Ad Finite [Explicit Lyrics]

Editorial Reviews

All Music Guide - John Bush
Genaside II released their second full-length, Ad Finite, with an American distribution contract in hand, thanks to the patronage of Tricky who was undoubtedly inspired by the group's acid-breakbeat terrorism from way back. The album improves on 1996's somewhat stillborn New Life 4 the Hunted, with better production and more of a focus on the music itself -- the first album carried the art of vocal collaborations a bit too far. The pair obviously didn't spend much of their time trawling for beats; even middling old-school fans will recognize just about every break used on Ad Finite, along with the sirens and effects from many a classic hip-hop record. It should be obvious, ...
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Editorial Reviews

All Music Guide - John Bush
Genaside II released their second full-length, Ad Finite, with an American distribution contract in hand, thanks to the patronage of Tricky who was undoubtedly inspired by the group's acid-breakbeat terrorism from way back. The album improves on 1996's somewhat stillborn New Life 4 the Hunted, with better production and more of a focus on the music itself -- the first album carried the art of vocal collaborations a bit too far. The pair obviously didn't spend much of their time trawling for beats; even middling old-school fans will recognize just about every break used on Ad Finite, along with the sirens and effects from many a classic hip-hop record. It should be obvious, though, that what really counts is not the beats themselves, but what you do with them. Genaside II are among the best dance producers at layering their productions with interesting effects, and every break on Ad Finite you've heard before is used differently than you've ever heard it. The single "Mr. Maniac" and "50,000 Whats?" are invigorating darkside productions. The social critique inherent on Genaside II's earlier material is still being caned, from the opener -- a British female paraphrases Gil Scott-Heron's "The Revolution Will Not Be Televised" for London circa 1999 -- to tracks like "Casualties of War," "Paranoid Thugism," and "Streets of San Fran Brixton." Still more tied to the aesthetic of 1989 than 1999 that's a good thing, Genaside II make big beat serve their own ends, and the result is a raging political record miles away from the mindless dance of Fatboy Slim.
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Product Details

  • Release Date: 9/21/1999
  • Label: Never
  • UPC: 600704402829
  • Catalog Number: 4028

Album Credits

Performance Credits
Genaside II Primary Artist, Primary Artist
Kris Bones Band
Marcus Brown Keyboards, Band
Chilly Phatz Band
Steve Emney Band
Fragile Scotty Band
Killerman Archer Band
Lee Pomeroy Band
Technical Credits
Kris Bones Producer
Marcus Brown Programming, Producer, Engineer, String Arrangements
John Easton Tour Manager
Tony Gordon Management
Ady Lloyd Artwork
Gareth Lucking Engineer
Phay One Artwork
Jaz Lloyd Artwork
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