Acid Row

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Overview

Acid Row is a crime-infested housing project that exists by its own laws. When news comes that a child has been kidnapped, the frustration and anger that has been seething on the streets of Acid Row is ignited. And no one will be safe.

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Overview

Acid Row is a crime-infested housing project that exists by its own laws. When news comes that a child has been kidnapped, the frustration and anger that has been seething on the streets of Acid Row is ignited. And no one will be safe.

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Editorial Reviews

From Barnes & Noble
The Barnes & Noble Review
At the start of Acid Row, we learn that one hot summer's day all hell broke loose in crime-ridden Bassindale Estates housing project (nicknamed "Acid Row" by its inhabitants). It began as a peaceful protest, when local mothers organized a march against a registered pedophile who had been resettled there. But when a child is reported missing, the protest march is hijacked by local teens who set up barricades to keep out the police. As Molotov cocktails begin to fly and angry lynch mobs roam the neighborhood, 19-year-old Mel, six months pregnant and desperate to protect her two young children, struggles to hold a thin line of friends and neighbors against the raging mob, and her boyfriend, two days out of jail and the police's only hope for rescuing a hostage, stands against a tide of angry people who've decided they have nothing left to lose. Minette Walters has a gift for creating complex characters whose actions and motivations are totally believable, even as they are caught up in situations of harrowing tension. She weaves together strands of several stories in Acid Row, drawing readers into this darkly compelling world to discover who will live, who will die, and who has the missing child…. Sue Stone
Denver Post
...a page-turner that challenges readers with out-of-sequence plot developments and expertly developed characters...
Entertainment Weekly
Edgar-winning suspense novelist Walters has written a zippy summer read with this tightly plotted, character-rich thriller.
I Love A Mystery.com
Walters has a refined sociological and psychological imagination.
New York Daily News
...a compelling weave of chilling plot lines.
State
It's a gripping story ... one superbly written novel.
Publishers Weekly
HEver since she won an Edgar back in 1993, Walters has continually worked outside the standard boundaries of crime drama. Psychological suspense may be the best tagline for her novels, but it still doesn't quite catch her tenor. Her heroes, for example, are anything but moody, disagreeable. Her dialogue wanders and stews and then jabs like a bayonet. Her plots often evolve out of sequence. She simply won't walk the line and she's confoundingly good at taking liberties. Here, Walters transports readers to Acid Row, a dungeon of a housing project in a London suburb populated by single mothers, fatherless children, criminals fresh from prison, gangs and the helpless elderly. It's a community, however, bonded in its destitution, suspicious and unwelcoming of outsiders. When word leaks out that the government has placed a pedophile in No. 23, the beleaguered residents begin to simmer. Then, when a 10-year-old girl goes missing, Acid Row explodes into open revolt. With frightening clarity, Walters breaks down the daylong riot into recurring vignettes. There's the anguish of Sophie Morrison, a young doctor taken hostage by the pedophile and his vicious father; swaggering ex-con Jimmy James, who rises to the occasion with bursts of reluctant heroism; the cowering police and their pathetic attempts at restoring order; and the evasive parents of Amy Biddulph, the little girl nobody can find. Walters (The Shape of Snakes; Edgar-winning The Sculptress) pulls it all off with rhythmic brilliance, the narrative flowing smoothly. Again, she demonstrates her eye for the sociological and psychological avalanche provoked by human temptation and people living in cramped quarters. With her eighth novel, Walters continues to navigate literary pathways few have ventured down before her. Foreign rights sold in Australia, Croatia, Denmark, France, Germany, Holland, Israel, New Zealand, Norway, Portugal, Sweden and the U.K. (July 1) Copyright 2002 Cahners Business Information.
Library Journal
In this eighth psychological suspense novel by English author Walters (The Shape of Snakes), a convicted pedophile and a missing ten-year-old girl are the sparks that ignite a murderous riot in a crime-infested housing project known as Acid Row. Privileged information leaked by an embittered healthcare worker leads to a protest intended to be peaceful. But the heat and resentment build, and Dr. Sophie Morrison, caregiver for the community, gets caught in the middle. When she stops to care for the asthmatic father of the pedophile, she is assaulted and held hostage in his home. With police blocked from the area and putting resources toward finding the missing girl a case that also may involve pedophilia the hero of the day is a huge black man just out of prison, aided by the elderly inhabitants of Acid Row. Walters is masterly at keeping suspense at a high pitch while weaving between two story lines, noting the consequences of good intentions and bad decisions, and seeing myriad shades of gray. A final epilog-like chapter provides an uplift unexpected in a novel by Walters, and fans may find the book rings more true without it. Happy ending notwithstanding, this is as intelligent and thought-provoking as it is suspenseful. [Previewed in Prepub Alert, LJ 3/1/02.] Michele Leber, Fairfax Cty. P.L., VA Copyright 2002 Cahners Business Information.
Kirkus Reviews
What would happen if the citizens of a big-scale suspense novel were as many-dimensional as the suspects in Walters's seven striking mysteries-too complex by far to be pigeonholed as heroes and villains? They'd be the denizens of Bassindale Estate, the English housing project that erupts in a violent riot. Thanks to Fay Baldwin, a spiteful health-care visitor who didn't retire soon enough to keep herself from spreading the news that police had just relocated a known pedophile to guilelessly named Humbert Road, the street is soon abuzz with rumors about Nicholas Hollis, ne Milosz Zelowski. It's particularly bad timing for Nicholas's neighbor Laura Biddulph, whose ten-year-old daughter, Amy Rogerson, has just walked out of Laura's intolerable domestic arrangement-a clear-eyed swap of sex for shelter with middle-aged bus driver Gregory Logan and his two monstrous children-and off the face of the earth. And it's even worse timing for Nightingale Health Centre physician Sophie Morrison and WPC Wendy Hanson, both of whom are trapped inside Bassindale when outraged neighbors egged on by shiftless teenagers armed with Molotov cocktails constitute themselves a lynch mob. In crossing over from ferociously literate whodunits like The Shape of Snakes (2001), Walters handles the teeming cast and the buildup of danger and suspense authoritatively, from the opening whispers to the inevitable fatalities. Her real achievement here, however, is in the oddly sympathetic pedophile, the angry heroine, her ex-con rescuer, the pitifully unformed teenage provocateurs, Amy's willfully irresponsible mother and smoothly complicit father, and an underage victim who turns out to be just as exploitative, though a lotless powerful, than the plausible scoundrel who preys on her. Even if the convulsive strands in Walters's largest web yet never come together with the knotty precision of her earlier plots, they all show the damning effects of helplessly raging long-term victims thrashing out in turn to hurt anyone in reach.
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Product Details

