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Abandoned New England: Landscape in the Works of Homer, Frost, Hopper, Wyeth, and Bishop

Overview

Abandoned New England focuses on five modern American visual artists and poets—Winslow Homer, Robert Frost, Edward Hopper, Andrew Wyeth, and Elizabeth Bishop—who portrayed the stark traditional beauty of New England landscape. Their paintings and poetry of abandoned terrain ask: what does a landscape represent and what meaning can it have when nature’s power appears supplanted by urban or technological forces and when the observing eye is no longer emblematic of an enlightened viewer? Abandoned New England ...

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Overview

Abandoned New England focuses on five modern American visual artists and poets—Winslow Homer, Robert Frost, Edward Hopper, Andrew Wyeth, and Elizabeth Bishop—who portrayed the stark traditional beauty of New England landscape. Their paintings and poetry of abandoned terrain ask: what does a landscape represent and what meaning can it have when nature’s power appears supplanted by urban or technological forces and when the observing eye is no longer emblematic of an enlightened viewer? Abandoned New England pursues these inquiries by discussing shifting and conflicting cultural attitudes toward the wild, rural, and domestic. In her readings of texts and images, Paton explores landscape as the synthesis of the human and nonhuman, as a place simultaneously reflecting and resisting desire, as the setting for social dilemmas, as encounters with otherness and a past both lost and inescapable, and as an integral part of creating and limiting identity.

Paton argues that although “landscape” seems to have lost some of its significance in the modern era, longings for its potential value persist. Landscape iconology, ecocriticism, green cultural studies, cultural geography, and aesthetics provide fresh perspectives on how iconic New England artists have depicted landscape, revised stale conventions, undermined biases surrounding nativism, and recharged our reception of the rustic pastoral. Ultimately, Paton’s analysis of the works of these beloved New England artists demonstrates a postmodern yearning to reinvent nature and reimagine Eden.

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Editorial Reviews

From the Publisher
"Discussing poetry and imagery created in times of tension and change, Paton offers convincing, wide-ranging, and lively interpretations of the works of five major American painters and writers... As the American scene has become commodified and altered, such interpretations about the meaning of place in the past become ever more significant, in our own experience and in the artist's creation... By emphasizing how historical recovery of the past can be subjective and distorted, the author demonstrates a self-consciously intelligent approach."—CHOICE

"Paton shows in Abandoned New England that these purportedly empty landscapes remain, for these artists, 'the location of knowldege, doubt, fulfillment, frustration, security, fear, and alienation and authenticity.'"—New England Quarterly

“[A] satisfying interarts study . . . Paton has chosen her material astutely . . . she has written a rich book that will find appreciative readers in many disciplines.”—The Journal of American History

Paton discerns in her readings of individual paintings and poems a deeper dimension to works born of the New England countryside, one that goes beyond nostalgia."—Art New England

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Product Details

  • ISBN-13: 9781584653134
  • Publisher: University of New Hampshire Press
  • Publication date: 5/1/2003
  • Series: Revisiting New England
  • Pages: 308
  • Sales rank: 1,189,328
  • Product dimensions: 6.60 (w) x 9.20 (h) x 1.11 (d)

Meet the Author

PRISCILLA PATON is Associate Professor of English, Denison University. She has written numerous articles on late-nineteenth- and twentieth-century American literature and art and authored a successful children’s book, Howard and the Sitter Surprise (1996). She lives with her husband and family in Granville, Ohio.

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Table of Contents

List of Illustrations ix
Preface xi
Acknowledgements xv
A Note on Texts xvii

1. Introduction: Lost Prospects 1

2. Rustic Sophistication: Lionizing Winslow Homer, Defending Robert Frost 28

3. Power and Impotence: The Black Figure and the Prey in Winslow Homer's Outdoors 58

4. The Hick on the Hillside, The Woman at the Window: Frost's Rustics 96

5. Gothic Loneliness: The Different Cases of Edward Hopper and Andrew Wyeth 133

6. The Landscape of Desire: Elizabeth Bishop and the Feminine Earth 169

7. The Vernaculer Ruin and the Ghost of Self-Reliance 208

8. Epilogue 236

Notes 241
Index 269

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