Abandoning the Black Hero: Sympathy and Privacy in the Postwar African American White-Life Novel
Abandoning the Black Hero is the first book to examine the postwar African American white-life novel—novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby.

John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency.

In an era when “Negro writers” were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the “Negro problem” encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.

1110914786
Abandoning the Black Hero: Sympathy and Privacy in the Postwar African American White-Life Novel
Abandoning the Black Hero is the first book to examine the postwar African American white-life novel—novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby.

John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency.

In an era when “Negro writers” were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the “Negro problem” encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.

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Abandoning the Black Hero: Sympathy and Privacy in the Postwar African American White-Life Novel

Abandoning the Black Hero: Sympathy and Privacy in the Postwar African American White-Life Novel

by John C. Charles
Abandoning the Black Hero: Sympathy and Privacy in the Postwar African American White-Life Novel

Abandoning the Black Hero: Sympathy and Privacy in the Postwar African American White-Life Novel

by John C. Charles

Paperback(None ed.)

$38.95 
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Overview

Abandoning the Black Hero is the first book to examine the postwar African American white-life novel—novels with white protagonists written by African Americans. These fascinating works have been understudied despite having been written by such defining figures in the tradition as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby.

John C. Charles argues that these fictions have been overlooked because they deviate from two critical suppositions: that black literature is always about black life and that when it represents whiteness, it must attack white supremacy. The authors are, however, quite sympathetic in the treatment of their white protagonists, which Charles contends should be read not as a failure of racial pride but instead as a strategy for claiming creative freedom, expansive moral authority, and critical agency.

In an era when “Negro writers” were expected to protest, their sympathetic treatment of white suffering grants these authors a degree of racial privacy previously unavailable to them. White writers, after all, have the privilege of racial privacy because they are never pressured to write only about white life. Charles reveals that the freedom to abandon the “Negro problem” encouraged these authors to explore a range of new genres and themes, generating a strikingly diverse body of novels that significantly revise our understanding of mid-twentieth-century black writing.


Product Details

ISBN-13: 9780813554327
Publisher: Rutgers University Press
Publication date: 12/15/2012
Series: The American Literatures Initiative
Edition description: None ed.
Pages: 280
Product dimensions: 5.90(w) x 8.90(h) x 0.80(d)
Age Range: 18 Years

About the Author

***NOTE: Author has legally changed his name to John Charles Williamson.***
All future publications will be under this new name. 

JOHN C. CHARLES is an assistant professor of English and Africana studies at North Carolina State University.

Table of Contents

Acknowledgments ix

Introduction 1

1 "I'm Regarded Fatally as a Negro Writer": Mid-Twentieth-Century Racial Discourse and the Rise of the White-Life Novel 22

2 The Home and the Street: Ann Petry's "Rage for Privacy" 55

3 White Masks and Queer Prisons 86

4 Sympathy for the Master: Reforming Southern White Manhood in Frank Yerby's The Foxes of Harrow 130

5 Talk about the South: Unspeakable Things Unspoken in Zora Neale Hurston's Seraph on the Suwanee 158

6 The Unfinished Project of Western Modernity: Savage Holiday, Moral Slaves, and the Problem of Freedom in Cold War America 182

Conclusion 202

Notes 211

Works Cited 241

Index 257

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