Absolution

Absolution

3.0 2
by Patrick Flanery
     
 

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A bold and exciting literary novel that contemplates the elusive line between truth and self-perception.

 

Ambitious and assured, Absolution propels the reader to the final page in a drive to discover the secrets and truths at its core. How or why did a young antiapartheid activist disappear twenty years earlier? How does that event link the present

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Overview

A bold and exciting literary novel that contemplates the elusive line between truth and self-perception.

 

Ambitious and assured, Absolution propels the reader to the final page in a drive to discover the secrets and truths at its core. How or why did a young antiapartheid activist disappear twenty years earlier? How does that event link the present-day characters? And how does it explain the choices they have made or the lies they may tell themselves?

 

Set in contemporary South Africa, Absolution is a big-idea novel about the pitfalls of memory, the ramifications of censorship, and the ways we are silently complicit in the problems around us. It’s also a devastating, intimate, and stunningly woven story. Told in shifting perspectives, it centers on the mysterious character of Clare Wald, a controversial writer of great fame, haunted by the memories of a sister she fears she betrayed to her death and a daughter she fears she abandoned. Clare comes to learn that in this conflict the dead do not stay buried, and the missing return in other forms—such as the child witness of her daughter’s last days who has reappeared twenty years later as Clare’s official biographer, prompting an unraveling of history and a search for forgiveness. Patrick Flanery is an exhilarating new writer, and this is a masterpiece of rich, complicated characters and narration that captures the reader and does not let go.

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Editorial Reviews

Publishers Weekly
Flanery’s intricate debut, full of shifting perspectives and temporal leaps, calls for disciplined sleuthing to fully realize its merits. Set mostly in a richly described postapartheid South Africa, the interconnected plot lines follow aging, contentious writer Clare Wald as she attempts to assemble the sordid details of her revolutionary daughter Laura’s disappearance over two decades ago. She’s also dealing with her own remorseless complicity in the assassination years ago of her sister and her sister’s husband, a prominent figure in the National Party. Another plot finds Sam Leroux, a white South African whose parents died in a botched bombing and whose aunt was murdered in a robbery, returning to write Clare’s biography, an act that slowly reveals complicated bonds between them. Yet many questions remain: what became of Laura? Was she involved in the death of Sam’s parents? Who killed Sam’s aunt, and was the death connected to a break-in witnessed by Clare? Which version of the truth, if any, is “real”? Adeptly orchestrating multiple points of view, Flanery builds intrigue by allowing his characters’ unreliable interpretations of history, but with mixed results. Early understanding of the novel’s confusing form (chapters entitled “Absolution” are from Clare’s book, for one) would enable deeper, less frustrating reading. Still, this is a puzzle worth solving. Agent: George Lucas, Inkwell Management. (Apr.)
Library Journal
Truth, reconciliation, and forgiveness are just a few of the complicated themes explored in this sophisticated debut novel about pre- and post-apartheid South Africa. Sam Leroux arrives in Cape Town to interview renowned author Clare Wald for an authorized biography. The two circle each other like nervous cats, each withholding pertinent information about when and where their paths have crossed. At the center of this mystery is Clare's daughter, Laura, a political activist who disappeared years earlier while working with Sam's parents to bring down the apartheid regime. But after Sam's parents are killed in a bombing gone awry, Laura's loyalties are questioned even as she reluctantly becomes involved in finding a safe home for the orphaned Sam. Emblematic of the troubled country they inhabit, Clare, Sam, and Laura represent the difficulty of reconciling past with present and forgiving the unforgiveable. VERDICT This remarkably assured, atmospheric novel perfectly reflects the tenuous trust being forged among South Africans as they look to the future. The London-based Flanery, whose books have been sold to several countries, has already been called the next J.M. Coetzee; order accordingly. [See Prepub Alert, 11/14/11.]—Sally Bissell, Lee Cty. Lib. Syst., Ft. Myers, FL
Kirkus Reviews
In Flanery's debut literary fiction, Sam Leroux has a publisher's assignment to write the biography of a famous South African author, Clare Wald, imperious, reticent, evasive about her writing and disinclined to discuss her catastrophic personal life. A native South African, Sam is a writer and scholar residing in the United States. Sam flies to meet the reluctant Clare, who resides in his native Cape Town, a fractious city where have-nots confront razor-wire–topped walls behind which the rich have imprisoned themselves. Told from alternating points of view, the novel shifts from unsettled present to bloody past, from today's fractured economic and social environment to the historic struggle to end apartheid. That ugly fight for democracy consumed the lives of Clare's sister and daughter, and Sam's parents. Guilt, fear and regret keep Sam and Clare from confronting their mutual history of loss and love, deceit and despair. Unbeknownst to Sam, Clare has already written Absolution, a "fictionalized memoir," which will be published only because the circumspect Clare agreed to an official biography. Ghosts hover each time Sam and Clare meet, and Clare's cathartic expulsion of her truths comes in flashes. Flanery has constructed a haunting labyrinth of mirrors, fact reflecting remembrance, lie reflecting evasion. Complex in theme, complex in narrative, this is a masterful literary exploration of the specter of conscience and the formidable cost of reconciliation.

