Address Unknown

( 4 )

Overview

A rediscovered classic, originally published in 1938?and now an international bestseller.

When it first appeared in Story magazine in 1938, Address Unknown became in immediate social phenomenon and literary sensation. Published in book form a year later and banned in Nazi Germany, it garnered high praise in the United States and much of Europe.

A series of fictional letters between a Jewish art dealer living in San Francisco and his former ...

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Overview

A rediscovered classic, originally published in 1938—and now an international bestseller.

When it first appeared in Story magazine in 1938, Address Unknown became in immediate social phenomenon and literary sensation. Published in book form a year later and banned in Nazi Germany, it garnered high praise in the United States and much of Europe.

A series of fictional letters between a Jewish art dealer living in San Francisco and his former business partner, who has returned to Germany, Address Unknown is a haunting tale of enormous power and enduring impact.

About the Author:

Kathrine Kressmann Taylor (1903-1996) was an undiscovered writer before the 1938 publication of Address Unknown. She won her first writing award at the age of eleven, and with the prize money bought herself a set of The Book of Knowledge. Taylor went on to write three books and more than a dozen short stories, one of which was included in The Best American Short Stories of 1956. For nineteen years, she was a professor of creative writing and journalism at Gettysburg College in Pennsylvania, where she was the first woman to earn tenure.

Original published in 1938, Address Unknown created an immediate sensation. Written as a series of letters between an American and his former business partner who returned to Germany, the story was one of the first to expose the poison of Nazism. As anti-Semitism is resurging in Europe, Address Unknown is a sobering reminder that history can repeat itself.

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Editorial Reviews

From the Publisher
The New York Times Book Review This modern story is perfection itself. It is the most effective indictment of Nazism to apper in fiction.

Kurt Vennegut A tale already known and profoundly appreciated by members of my generation. It is to our part in World War II what Uncle Tom's Cabin was to the Civil War.

Variety A marvel of a tale, with an "Oh, wow" ending.

Publisher's Weekly Address Unknown serves not only as a reminder of Nazi horrors but as a cautionary tle in light of current racial, ethnic, and nationalistic intolerance.

Star Tribune (Minneapolis) The story is akin to the sly plot twists of O. Henry. Believe me, Address Unknown will leave you breathless with admiration.

New York Times Book Review
This modern story is perfection itself. It is the most effective indictment of Nazism to appear in fiction.
Variety
A marvel of a tale, with an "Oh, wow" ending.
Minneapolis Star Tribune
The story is akin to the sly plot twists of O. Henry. Believe me, Address Unknown will leave you breathless with admiration.
Publishers Weekly - Publisher's Weekly
First published in 1938 in Story magazine as a wake-up call warning Americans of the true nature of the Nazi menace, this punchy epistolary tale enacts a stunning drama of friendship, betrayal and vengeance. In 1932, San Francisco art-gallery owner Max Eisenstein, a Jew who grew up in pre-Nazi Germany, bids farewell to his longtime friend and business partner Martin Schulse, who returns with his family to Munich, where he becomes a Nazi. Through their letters to one another, which quickly move from warmth to a chilling disregard, we watch as the once-liberal Martin, seduced by grandiose visions of German destiny and by the rantings of ``our Glorious Leader,'' vents an anti-Semitism that he tortuously rationalizes. Max, alarmed by reports of anti-Jewish persecution in Germany, asks Martin to look after his actress sister, Griselle, who is performing in Berlin. When she is murdered by Nazi storm troopers after being refused refuge at the Schulse house, Max takes revenge through a clever epistolary ploy that provides a satisfying surprise ending. Nearly 60 years after its initial publication, Kressman's story serves not only as a reminder of Nazi horrors but as a cautionary tale in light of current racial, ethnic and nationalist intolerance. (Mar.)
Library Journal
Published to acclaim and impressive sales-50,000 copies-in 1938, this is one of the earliest pieces of Holocaust fiction. The epistolary novel reveals the rising tide of evil in Germany through the correspondence between two friends, one of whom is living in San Francisco, the other in Berlin.
Kirkus Reviews
This slim epistolary novella began life as a piece in Story magazine in 1938, when its author, a young woman appalled by the isolationism of some of her friends, sought to expose the truth of Nazi ideology. When Reader's Digest reprinted it, despite a no-fiction policy, Taylor's story became a cause celebre, a work of propaganda on an artistic plane with Stowe's Uncle Tom's Cabin. In recent years, European translations, in countries where it was banned by the Nazis, have sold well, and now Taylor's son introduces this new edition in honor of his mother, who died in 1996 at the age of 93. Back in 1939, Kirkus marveled at this tale of two business friends-one an American Jew, one of German descent who returns to the homeland. Taylor's "restrained and unemotional manner" reveals the latter's "insidious absorption" into Nazism. Kirkus was suitably blunt: "There is not one wasted word . . . . An amazing piece of writing."
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Product Details