  • ISBN-13: 9780515135824
  • Publisher: Penguin Group (USA)
  • Publication date: 4/15/2003
  • Format: Mass Market Paperback
  • Pages: 384
  • Product dimensions: 4.30 (w) x 6.50 (h) x 1.07 (d)

Meet the Author

Minette Walters

Minette Walters is the author of seven previous novels. Her work has been translated into thirty-two languages and has been adapted for television.

Good To Know

In our interview with Walters, she shared some fascinating facts about her interests, hobbies, and favorite ways to unwind:

"I've been married for nearly 25 years, have two sons, lead a very contented life in the wilds of Dorset with horses, chickens, dogs, sheep, and write some of the darkest psychological mysteries you'll ever read! I've been described as a woman ‘whose imagination makes her dangerous to know'!"

"I have spent a great deal of time in prison over the last 14 years -- both as a prison visitor, public speaker, and teaching assistant. While I have never used any individual's case as the basis for a book, I have learned a great deal about prisoners' backgrounds and what leads them to prison. The reasons tend to be similar -- dysfunctional family life, minimal parenting, early truanting, poor literacy levels, low self-esteem, no anger-management skills, difficulty relating to others -- and many of these issues are reflected in my novels."

"My major hobby and the way I always unwind is to decorate my house while listening to the many excellent BBC stations on the radio. As a news junkie, my favorites are Radio 4 and Radio 5 -- some of whose material can be accessed via the Internet or on the BBC World Service. Enjoy, if you can find them!"

