Absolute Music and the Construction of Meaning
This book examines the intellectual history of instrumental music, in particular the idea of absolute music. It tries to show how certain ideas in philosophy, theology and the sciences affect the meaning and, indeed, the existence of instrumental music, and how, in turn, instrumental music is used to resolve or exemplify certain problems in modern culture. Instead of existing in a pure and autonomous form, music is woven back into the epistemological fabric and entangled with numerous discourses, thus demonstrating the centrality of music in the construction of meaning.
1117319980
Absolute Music and the Construction of Meaning
This book examines the intellectual history of instrumental music, in particular the idea of absolute music. It tries to show how certain ideas in philosophy, theology and the sciences affect the meaning and, indeed, the existence of instrumental music, and how, in turn, instrumental music is used to resolve or exemplify certain problems in modern culture. Instead of existing in a pure and autonomous form, music is woven back into the epistemological fabric and entangled with numerous discourses, thus demonstrating the centrality of music in the construction of meaning.
29.99 In Stock
Absolute Music and the Construction of Meaning

Absolute Music and the Construction of Meaning

by Daniel Chua
Absolute Music and the Construction of Meaning

Absolute Music and the Construction of Meaning

by Daniel Chua

Paperback(First Edition)

$29.99 
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Overview

This book examines the intellectual history of instrumental music, in particular the idea of absolute music. It tries to show how certain ideas in philosophy, theology and the sciences affect the meaning and, indeed, the existence of instrumental music, and how, in turn, instrumental music is used to resolve or exemplify certain problems in modern culture. Instead of existing in a pure and autonomous form, music is woven back into the epistemological fabric and entangled with numerous discourses, thus demonstrating the centrality of music in the construction of meaning.

Product Details

ISBN-13: 9780521027519
Publisher: Cambridge University Press
Publication date: 11/02/2006
Series: New Perspectives in Music History and Criticism , #4
Edition description: First Edition
Pages: 328
Product dimensions: 5.98(w) x 8.98(h) x 0.79(d)

Table of Contents

List of illustrations; Acknowledgements; On the preface; Part I. The Garden of Eden: 1. On history; 2. On modernity; 3. On disenchantment; 4. On division; 5. On opera; 6. On machines; 7. On space; 8. On style; Part II. The Fruit of Knowledge: 9. On being; 10. On the mind; 11. On biology; 12. On the body; 13. On the soul; 14. On morality; 15. On women; 16. On masculinity; 17. On independence; 18. On heroes; 19. On politics; 20. On nothing; 21. On God; 22. On infinity; 23. On self-deification; 24. On invisibility; 25. On conscious life-forms; 26. On artificiality; Part III. The Tower of Babel: 27. On death; 28. On absolute music; 29. On the beautiful and the sublime; 30. On monuments; 31. On the apocalypse; 32. On the end; 33. On suicide; 34. On absolute drivel; 35. On Babel; Bibliography; Index.
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