Adam and Evelyn

Adam and Evelyn

3.0 1
by Ingo Schulze

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From one of Germany’s finest writers comes a wonderfully light and humorous novel set during the tumultuous events of 1989. A wobbling Hungary has just opened its borders to Austria enabling a flood of refugees to escape, the Berlin Wall is on the cusp of falling, and, yet, seemingly sheltered from this onrushing new world in their idyllic East German home

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From one of Germany’s finest writers comes a wonderfully light and humorous novel set during the tumultuous events of 1989. A wobbling Hungary has just opened its borders to Austria enabling a flood of refugees to escape, the Berlin Wall is on the cusp of falling, and, yet, seemingly sheltered from this onrushing new world in their idyllic East German home are Adam, a tailor and dressmaker who enjoys a life of dressing (and undressing) his appreciative clientele, and Evelyn, Adam’s restless girlfriend.
Having just unexpectedly quit her job as a waitress, Evelyn returns home one day to find Adam sleeping with one of his customers. Calmly, but quickly, Evelyn packs her belongings and runs off to Hungary on a vacation she had originally planned to take with Adam. Accompanying Evelyn on her journey is her friend Simone and Michael, Simone’s West German cousin. In hot pursuit, however, to everyone’s surprise or dismay, is Adam. Following the group in his family’s rickety 1961 Communist-made automobile, Adam chases after Evelyn, banishing himself from his Garden of Eden as she pursues her very own idea of heaven. As Adam and Evelyn are swept out on a Western tide of new freedoms—helping refugees and helping themselves to impetuous trysts with others along the way—they find themselves forced to adjust to life in a world forever changed. Paradise regained? Perhaps not.
Upending our expectations from the start, Adam and Evelyn is a deceptively simple love story that will enthrall longtime readers and those new to the delights of Ingo Schulze’s stories alike.

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Editorial Reviews

Publishers Weekly
There’s no doubt that Schulze (One More Story: Thirteen Stories in the Time-Honored Mode) wants to evoke Adam and Eve cast out of paradise with his latest novel. But what is paradise here? East Germany, where Adam, a tailor, sleeps with his clients despite live-in girlfriend Evelyn? If so, paradise is lost when Evelyn discovers Adam’s infidelities and takes off to Hungary with a man from the West. Home-loving Adam packs their pet tortoise into his beloved Wartburg 311 to pursue her and the political overtakes the personal: it’s 1989. The book, ably translated by Woods, is full of homely details of life behind the wall, in Hungary, and in the West, and of people accommodating to what happens when those details change. Accidental émigré Adam is diagnosed with “emigration syndrome” and “adaptation problems,” which his namesake must surely have had as well. Schulze’s Evelyn has a different problem: she’s underwritten and it’s not entirely clear why Adam’s so smitten. (The same can be said, arguably, of her biblical counterpart.) But this is a minor problem in an otherwise likable book that reveals how world-changing events play out at the domestic level and offers a thoughtful meditation on temptation, expulsion, and what constitutes home. (Nov.)
From the Publisher
“A novel that works on many levels—the personal, the political, and even the mythological…[Adam and Evelyn] is rich in dialogue and in its examination of a contemporary fall from grace.” —Kirkus
“A madcap romantic caper…Adam and Evelyn is a love story that is complicated and fraught with distraction…Ingo Schulze peppers the narrative with witty dialogue that reads like a play and details that vividly evoke the Soviet era.” —Booklist 
Kirkus Reviews
A novel that works on many levels—the personal, the political and even the mythological. This Adam and "Evi" are a couple in the decidedly non-Edenic world of East Germany in 1989. Adam is a tailor, and a good one, who makes gorgeous clothes for women. And while he loves to dress them, unfortunately for Evi he also loves to undress them, and his infidelities ultimately become too much for her to bear, especially once she catches him in flagrante delicto. She takes off for greener pastures in the West, closely followed by Adam. Along the way Adam links up with Katja, a young woman whom he helps smuggle through the Hungarian border. While Adam and Katja don't have quite an affair, they're obviously attracted to one another—as Evi is to her traveling companion Michael. The narrative becomes one of a journey, as characters continue moving toward freedom and away from the confines of their original "garden." Eventually they end up in West Germany on the eve of the destruction of the Berlin Wall. Adam's pursuit of his Evi is not in vain, and she finds herself still attracted to him. All of the characters' lives get even more complicated when Evi discovers she's pregnant and is not sure who the father is. Schulze's clever plotting works on parallel tracks, so when Evi exclaims to Katja that Adam "acts like he's the first and only person on earth," the resonance goes all the way back to Genesis. A novel rich in dialogue and in its examination of a contemporary fall from grace.