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    1. Hometown:
      Dorchester, Dorset, England
    1. Date of Birth:
      September 26, 1949
    2. Place of Birth:
      Bishop’s Stortford, Hertfordshire, England
    1. Education:
      B.A. in French, Dunelm (Durham University), 1971
    2. Website:

Read an Excerpt

ONE

19-20 JULY 2001

Only a handful of staff at the Nightingale Health Center ever read the memo referring to the presence of a pedophile on the Bassindale Estate. It vanished under a pile of paperwork in the central office and ended up being filed by one of the clerical workers, who assumed it had gone the rounds. For those who did see it, it was an unremarkable document, recording the name and details of a new patient. For the rest, it was irrelevant since it wouldn't-or shouldn't-affect the way they treated the man.

One of the health visitors tried to have the issue raised at a staff meeting, but she was overruled by her supervisor, who had responsibility for setting the agenda. There was a history of hostility between the two women-neither believing the other was up to her job-which may have prejudiced the way the supervisor handled the matter. It was summertime and everyone wanted to be home at a reasonable time. In any case, even if the doctors agreed that it was dangerous and irresponsible to house a pedophile on an estate full of children, there was nothing they could do about it. The decision to move him had been made by the police.

The same health visitor approached Dr. Sophie Morrison in a blatant attempt to have the supervisor's decision overturned. By that time she was less interested in the pedophile than in scoring points, and Sophie Morrison, being na•ve and inexperienced in office politics, was easily intimidated. Such, at least, was Fay Baldwin's interpretation of the cheerful young woman who had joined the practice two years before.

Fay waited until the end of evening hours, then gave her signature tap on Sophie's door-a rat-a-tat-tat of brittle nails that produced identical reactions in all her colleagues. "Time for a chat?" she asked brightly, poking her head into the room.

"'Fraid not," said Sophie, launching herself manically at her keyboard and typing "the quick brown fox jumps over the lazy dog" repetitively into her monitor. "Catching up on some notes...and then home. Sorry, Fay. How about tomorrow?"

It didn't work. It never did. The dreadful woman eased herself inside anyway and perched her scraggy bottom on the edge of the desk. It was encased, as usual, in an impeccably tailored skirt; and, as usual, there wasn't a dyed hair out of place. Both were outward and visible signs that she considered herself a model of efficiency and professionalism, but they were in inverse proportion to what was going on inside her head. It was a Catch-22. She was desperate to cling to the only thing that gave her life meaning-her job. Yet her hatred for the people she dealt with-patients and professionals alike-had reached disastrous proportions.

Sophie had argued that the kindest course would be to retire her early and set her up with psychiatric help in order to cope with the emptiness of her life. The senior partner-a great deal less sympathetic toward elderly, frustrated virgins whose only talent was for stirring things up-preferred to let sleeping dogs lie. It was less than three months before they'd be rid of her for good, was his view. If she was one of their patients it might be different, but she had coquettishly eschewed Nightingale's doctors in favor of the competition on the other side of town. "I couldn't possibly take my clothes off in front of people I know," she'd said.

As if anyone cared.

"I'll only be a minute," trilled Fay now in her little-girly voice. "You can spare me sixty seconds, can't you, Sophie?"

"As long as you don't mind my packing up at the same time," said the doctor with an inward sigh. She shut down her computer and slid her chair backward, wondering which of her patients had just had typing exercises added to their notes. It was always the same with Fay. You found yourself doing things you didn't want to do, simply to escape the wretched woman. "I'm meeting Bob at eight."

"Is it true you're getting married?"

"Yes," said Sophie, happy to be on safe ground. "I finally got him up to the mark."

"I wouldn't marry a reluctant man."

"It was a joke, Fay." Her smile faded before the other woman's downturned mouth. "Ah, well, it's hardly earth-shattering news." She pulled her waist-length braid from behind her shoulder and started to comb it out with her fingers, quite unconsciously drawing attention to her unaffected youthfulness.

"It was Melanie Patterson who told me," remarked Fay spitefully. "I would have mentioned it last week, but she said it was supposed to be a secret."