  • ISBN-13: 9780743412711
  • Publisher: Washington Square Press
  • Publication date: 4/28/2001
  • Pages: 64
  • Sales rank: 387,381
  • Product dimensions: 5.30 (w) x 6.20 (h) x 0.20 (d)

Meet the Author

Kathrine Kressmann Taylor (1903-1996) was an American author known mostly for Address Unknown, which is credited with exposing, early on, the dangers of Nazism to the American public.

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Read an Excerpt

Schulse-Eisenstein Galleries

San Francisco, California, U.S.A.

November 12, 1932

Herrn Martin Schulse

Schloss Rantzenburg

Munich, Germany

My Dear Martin:

Back in Germany! How I envy you! Although I have not seen it since my school days, the spell of Unter den Linden is still strong upon me — the breadth of intellectual freedom, the discussions, the music, the lighthearted comradeship. And now the old Junker spirit, the Prussian arrogance and militarism are gone. You go to a democratic Germany, a land with a deep culture and the beginnings of a fine political freedom. It will be a good life. Your new address is impressive and I rejoice that the crossing was so pleasant for Elsa and the young sprouts.

As for me, I am not so happy. Sunday morning finds me a lonely bachelor without aim. My Sunday home is now transported over the wide seas. The big old house on the hill — your welcome that said the day was not complete until we were together again! And our dear jolly Elsa, coming out beaming, grasping my hand and shouting "Max, Max!" and hurrying indoors to open my favorite Schnapps. The fine boys, too, especially your handsome young Heinrich; he will be a grown man before I set eyes upon him again.

And dinner — shall I evermore hope to eat as I have eaten? Now I go to a restaurant and over my lonely roast beef come visions of gebackner Schinken steaming in its Burgundy sauce, of Spatzle, ah! of Spatzle and Spargel! No, I shall never again become reconciled to my American diet. And the wines, so carefully slipped ashore from the German boats, and the pledges we made as the glasses brimmed for the fourth and fifth and sixth times.

Of course you are right to go. You have never become American despite your success here, and now that the business is so well established you must take your sturdy German boys back to the homeland to be educated. Elsa too has missed her family through the long years and they will be glad to see you as well. The impecunious young artist has now become the family benefactor, and that too will give you a quiet little triumph.

The business continues to go well. Mrs. Levine has bought the small Picasso at our price, for which I congratulate myself, and I have old Mrs. Fleshman playing with the notion of the hideous Madonna. No one ever bothers to tell her that any particular piece of hers is bad, because they are all so bad. However I lack your f ine touch in selling to the old Jewish matrons. I can persuade them of the excellence of the investment, but you alone had the f ine spiritual approach to a piece of art that unarmed them. Besides they probably never entirely trust another Jew.

A delightful letter came yesterday from Griselle. She writes that she is about to make me proud of my little sister. She has the lead in a new play in Vienna and the notices are excellent — her discouraging years with the small companies are beginning to bear fruit. Poor child, it has not been easy for her, but she has never complained. She has a fine spirit, as well as beauty, and I hope the talent as well. She asked about you, Martin, in a very friendly way. There is no bitterness left there, for that passes quickly when one is young as she is. A few years and there is only a memory of the hurt, and of course neither of you was to be blamed. Those things are like quick storms, for a moment you are drenched and blasted, and you are so wholly helpless before them. But then the sun comes, and although you have neither quite forgotten, there remains only gentleness and no sorrow. You would not have had it otherwise, nor would I. I have not written Griselle that you are in Europe but perhaps I shall if you think it wise, for she does not make friends easily and I know she would be glad to f eel that f riends are not f ar away,

Fourteen years since the war! Did you mark the date? What a long way we have traveled, as peoples, from that bitterness! Again, my dear Martin, let me embrace you in spirit, and with the most affectionate remembrances to Elsa and the boys, believe me,

Your ever most faithful,

Max

Schloss Rantzenburg Munich, Germany

December 10, 1932

Mr. Max Eisenstein

Schulse-Eisenstein Galleries

San Francisco, California, U.S.A.