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Product Details

Knopf Doubleday Publishing Group
Publication date:
Product dimensions:
5.90(w) x 8.40(h) x 1.20(d)

Read an Excerpt



ALL AT ONCE there they were, the women. They appeared out of the void, attired in his dresses, pants, skirts, blouses, coats. At times it seemed to him as if they were stepping out of the whiteness, or had simply emerged, finally breaking through the surface to reveal themselves. He just had to tip the tray of developer the least bit, that was all it took. First there was nothing-and then suddenly something. But that moment between nothing and something could not be captured-it was as if it didn't exist at all.

The oversize sheet slid into the tray. Adam turned it over with plastic tongs, nudged it deeper, turned it again, stared at the whiteness, and then at the image of a woman in a long dress draped in a spiral around her ample body, but leaving one shoulder bare, found himself gazing at it as devoutly as if a miracle had happened, as if he had compelled a spirit to assume form.

Adam briefly held the photo up with the tongs. The black surface of the background was softer now, but the dress and the armpit held their contour. He picked up his cigar from the rim of the ashtray, took a puff, and blew the smoke across the wet image before dipping it in the stop bath and from there into the tray of fixer.

The squeak of the garden gate unsettled him. He heard the footfall growing louder, taking the three stairs, heard the soft thud of the shopping bag meeting the front door as it opened.

"Adam, are you home?"

"Yes," he called so loudly that she would have to hear him. "Down here!"

The sound of her heels passed overhead as he blew on the negative, wiped it with a chamois cloth, and then slipped it into the enlarger again. He pulled the image into focus and switched off the light. The kitchen tap opened, then closed, the steps returned-suddenly she was hopping on one foot, pulling off her sandals. The empty bottles in the basket behind the cellar door clinked.


"Hm." He removed one sheet from the package, 18 by 24, and squared it in the enlarger.

Tread by tread Evelyn descended the stairs. Her fingers would be dusty again, from running her hand against the low ceiling to keep from bumping her head.

He picked up his cigar again for a few more quick puffs that left him completely enveloped in smoke.

Setting the timer for fifteen seconds, he pushed the big square button-the light came on, the timer began to buzz.

With a stirring motion Adam waved a flattened aluminum spoon above the woman's head, pulled it away with catlike speed, and as if going for a wade in the water, extended his fingers to shadow the woman's body, but drew them back before the enlarger's light went off again and its buzz fell silent.

"Whoa! Damn, that stinks! Do you have to smoke down here too, Adam?"

Adam picked up the tongs to immerse the paper in the developer. He didn't like to be disturbed when he was working with his photography. He didn't even have a radio down here.

Barefoot, Evelyn was still a good half head taller than Adam. She groped her way over to him now, tapped his shoulder. "I thought you were going to fix us something to eat?"

"In this heat? I spent the whole time mowing the lawn."

"I'm going to have to leave again."

The woman in the long dress appeared on the white paper. It annoyed Adam that she was evidently sucking in her stomach, he thought he could tell from her smile that she was holding her breath. But then maybe he was mistaken. He used tongs to dip the image into the stop bath and from there into the fixer. Now he tugged a new sheet from the package, folded it down the middle, and ripped it in half against the table edge. He stuck one half back in the package.

"What are you eating?" he asked.

"Close your eyes. You're peeking, stop it."

"Have they been washed?"

"Yes, I'm not trying to poison you," Evelyn said as she pushed a grape into his mouth.

"Where'd you get these?"

"Kretschmann's, the old man slipped me an extra sackful. I didn't know what was in it."

The enlarger light went on.

"What do you want me to tell Frau Gabriel?"

"Put her off."