Damn! Damn! Damn! "I didn't want to tempt fate in case Bob changed his mind," said Sophie, concentrating on her braid. It was a gross slander against her amiable fiancŽ, but if it prevented another row with Fay about Melanie Patterson it would be worth it. They had almost come to blows the week before, and she didn't want a repeat.

"She said you'd invited her to the wedding."

Damn! Damn! And more damns! Sophie stood up and walked across to a mirror on the far wall. Anything to avoid the reproach in the woman's face. "It's not for ages yet," she lied. "The invitations won't be going out for another four weeks." There was a slight softening of Fay's expression in the glass. "What did you want to talk about?" Sophie asked her.

"Well, in fact Melanie's part of it, so it's a good thing her name's come up," said the woman smugly. "Claire simply refuses to listen to me on this...keeps saying it's not a matter for discussion...but I'm afraid I can't agree with her. First, I take my job rather more seriously than she does-anyone can run a medical practice but it takes training to advise young mothers on the care and health of their families. And, second, in view of the way Melanie lets those children of hers run wild in the street-"

Sophie cut her short. "Don't do this, Fay," she said with uncharacteristic sharpness. "You made your views on Melanie very clear last week."

"Yes, but-"

"No." The young woman turned around, and there was considerable anger in her eyes. "I will not discuss Melanie with you again. Can't you see Claire was trying to do you a favor by making that clear to you?"

Fay bridled immediately. "You can't avoid it," she said. "She's my responsibility, too."

Sophie reached for her case. "Not anymore. I've asked Claire to assign one of the younger visitors to Melanie. She was going to tell you on Monday."

Retirement must have taken a sudden step closer, because the woman's highly powdered face lost color. "You can't reduce my list just because I disagree with you," she said fiercely.

"Calling one of my patients a slut and a whore and then losing your temper when I took you to task about it is rather more serious than disagreement," said Sophie coolly. "It's unprofessional, Fay."

"It's what she is," the woman hissed. "You come from a good family...you ought to be able to recognize it for yourself." Spittle flew from her mouth. "She sleeps with any man who shows an interest...usually when she's drunk...then she swans around like Lady Muck, saying she's pregnant again...as if it's something to be proud of."

Sophie shook her head. It was pointless arguing. In any case, she hated face-to-face confrontations with this woman, because they invariably became personal. Fay's life had prejudiced her views. She should have been working in the days when illegitimacy was frowned on and girls "who were no better than they should be" were hidden away in homes for unwed mothers and treated with scorn. That way, her status as a virtuous woman would have counted for something instead of making her an object of pity or amusement. The mystery was why she had ever chosen health visiting as a career, although, as the senior partner was fond of pointing out, lecturing, scolding and training the unwashed masses were probably what health visiting had been about when she started.

Sophie opened her office door. "I'm going home," she said firmly, standing back and making it clear she expected the other woman to leave first.

Fay stood up, her mouth working uncontrollably like an old lady's with dementia. "Well, don't say I didn't warn you," she said tightly. "You think you can treat everyone the same...but you can't. I know what these beasts are like...seen the kind of damage they do to the poor little souls they abuse. It's all so secretive...done behind closed doors...filthy, disgusting men...silly women who close their eyes to what's really going on...and all for what? Sex!" She spat out the word like a vile taste. "Still...at least my hands are clean. No one can say I didn't try." She walked stiff-legged from the office.

Sophie watched her go with a frown of concern. Dear God! Beasts...? Filthy, disgusting men...? Fay had lost the plot completely. It was bad enough to accuse Melanie of being a slut. A hundred times worse to accuse her and her men of child abuse.

But then Sophie had no idea that a pedophile had been housed just one door away from four-year-old Rosie and two-year-old Ben Patterson.

The term sink estate might have been invented for Bassindale, which stood as a sprawling monument to the social engineering of the 1950s and 1960s, when planners had cut into the green belt to provide subsidized housing for those on low incomes. In this case, two hundred acres of broadleaf woodland bordering Bassindale Farm had been put to the axe and replaced with concrete.

It should have been idyllic. A worthy project in the postwar push for equality and opportunity. A chance for improvement. Quality homes surrounded by open countryside. Fresh air and space.

