The Abolition of Man

The Abolition of Man

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by C. S. Lewis
     
 

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In The Abolition of Man, C.S. Lewis, the beloved educator and author, reflects on education, society, and nature. Dividing his book into three essays, "Men Without Chests," "The Way," and "The Abolition of Man," Lewis uses his graceful prose, delightful humor, and keen understanding of the human mind to challenge our notions about how to best teach our children…  See more details below

Overview

In The Abolition of Man, C.S. Lewis, the beloved educator and author, reflects on education, society, and nature. Dividing his book into three essays, "Men Without Chests," "The Way," and "The Abolition of Man," Lewis uses his graceful prose, delightful humor, and keen understanding of the human mind to challenge our notions about how to best teach our children - and ourselves - not merely reading and writing, but also a sense of morality.

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Owen Barfield
A Real Triump.

Product Details

ISBN-13:
9780684823713
Publisher:
Scribner
Publication date:
06/28/1996
Pages:
109
Product dimensions:
5.56(w) x 8.46(h) x 0.32(d)

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The Abolition of Man

Chapter One

Men Without Chests

So he sent the word to slay
And slew the little childer.

Traditional carol

I doubt whether we are sufficiently attentive to the importance of elementary text books. That is why I have chosen as the starting-point for these lectures a little book on English intended for 'boys and girls in the upper forms of schools'. I do not think the authors of this book (there were two of them) intended any harm, and I owe them, or their publisher, good language for sending me a complimentary copy. At the same time I shall have nothing good to say of them. Here is a pretty predicament. I do not want to pillory two modest practising schoolmasters who were doing the best they knew: but I cannot be silent about what I think the actual tendency of their work. I therefore propose to conceal their names. I shall refer to these gentlemen as Gaius and Titius and to their book as The Green Book. But I promise you there is such a book and I have it on my shelves.

In their second chapter Gaius and Titius quote the well-known story of Coleridge at the waterfall. You remember that there were two tourists present: that one called it 'sublime' and the other 'pretty'; and that Coleridge mentally endorsed the first judgement and rejected the second with disgust. Gaius and Titius comment as follows: 'When the man said This is sublime, he appeared to be making a remark about the waterfall...Actually...he was not making a remark about the waterfall, but a remark about his own feelings. What he was saying was really I have feelings associated in my mind with the word"Sublime", or shortly, I have sublime feelings.' Here are a good many deep questions settled in a pretty summary fashion. But the authors are not yet finished. They add: 'This confusion is continually present in language as we use it. We appear to be saying something very important about something: and actually we are only saying something about our own feelings.'

Before considering the issues really raised by this momentous little paragraph (designed, you will remember, for 'the upper forms of schools') we must eliminate one mere confusion into which Gaius and Titius have fallen. Even on their own view — on any conceivable view — the man who says This is sublime cannot mean I have sublime feelings. Even if it were granted that such qualities as sublimity were simply and solely projected into things from our own emotions, yet the emotions which prompt the projection are the correlatives, and therefore almost the opposites, of the qualities projected. The feelings which make a man call an object sublime are not sublime feelings but feelings of veneration. If This is sublime is to be reduced at all to a statement about the speaker's feelings, the proper translation would be I have humble feelings. If the view held by Gaius and Titius were consistently applied it would lead to obvious absurdities. It would force them to maintain that You are contemptible means I have contemptible feelings: in fact that Your feelings are contemptible means My feelings are contemptible. But we need not delay over this which is the very pons asinorum of our subject. It would be unjust to Gaius and Titius themselves to emphasize what was doubtless a mere inadvertence.

The schoolboy who reads this passage in The Green Book will believe two propositions: firstly, that all sentences containing a predicate of value are statements about the emotional state of the speaker, and secondly, that all such statements are unimportant. It is true that Gaius and Titius have said neither of these things in so many words. They have treated only one particular predicate of value (sublime) as a word descriptive of the speaker's emotions. The pupils are left to do for themselves the work of extending the same treatment to all predicates of value: and no slightest obstacle to such extension is placed in their way. The authors may or may not desire the extension: they may never have given the question five minutes' serious thought in their lives. I am not concerned with what they desired but with the effect their book will certainly have on the schoolboy's mind. In the same way, they have not said that judgements of value are unimportant. Their words are that we 'appear to be saying something very important' when in reality we are 'only saying something about our own feelings'. No schoolboy will be able to resist the suggestion brought to bear upon him by that word only. I do not mean, of course, that he will make any conscious inference from what he reads to a general philosophical theory that all values are subjective and trivial. The very power of Gaius and Titius depends on the fact that they are dealing with a boy: a boy who thinks he is 'doing' his 'English prep' and has no notion that ethics, theology, and politics are all at stake. It is not a theory they put into his mind, but an assumption, which ten years hence, its origin forgotten and its presence unconscious, will condition him to take one side in a controversy which he has never recognized as a controversy at all. The authors themselves, I suspect, hardly know what they are doing to the boy, and he cannot know what is being done to him.

Before considering the philosophical credentials of the position which Gaius and Titius have adopted about value, I should like to show its practical results on the educational procedure.

The Abolition of Man. Copyright (c) by C. Lewis . Reprinted by permission of HarperCollins Publishers, Inc. All rights reserved. Available now wherever books are sold.

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Meet the Author

Clive Staples Lewis (1898-1963) was one of the intellectual giants of the twentieth century and arguably one of the most influential writers of his day. He was a Fellow and Tutor in English Literature at Oxford University until 1954, when he was unanimously elected to the Chair of Medieval and Renaissance Literature at Cambridge University, a position he held until his retirement. He wrote more than thirty books, allowing him to reach a vast audience, and his works continue to attract thousands of new readers every year. His most distinguished and popular accomplishments include Out of the Silent Planet, The Great Divorce, The Screwtape Letters, and the universally acknowledged classics The Chronicles of Narnia. To date, the Narnia books have sold over 100 million copies and have been transformed into three major motion pictures.

Clive Staples Lewis (1898-1963) fue uno de los intelectuales más importantes del siglo veinte y podría decirse que fue el escritor cristiano más influyente de su tiempo. Fue profesor particular de literatura inglesa y miembro de la junta de gobierno en la Universidad Oxford hasta 1954, cuando fue nombrado profesor de literatura medieval y renacentista en la Universidad Cambridge, cargo que desempeñó hasta que se jubiló. Sus contribuciones a la crítica literaria, literatura infantil, literatura fantástica y teología popular le trajeron fama y aclamación a nivel internacional. C. S. Lewis escribió más de treinta libros, lo cual le permitió alcanzar una enorme audiencia, y sus obras aún atraen a miles de nuevos lectores cada año. Sus más distinguidas y populares obras incluyen Las Crónicas de Narnia, Los Cuatro Amores, Cartas del Diablo a Su Sobrino y Mero Cristianismo.

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Brief Biography

Date of Birth:
November 29, 1898
Date of Death:
November 22, 1963
Place of Birth:
Belfast, Nothern Ireland
Place of Death:
Headington, England
Education:
Oxford University 1917-1923; Elected fellow of Magdalen College, Oxford in 1925
Website:
http://www.cslewisclassics.com

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