"But I've got to tell her today. If they're going to give me vacation time in August, then I've got to take it."

"She's nuts. We'll take off when we want to take off."

The light went out.

"We wanted to go in August. You said August, and Pepi said August was better for her too. Without kids nobody ever gets vacation time in August. Besides, the visa will expire."

"It's not a visa."

"It doesn't matter what you call it. We applied for August."

"It's good till September tenth."

Adam dragged the paper through the tray, turning it twice.

"Now she's sexy!" Evelyn said, as the woman in a pantsuit emerged, hands braced against her back, breasts thrust forward.

"Any mail?" Adam asked.

"Nope," Evelyn said. "Why don't we take the train?"

"I don't like being stuck in one spot. It's boring without the car. You got any more?"

Evelyn shoved the rest of the grapes into his mouth, then wiped her wet hands on her jeans. "And so what am I going to tell Frau Gabriel?"

"One week at least, she's got to give us a week."

"By then August is as good as over."

"You can turn on the light," he said, once he'd laid the proof in the fixer. He stepped across to the rectangular sink, where several more photos were swimming, fished one out, and hung it on the line with some others.

"Who's that?"


"And in the real world?"

"Renate Horn from Markkleeberg. Got any more grapes for me?"

"You'll have to go upstairs for them. And this one here?"

"You know her. Desdemona."


"Sure you do. Andrea Albrecht, from the Polyclinic, the gynecologist."

"With the Algerian boyfriend?"

"There's no Algerian boyfriend. You've met, shook hands once. I made this outfit for her"-he pointed at a photo on the line-"back in June."

"Wait a sec-" Evelyn stepped up close to the shot. "Is she wearing my shoes? Those are my shoes!"


"Those are mine, there, on the toe, that scratch. Are you crazy?"

"They never know anything about shoes, they show up here wearing clunkers that ruin everything. It's just for thirty seconds-"

"But I don't want your women wearing my shoes. I don't want you taking shots of them out in the garden, and certainly not in the living room either."

"It was hot upstairs."

"I won't have it!" Evelyn was now giving other shots a closer look. "So are we leaving tomorrow?'

"As soon as our new chariot arrives, we're on our way."

"I've been hearing that for three weeks."

"I've called. What am I supposed to do?"

"We're not ever going to go on this trip, I'll bet you."

"You'll lose." Adam pulled photo after photo from the water and hung them up. "I guarantee you'll lose."

"We'll never get another visa. They wouldn't give us one now. They've moved the age limit up to fifty, Frau Gabriel says."

"Frau Gabriel, Frau Gabriel. She's always got lots and lots to say."

"This one's beautiful. Is it red?"

"Blue, silk."

"Why don't you ever do color shots?"

"She had someone bring the silk back with them, and this material here"-Adam held up a photo showing a young woman in a short skirt and loose blouse-"expensive shit, even in the West. You can't feel it against your skin, it's that fine spun."

Adam folded up a wet photo and threw it in the wastebasket.

"Why'd you do that?"

"Wasn't any good."

"Why not?"

"Too dark."

Evelyn reached into the wastebasket.

"The background is all black dots," Adam said.

"Is this Lilli?"

"Sure is."

Evelyn tossed the photo back in the basket and returned to the entryway, where the shelves of preserves were.

"It's like they multiply. You want pears or apples?"

"Is there any stewed quince left? And close the door."

Adam turned off the light and waited till the door clicked shut.

"Some from eighty-five, if this is a five," Evelyn called from the other side of the door.

"Doesn't matter." Adam chose a new negative, focused, pulled the half page from the package, laid it under the enlarger, and pushed the timer button. He hummed along with it.

"You want a bowl now too?"


"Are you going to the museum today?"

"Have the tours started up already?"

"Yes, and I'm going to have to miss it again."

"I can't go either, I've got a fitting," Adam called out.

For a moment everything was quiet. He let the page slide into the liquid, pressed it down. There was the snap of the light switch in the entryway.


He heard the clink of the empty bottles again.

"Evi!" he shouted and was on the verge of following her, but then in the next moment he bent down deeper over the tray, as if trying to make sure that the woman emerging there with her laugh and outspread arms was really looking at him.

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