But all the roads on the perimeter bordering the fields were culs-de-sac. Like bicycle spokes, they ended at a solid rim-houses with block-built garden walls-to protect the surrounding crops and herds from thoughtless estate dwellers and their dogs. The only two thoroughfares, Bassindale Row and Forest Road, looped back on themselves in an unconnected, inverted W to provide four points of access through the concrete belt that kept the estate hidden from the busy traffic on the main road. From the air, Bassindale and Forest looked like the anchoring strands of a section of cobweb, with a tracery of streets and dead ends providing the transverse threads. From the ground-as recognized by the police-they were the potential redoubts that could turn Bassindale into a fortress. The estate was a concrete-clad pressure cooker.

And why not?

Demand for housing following the postwar baby boom had led to poor design and sloppy construction. The inevitable result was costly maintenance with only the most glaring problems being addressed. Ill health was endemic, particularly among the young and the old, for whom the cold wet conditions, coupled with poor diets, weakened constitutions. Depression was common, as was addiction to prescription pills.

Like the road to hell, Bassindale had begun with good intentions but it was now little more than a receptacle for society's rejects. A constant drain on the public purse. A source of resentment to taxpayers, irritation to the police and unmitigating despair to the teachers and the health and social workers who were expected to work there. For the majority of the inhabitants it was a prison. The frail and frightened elderly barricaded themselves inside their flats; desperate single mothers and fatherless children steered clear of trouble by living their lives behind locked doors. Only angry, alienated youth flourished briefly in this barren landscape by stalking the streets and controlling the traffic in drugs and prostitution. Before they, too, found themselves in prison.

In 1954 an idealistic Labour councilor had caused a sign to be erected at the end of Bassindale Row South, the first point of entry off the main road. It said inoffensively: welcome to bassindale. Over the years the sign was regularly vandalized with graffiti, only to be as regularly replaced by the local council. Then, in 1990, during the last year of Margaret Thatcher's premiership, the same council, under pressure to reduce its costs, canceled its budget for the replacement of signs. Thereafter, the graffiti was allowed to remain, untouched by Bassindale's inhabitants who saw it as a truer description of where they lived.

WELCOME TO ASSI D   ROW

Acid Row. A place of deprivation where literacy was poor, drugs endemic and fights commonplace.

Fay Baldwin, obsessively replaying Sophie Morrison's dismissal of her the previous evening, wrenched four-year-old Rosie Patterson's arm violently to prevent the child from wiping her dirty hands and nose on Fay's newly cleaned suit. She had come across her in the street, playing with her brother, and she couldn't resist the chance to give their pregnant teenage mother a piece of her mind, particularly as Melanie wouldn't yet know that Fay was to be replaced as her health visitor.

She felt herself vindicated to find the girl curled up on the sofa with a cigarette in one hand, a can of lager in the other and Neighbours on the television. It proved everything she had ever said about Melanie's unsuitability as a mother. Rather less easy to cope with was the way Melanie was dressed, in a skimpy top and tiny shorts that revealed long brown legs and a softly rounded tummy with the growing bump of her six-month fetus.

Jealousy ate into Fay's soul while she pretended to herself that she was shocked to see anyone flaunt herself so shamelessly. "It won't do, Melanie," she lectured the girl sternly. "Rosie and Ben are too young to play outside on their own. You really must be more responsible."

The girl's eyes remained glued to the soap opera. "Rosie knows what she's doing, don't you, sweetheart? Tell the lady."

"Down ply rown cars. Down ply wiv neeles," the four-year-old chanted, giving her two-year-old brother a gratuitous cuff on the head as if to demonstrate how she kept him in order.

"Told you," said Melanie proudly. "She's a good girl, is Rosie."

Fay had to use every ounce of self-control not to smack the brazen creature. She had spent thirty years in this hellhole, trying to instill ideas on health, hygiene and contraception into generations of the same families, and the situation was getting worse. This one had had her first baby at fourteen, her second at sixteen and was pregnant with her third before she'd even reached twenty. She had only the vaguest idea who the fathers were, cared less and regularly dumped the children on her own mother-whose youngest child was younger than Rosie-to take herself off for days on end to "get her head straight."

