Actors and Icons of the Ancient Theater
Actors and Icons of the Ancient Theater examines actors and their popular reception from the origins of theater in Classical Greece to the Roman Empire
  • Presents a highly original viewpoint into several new and contested fields of study
  • Offers the first systematic survey of evidence for the spread of theater outside Athens and the impact of the expansion of theater upon actors and dramatic literature
  • Addresses a study of the privatization of theater and reveals how it was driven by political interests
  • Challenges preconceived notions about theater history
1124371689
Actors and Icons of the Ancient Theater
Actors and Icons of the Ancient Theater examines actors and their popular reception from the origins of theater in Classical Greece to the Roman Empire
  • Presents a highly original viewpoint into several new and contested fields of study
  • Offers the first systematic survey of evidence for the spread of theater outside Athens and the impact of the expansion of theater upon actors and dramatic literature
  • Addresses a study of the privatization of theater and reveals how it was driven by political interests
  • Challenges preconceived notions about theater history
35.95 In Stock
Actors and Icons of the Ancient Theater

Actors and Icons of the Ancient Theater

by Eric Csapo
Actors and Icons of the Ancient Theater

Actors and Icons of the Ancient Theater

by Eric Csapo

Paperback(Reprint)

$35.95 
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Overview

Actors and Icons of the Ancient Theater examines actors and their popular reception from the origins of theater in Classical Greece to the Roman Empire
  • Presents a highly original viewpoint into several new and contested fields of study
  • Offers the first systematic survey of evidence for the spread of theater outside Athens and the impact of the expansion of theater upon actors and dramatic literature
  • Addresses a study of the privatization of theater and reveals how it was driven by political interests
  • Challenges preconceived notions about theater history

Product Details

ISBN-13: 9781118782880
Publisher: Wiley
Publication date: 01/28/2014
Edition description: Reprint
Pages: 248
Product dimensions: 6.00(w) x 8.90(h) x 0.50(d)

About the Author

Eric Csapo is Professor of Classics at the University of Sydney, Australia. An expert in ancient drama and in the material, social and economic history of the ancient theatre, Csapo is the author of Theories of Mythology (Wiley-Blackwell, 2005) and co-editor of Context of Ancient Drama (with W. J. Slater, 1995) and The Origins of Theater in Ancient Greece and Elsewhere: From Ritual to Drama (with M. Miller, 2006).

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Table of Contents

List of illustrations vi

Preface viii

List of abbreviations xiii

1 A Portrait of the Artist I: Theater-Realistic Art in Athens, 500–330 BC 1

2 A Portrait of the Artist II: Theater-Realistic Art in the Greek West, 400–300 BC 38

3 The Spread of Theater and the Rise of the Actor 83

4 Kallippides on the Floor Sweepings: The Limits of Realism in Classical Acting 117

5 Cooking with Menander: Slices from the Ancient Home Entertainment Industry? 140

6 The Politics of Privatization: A Short History of the Privatization of Drama from Classical Athens to Early Imperial Rome 168

Bibliography 205

Index 227

What People are Saying About This

From the Publisher

“Eric Csapo has ferreted out an extraordinary quantity of underappreciated evidence, which he pulls together to produce a highly original and convincing history of actors and acting in the ancient world. Essential reading for understanding the whole context of the great achievements of ancient Greek tragedy and comedy.”
Oliver Taplin, Oxford University

"With an excellent command of the many kinds of evidence, E. Csapo focuses on the actor’s image. He gives us a fascinating new history of the ancient theater."
 Brigitte Le Guen, Paris 8 University

“An enthralling read. Nobody brings the world of the ancient theatre alive like Eric Csapo. From the ways Greek actors reduced their audiences to tears or helpless laughter to the economic and political importance of the Roman entertainment industry, he sees vivid details that pass other scholars by. The range of new evidence and insights is breathtaking. Compulsory reading for all historians of ancient theatre, society or culture.”
Edith Hall, Royal Holloway University of London

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