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Product Details

ISBN-13:
9781594488177
Publisher:
Penguin Group (USA) Incorporated
Publication date:
04/12/2012
Pages:
400
Product dimensions:
6.28(w) x 9.06(h) x 1.30(d)
Age Range:
18 Years

What People are saying about this

Jay Parini
One rarely encounters such a confident first novel as Absolution. Patrick Flanery arrives on the scene wholly formed: a writer of superb self-confidence, depth of insight, and resolute clarity. His is a beautifully written piece of fiction, a major accomplishment. (Jay Parini, author of The Last Station and The Passages of Herman Melville)
From the Publisher
“[An] uncommonly thought-provoking first novel…richly imaginative… Patrick Flanery is an exceptionally gifted and intelligent novelist and he is just getting started.”—Philip Gourevitch, The New Yorker

"Flanery has talent to spare, and he’s a talent to keep an eye on."—Alexandra Fuller, The New York Times Book Review

"With a sure grasp . . . [Flanery] manages to navigate his narrative through twists and turns and stunning revelations that cast new light on characters and situations already delineated with insight and subtlety."—The Wall Street Journal

"Flanery is a talented prose stylist, and he deserves comparison to big names like Philip Roth and Margaret Atwood. This is a complex and ambitious novel in a grand tradition, that dares to ask questions about censorship, memory, and political responsibility, all while maintaining a very human story of loss and forgiveness at its core. South Africa and its many familiar contradictions have gone under-represented in American literature, but this impressive book will go a long way towards amending that deficit."—The Daily Beast

"Absolution serves as proof, if any were needed, that a novel can be both unashamedly literary and compellingly readable – Man Booker judges, take note."—The Financial Times

"Absolution is a beautifully crafted novel. . . . [Flanery's] novel has some obvious similarities to works by South African authors, notably Nadine Gordimer and J.M. Coetzee. Yet Absolution is no pastiche. Flanery’s writing is graceful and rich in imagery. The novel moves like a thriller: The reader will be eager to discover how much Sam and Clare recall. At the same time, it explores complicated issues such as the impact of violence and the long-term effects of apartheid with an ethical gravity. Absolution is a must read for anyone interested in South Africa, or in literary fiction of the finest kind."—Bookpage

"Patrick Flanery's debut novel costructs a mosaic of South Africa . . . as powerfully described here as in any book by JM Coetzee or Damon Galgut. . . . This is an exceptionally intelligent, multi-layered novel encompassing politics, history, a gripping storyline, and complex characters. It has absorbing depictions of grief, guilt, parenthood, and sibling rivalry, and is beautifuly written. The prose is lucid and strong, scenes of crime are full of suspense, and time and again phrases haunt with their imagery. . . . Absolution is an exceptional book.”—The Independent

"The wonder of this outstanding first novel is that Flanery weaves the stories together with assurance and craftsmanship, digging underneath many received ideas about the old and new South Africa."—The Times (UK)

"At a time of intense media focus on global political protest, Patrick Flanery’s sophisticated debut explores the personal and political legacy of such action in South Africa. . . . Wriggling with secrets, the gripping narrative swings back and forth between Eighties apartheid . . . and the South Africa of today: a pretend paradise of ‘luxury bunkers,’ panic buttons in the bedroom, and simmering interracial mistrust. . . . Setting the tale in South Africa is inspired, allowing Flanery to play insightful games with ideas of self-deception and amnesty. The prose surges with enjoyable debate about the slipperiness of truth, the nature of forgiveness, and whether fiction is more honest than nonfiction. . . . The novel [has a] satisfying emotional heft.”—Sunday Telegraph

"Patrick Flanery is an extraordinary new writer and Absolution shines a light on contemporary South Africa and the long shadow of apartheid, the elusive nature of truth and self-perception, and the mysterious alchemy of the creative process. Absolution is a debut of great strength and power."—GQ (UK)

"Compelling . . . At times, Flanery's prose evokes Graham Greene. . . . A literary thriller whose writing is consistently first class."—The Observer

"A taught literary thriller set in South Africa . . . [Absolution is] a very clever, beautifully written book."—The Daily Mail 

"[Sam's] attempts to untagle the past and sort through the blurring of memory are masterfully handled by Flanery, who writes with a confidence and erudition that belie his young age."—The Daily Telegraph

"Told from alternating points of view, the novel shifts from unsettled present to bloody past, from today’s fractured economic and social environment to the historic struggle to end apartheid. . . . Flanery has constructed a haunting labyrinth of mirrors, fact reflecting remembrance, lie reflecting evasion. Complex in theme, complex in narrative, this is a masterful literary exploration of the specter of conscience and the formidable cost of reconciliation."—Kirkus (starred)
 
“Patrick Flanery is an extraordinary new writer. Absolution is smart, moving, and provocative, a rare combination of page-turner and literary triumph. More than a book about South Africa, this is a book about the hunt for the truth, a hunt that is as universal as it is essential.  Utterly captivating, this is without a doubt one of the best books I’ve read in a long while.”—Steven Galloway, author of The Cellist of Sarajevo

“One rarely encounters such a confident first novel as Absolution. Patrick Flanery arrives on the scene wholly formed: a writer of superb self-confidence, depth of insight, and resolute clarity.  His is a beautifully written piece of fiction, a major accomplishment.”—Jay Parini, author ofThe Last Station and The Passages of Herman Melville

Steven Galloway
Patrick Flanery is an extraordinary new writer. Absolution is smart, moving and provocative, a rare combination of page-turner and literary triumph. More than a book about South Africa, this is a book about the hunt for the truth, a hunt that is as universal as it is essential. Utterly captivating, this is without a doubt one of the best books I've read in a long while. (Steven Galloway, author of The Cellist of Sarajevo)

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