She was lazy and uneducated and had been housed in this duplex because social services thought she might develop into a better parent away from her mother's "unhelpful" influence. It was a vain hope. She lived in unbelievable squalor, was regularly stoned or drunk, and alternated between lavishing love on her children when she was in the mood and ignoring them entirely when she wasn't. The gossip was that "getting her head straight" was a euphemism for an intermittent (between pregnancies) career as a topless model, but as she didn't want her benefits stopped she never owned up to it.

"They'll be taken away from you if you go on neglecting them," the woman warned.

"Yeah, yeah, blah, blah." Melanie flicked her a knowing look. "You'd like that, wouldn't you, Miss Baldwin? You'd have them off me quick as winking if you ever found any bruises. Bet it makes you sick you never have."

Irritated, the woman knelt down in front of the child. "Do you know why you shouldn't play around cars, Rosie?"

"Mum'll 'it us."

Melanie beamed at her and took a drag from her cigarette. "I've never hit you in my life, darlin'," she said comfortably. "Never would. You don't play round cars 'cos they're dangerous. That's what the lady wanted you to say." She flicked Fay a mischievous glance. "Isn't that right, miss?"

Fay ignored her. "You said you weren't supposed to play with needles, Rosie, but do you know what a needle looks like?"

"'Course I do. One of my dads uses 'em."

Annoyed, Melanie swung her legs off the sofa and dropped her cigarette butt into the lager can. "You leave her alone," she told the woman. "You're not the police, and you're not our social worker, so it's no business of yours to quiz my kids about their dads. They're fit and healthy, they've had their jabs and they both get weighed regular. That's all you need to know. Capeesh? You've got no right to waltz in here whenever you bloody feel like it. There's only one person from the center's allowed to do that...and that's Sophie."

Fay stood up. Somewhere in the back of her mind an inner voice urged caution, but she was too resentful to take heed of it. "Your children have been on the 'at risk' list since the day they were born, Melanie," she snapped. "That means I have the right, and the duty, to inspect them whenever I think fit. Look at them! They're disgusting. When did either of them last have a bath or a change of clothes?"

"The Social know I love my kids and that's all that fucking matters."

"If you loved them, you'd take care of them."

"What would you know about it? Where are your kids...miss?"

"You know very well I don't have any."

"Too sodding right." She pulled her daughter close, mingling her beautiful blond hair with the child's. "Who loves you better than anything, Rosie?"

"Mum."

"And who do you love, sweetheart?"

The child put her finger on her mother's lips. "Mum."

"So do you wanna live with Mum or with the lady?"

Tears bloomed in the little girl's eye. "Wiv' you, wiv' you," she howled, flinging her arms around Melanie's neck as if she expected to be torn away from her at any minute.

"See," Melanie told the health visitor with a smirk of triumph. "Now tell me I don't care for my babies."

Something finally snapped inside Fay. Perhaps her sleepless night had taken its toll. Perhaps, more simply, the taunts of an empty life were the last straw. "My God, you're so ignorant," she stormed. "Do you think it's difficult to manipulate a child's affections?" She motioned angrily toward the window. "There's a pedophile in this street who could take your little Rosie away from you with a handful of sweets because she's never learned when love is honestly given and when it isn't. And who will society blame, Melanie? You?" She gave a withering laugh. "Of course not... You'll weep crocodile tears while the people who genuinely cared for Rosie-me, and your social worker-get crucified for leaving her with someone so inadequate."

The girl's eyes narrowed. "I don't reckon you should be telling me this."

"Why not? It's the truth."

"Where's this pedophile then? Which number?"

Too late, Fay knew she'd overstepped the mark. It was privileged information, and she'd given it away in anger. "That's not the issue," she said lamely.

"Like hell it isn't! If I've got a sicko living near me, I wanna know about it." She reared up off the sofa and towered over the little spinster. "I know you think I'm a lousy mum, but I've never harmed them and I never would. Dirt don't kill a kid and neither does a bit of swearing now and then." She thrust her face into the woman's. "Sickos do, though. So where is he? What's his name?"

