ActingSmarts on Local and Regional Theatres

ActingSmarts on Local and Regional Theatres

by Jack Shaw
ActingSmarts on Local and Regional Theatres

ActingSmarts on Local and Regional Theatres

by Jack Shaw

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Overview

If you ever find yourself in an audition situation where a monologue is called for and you show up without one, don’t despair. While obviously it is better to be prepared–you could have just learned of the audition, offer to read a monologue or piece from the play itself. If you are a good cold-reader this can be acceptable to some directors, but understand the risk of not coming prepared.


Product Details

BN ID: 2940044972988
Publisher: Jack Shaw
Publication date: 10/01/2012
Sold by: Smashwords
Format: eBook
File size: 256 KB
Age Range: 18 Years

About the Author

With graduate degrees in Performance Criticism and Social Psychology, combined with his years of acting and directing, he has a unique communication insight and a dynamic presentation style. He’s directed such plays as Harvey, Lovers and Other Strangers, Romantic Comedy, Blithe Spirit, and Creation of the World and Other Business; and acted in Regional theaters throughout the country. His professional theater experience includes roles as “Nathan” in Guys and Dolls, “Perchik” in Fiddler on the Roof, “Mordred” in Camelot, and “Ice” in West Side Story. He’s also appeared in numerous non-musical theatre productions. He has been an on-air personality, commercial announcer, a news director and talk show host in radio as well as a public affairs producer, audio chief, and a staff announcer in television.He is the author of four books, including his best sellers, The Cave Man Guide to Training and Development and a novel, Harry's Reality, a science fiction adventure that dramatizes what happens when the world decides it needs someone or something smarter than it is to keep the world alive and allows an artificial intelligence free reign.Jack received Bachelor of Arts degrees cum laude in both Psychology and English, and dual Master’s degrees (Speech/Dramatic Art and English) focusing on performance criticism from the University of Missouri in Columbia.
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