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| Uriah Heep | Primary Artist |
| Mick Box | Guitar, Vocals |
| Bob Daisley | Bass, Vocals |
| Peter Goalby | Vocals |
| Lee Kerslake | Drums, Vocals |
| Uriah Heep | Arranger |
| Russ Ballard | Composer |
| Paul Bliss | Composer |
| Mick Box | Author |
| Lee Edwards | Cover Illustration |
| Peter Goalby | Composer |
| Ashley Howe | Producer, Engineer |
| Tony Riparetti | Composer |
| Rachel Gutek | Reissue Design |
| Robert M. Corich | Producer, Liner Notes, Mastering, Remastering, Tape Research |
| Nick Rogers | Engineer |
| Dave Ling | Sleeve Notes |
| Geoffrey Cushing-Murray | Composer |
Editorial Reviews
All Music Guide - Donald A. Guarisco
By the dawn of the 1980s, Uriah Heep was considered a relic in the heavy metal world and no one was surprised when they disbanded shortly after 1980s half-hearted Conquest album. However, everyone listening received an unexpected surprise when the band returned with a new lineup and a sleek, revamped sound on 1982's Abominog. If one can get past the Spinal Tap-like title and the gruesome cover art, this outing quickly reveals itself to be one of the most consistent and engaging albums in the group's lengthy catalog. The new Uriah Heep that debuted on this outing was a different animal from the gothic metal ensemble that barnstormed its way through albums like Look at...