Max, Dear Old Fellow:

The check and accounts came through promptly, for which my thanks. You need not send me such details of the business, You know how I am in accord with your methods, and here at Munich I am in a rush of new activities. We are established, but what a turmoil! The house, as you know, I had long in mind. And I got it at an amazing bargain. Thirty rooms and about ten acres of park; you would never believe it. But then, you could not appreciate how poor is now this sad land of mine. The servants' quarters, stables and outbuildings are most extensive, and would you believe it, we employ now ten servants for the same wages of our two in the San Francisco home.

The tapestries and pieces we shipped make a rich show and some other fine furnishings I have been able to secure, so that we are much admired, I was almost to say envied. Four full services in the f inest china I have bought and much crystal, as well as a full service of silver for which Elsa is in ecstasies.

And for Elsa — such a joke! You will, I know, laugh with me. I have purchased for her a huge bed. Such a size as never was before, twice the bigness of a double bed, and with great posters in carved wood. The sheets I must have made to order, for there are no sheets made that could fit it. And they are of linen, the finest linen sheets. Elsa laughs and laughs, and her old Grossmutter stands shaking her head and grumbles, "Nein, Martin, nein. You have made it so and now you must take care or she will grow to match it."

"Ja," says Elsa, "five more boys and I will fit it just nice and snug." And she will, Max.

For the boys there are three ponies (little Karl and Wolfgang are not big enough to ride yet) and a tutor. Their German is very bad, being too much mixed with English.

Elsa's family do not find things so easy now. The brothers are in the professions and, while much respected, must live together in one house. To the family we seem American millionaires and while we are far from that yet our American income places us among the wealthy here. The better foods are high in price and there is much political unrest even now under the presidency of Hindenburg, a fine liberal whom I much admire.

Already old acquaintances urge me that I interest myself in administrative matters in the town. This I take under consideration. It may be somewhat to our benefit locally if I become an official.

As for you, my good Max, we have left you alone, but you must not become a misanthrope. Get yourself at once a nice fat little wife who will busy herself with all your cares and feed you into a good humor. That is my advice and it is good, although I smile as I write it.

You write of Griselle. So she wins her success, the lovely one! I rejoice with you, although even now I resent it that she must struggle to win her way, a girl alone. She was made, as any man can see, for luxury and for devotion and the charming and beautiful life where ease allows much play of the sensibilities. A gentle, brave soul is in her dark eyes, but there is something strong as iron and very daring too. She is a woman who does nothing and gives nothing lightly. Alas, dear Max, as always, I betray myself. But although you were silent during our stormy affair, you know that the decision was not easy for me. You never reproached me, your friend, while the little sister suffered, and I have always felt you knew that I suffered too, most gravely. What could I do? There was Elsa and my little sons. No other decision was possible to make. Yet for Griselle I keep a tenderness that will last long after she has taken a much younger man for husband or lover. The old wound has healed but the scar throbs at times, my friend.

I wish that you will give her our address. We are such a short distance from Vienna that she can feel there is for her a home close at hand. Elsa, too, knows nothing of the old feeling between us and you know with what warmth she would welcome your sister, as she would welcome you. Yes, you must tell her that we are here and urge her to soon make a contact with us. Give her our most warm congratulations for the fine success that she is making.

Elsa asks that I send to you her love, and Heinrich would also say "hello" to Uncle Max. We do not forget you, Maxel.

My heartiest greetings to you,

Martin

Copyright 1938 by Kressman Taylor

Copyright renewed © 1996 by C. Douglas Taylor

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Customer Reviews

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Sort by: Showing all of 4 Customer Reviews
  • Posted February 5, 2009

    more from this reviewer

    I Also Recommend:

    Commanding book of letters is one-in-a-lifetime experience

    This book of letters is a series of exchanges between two business partners - one is a jew living in San Francisco and the other is a German native who has recently moved back to Germany. The book starts out as friendly exchange between two old friends - however, as events transpire and Hitler rises to power, a wedge is driven between them by a death at the hands of Hitler's army. Thought-provoking literature at its best. I recommend this book to anyone who has 30 minutes to spare and a lifetime to ponder...

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 27, 2003

    A Book To Remember

    Paraphrazing a commentary on the original book cover, ' You can read this book in half an hour, but you will remember it forever.' It is so true. So true.

    1 out of 1 people found this review helpful.

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  • Anonymous

    Posted April 21, 2010

    Do not waste your time

    Historically inaccurate (such conditions inarguably did not exist when this book was written and certainly not at the time the story is said to occur), this should be dismissed as propanganda.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 6, 2013

    No text was provided for this review.

Sort by: Showing all of 4 Customer Reviews

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