"I'm not allowed to tell you."

Melanie bunched her fists. "Do you want me to make you?"

Terrified, Fay retreated toward the door. "It's a Polish name," she said cravenly before she fled.

--from Acid Row by Minette Walters, Copyright © July 2002, The Putnam Publishing Group, a member of Penguin Putnam, Inc., used by permission.

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Sort by: Showing all of 7 Customer Reviews
  • Posted March 18, 2011

    more from this reviewer

    Interesting and...Psychological...

    This book was definitely something. I thought it started out a bit slow, but it picked up after not too long so that it held my interest. The only thing was parts of it were psychologically disturbing. I thought Walters did a good job at getting into the mind and grasping the profile of a psychopath. Or even that of someone who was forced into a corner and had to fight their way out, for that matter. She made it so that I not only liked/loved the protagonist(s), but she made it so that I adored them and I rooted for them like my favorite football team. Not only did I dislike the antagonist(s), but I loathed them completely. I found them vile and disgusting like a rodent in my home. It really was quite the unique experience. I say experience because that's what it felt like. We went through racism, pedophelia, rape, mutilation, etc. and by the time I closed the back cover, I felt as though I had witnessed a tragedy or a monstrosity of unfortunate events. I do strongly recommend this book because it is so different, but I caution that the reader should have a strong heart because this will definitely try to rip it to pieces.

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  • Anonymous

    Posted September 30, 2006

    Best book of all times

    This is easily the best book I have read of all authors in many, many years. It was the first book of this author I have ever read and I can't wait to start reading more. Definate recommended buy!!!!

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  • Anonymous

    Posted April 24, 2005

    One of the best books I've read

    This was the first book I've read by Walters and I was so moved by it I went out and bought several of her other books. I can't say I liked any of her others which seem to be mostly murder mysteries which I don't care for, but this one was excellent and very different and not a murder mystery. I normally enjoy horror, psychological thrillers, and sci-fi genre books. If anything this was a psych thriller, and it was very intense to read and will stay with me for a long time, very emotionally wrenching and almost frightening in how plausible the story was.

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  • Anonymous

    Posted June 3, 2003

    First-timers avoid

    OK, first off, I have to say I adore Minette Walters and her work. So it is with great distress that I give Acid Row a so-so rating. This is SO not her best work. In fact, I think I can easily say it is her worst. But Minette Walters' worst effort is still far superior to the trash out there (too numerous to mention). I just ask that if you are new to Ms. Walters' work, please do not start with this one. Start with The Shape of Snakes or start chronologically.

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  • Posted December 9, 2008

    more from this reviewer

    Taut thriller

    Following his photograph in the Portifield paper registered paediophile Milosz Zeloski is relocated to the Bassindale Estate housing project, better known as ACID ROW, a caged environment for losers. He is considered ¿harmless¿ being a looker not a taker, but health care curmudgeon Fay Baldwin breaks the code of silence and informs her neighbors that a convicted abomination had just moved into the area. Ugly rumors quickly abound about Milosz who uses the alias Nicholas Hollis. <P>In the midst of the frenzied horde, a ten-year-old girl vanishes. No one cares that Amy may just be a runaway leaving an intolerable home situation. Instead a mob forms with its mission to castrate the monster that harmed the child though no evidence proves Nicholas did anything. Riots explode and a lynching mob form with Nicholas as the intended victim and anyone else who tries to stop the out of control neighbors especially since the outside world cannot enter the caged neighborhood. <P>The suspense is so terse yet realistic readers will feel endangered and trapped inside ACID ROW. The exciting story line provides a powerful warning message about the ¿out of sight¿ caging of society¿s misfits because ¿out of mind¿ could prove dangerous. The key to Minette Walters¿ latest thriller is that the cast of many still allows the audience to distinguish personalities even within the action packed plot. Though some minor subplots never quite fully return to the prime theme, fans of suspense thrillers will know they have just completed quite a walloping ride once they remind themselves it¿s only a novel that could easily happen today in any neighborhood. <P>Harriet Klausner

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  • Anonymous

    Posted July 17, 2009

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  • Anonymous

    Posted May 9, 2009

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