnum tuum. Fiat voluntas tua sicut in cœlo et in terra”—before letting the sweet unbroken voices rise again, sanctifying everything before them, and making it clean.

“There’s something different about you,” Nigel said after dinner, as they started clearing away the dishes. “Something strange. I can’t put my finger on it, but, I don’t know, you’re different.”

“It must be California.”

“Must be,” said his friend, who didn’t sound delighted by the change. “You seem more serious in a way. More—how can I put it?—hungry.”

“It doesn’t sound like a good thing, the way you put it.”

“Probably isn’t, no. Are you going to call Martine while you’re here?” He slipped it in so casually, it was clearly what he’d been leading up to all along.

“I think she’s probably glad of a break from me.”

“Yes. That part hasn’t changed.” And Nigel was off again, to collect the salt and pepper shakers, while he went on with the drying. When he went out, the rites complete, his friend said, “Sleep well. If we don’t see you in the morning, give us a call sometime when you’re back home.”

In the morning, however, they were both waiting for him in the kitchen, bleary over mugs of Nescafé, and Nigel left him with “Don’t lose your sense of humor, will you?”

“I don’t think I can, if I’m studying religion.”

“No, suppose you’re right. Anyway, it’s good to see you, even if you do seem half mad.”

At the airport, in the departure lounge, he picked up a receiver and put in his card, then held the instrument in place and put it down again. Whatever he said at this point could only come out wrong: if he sounded happy, if he sounded bereft—all of it could only be an insult.

Meet the Author

Pico Iyer is the author of several books about the romance between cultures, including Video Night in Kathmandu, The Lady and the Monk, Cuba and the Night and, most recently, The Global Soul. He lives in suburban Japan.

Brief Biography

Place of Birth:
Oxford, England, UK

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Abandon: A Romance 3 out of 5 based on 0 ratings. 1 reviews.
Anonymous More than 1 year ago
promised, but did not deliver..........like a musical phrase that never resolves