Adventures in Realism / Edition 1

Hardcover (Print)
Buy New
Buy New from
Used and New from Other Sellers
Used and New from Other Sellers
from $87.40
Usually ships in 1-2 business days
(Save 25%)
Other sellers (Hardcover)
  • All (12) from $87.40   
  • New (9) from $87.40   
  • Used (3) from $117.94   


Adventures in Realism offers an accessible introduction to realism as it has evolved since the 19th century. Though focused on literature and literary theory, the significance of technology and the visual arts is also addressed.

  • Comprises 16 newly-commissioned essays written by a distinguished group of contributors, including Slavoj Zizek and Frederic Jameson
  • Provides the historical, cultural, intellectual, and literary contexts necessary to understand developments in realism
  • Addresses the artistic mediums and technologies such as painting and film that have helped shape the way we perceive reality
  • Explores literary and pictorial sub-genres, such as naturalism and socialist realism
  • Includes a brief bibliography and suggestions for further reading at the end of each section
Read More Show Less

Editorial Reviews

From the Publisher
"Adventures in Realism is an exciting and necessary book. It collects together a stunning array of essays that, both individually and as a whole, show why we need to consider the nature and importance of realism. The volume encourages us to think through the concept both in relation to its mid-nineteenth century origins, and today’s philosophical discussions; to see it both as manifested in specific literary or artistic forms and as a more abstract way of figuring our place within the material world. Matthew Beaumont should be congratulated in placing his contributors into such effective dialogue with one another: in doing so, he has returned realism to the center of historical, aesthetic, and political debate."
Kate Flint, Rutgers University

"Every new generation of critics and scholars must come to terms in its own ways with the paradoxes of realism. Realism is a period style, but at the same time it is a perennial motive in literature, art, film, and other media. Realism purports to represent things as they are, or were, but at the same time it is a constitutive set of conventions that tells people in a given time and place what is to be taken as real. This distinguished collection of essays brilliantly articulates these paradoxes for our own time."
J.Hillis Miller, University of California at Irvine

"What a wonderfully wide and deep and pushing inspection of realisms (and irrealisms) in history, in theory, in practice. Here’s realism, then and now, cannily philosophized, politicized, feminized, psychologized. Here are so many of realism’s practitioners, its aesthetic friends and enemies, the missionaries and also the scoffers, being heard and watched as they engage with their chosen media – novels, plays, paintings, photographs, films, buildings. It is, I think, as serious, engaging, educating a look at the large realist project as could well be assembled."
Valentine Cunningham, Corpus Christi College, Oxford

“Beaumont's introduction, 'Reclaiming Realism,' pinpoints the purpose of this collection. Realism fell victim to postmodern discourse; Beaumont and his fellow contributors wish to restore it.”

Read More Show Less

Product Details

Meet the Author

Matthew Beaumont is Lecturer in Nineteenth-Century Literature in the Department of English at University College, London. He is the author of Utopia Ltd.: Ideologies of Social Dreaming in England 1870-1900 (2005), and has edited Edward Bellamy’s Looking Backward for Oxford World’s Classics.

Read More Show Less

Table of Contents

List of Illustrations.

Notes on Contributors.

Foreword by Rachel Bowlby (University College London).


Introduction: Reclaiming Realism: Matthew Beaumont (University College London).

1. Literary Realism Reconsidered: “The world in its length and breadth”: George Levine (Rutgers University).

2. Realist Synthesis in the Nineteenth Century Novel: “That unity which lies in the selection of our keenest consciousness”: Simon Dentith (University of Gloucestershire).

3. Space, Mobility, and the Novel: “The spirit of place is a great reality”: Josephine McDonagh (Oxford University).

4. Naturalism: “Dirt and horror pure and simple”: Sally Ledger (Birkbeck College, University of.


5. Realism before and after Photography: “The fantastical form of a relation among things”: Nancy Armstrong (Brown University).

6. The Realist Aesthetic in Painting: “Serious and committed, ironic and brutal, sincere and full of poetry”: Andrew Hemingway (University College London).

7. Interrupted Dialogues of Realism and Modernism: “The fact of new forms of life, already born and active”: Esther Leslie (Birkbeck College, University of London).

8. Socialist Realism: “To depict reality in its revolutionary development”: Brandon Taylor (University of Southampton).

9. Realism, Modernism, and Photography: “At last, at last the mask has been torn away’”: John Roberts (University of Wolverhampton).

10. Cinematic Realism: “A recreation of the world in its own image”: Laura Marcus (University of Sussex).

11. The Current of Critical Irrealism: “A moonlit enchanted night”: Michael Löwy (National Center for Scientific Research, Paris and École des Hautes Études en Sciences Sociales, Paris).

12. Psychoanalysis and the Lacanian Real: “Strange shapes of the unwarped primal world”: Slavoj Žižek (University of Ljubljana and Birkbeck College, University of London).

13. Feminist Theory and the Return of the Real: “What we really want most out of realism …”: Helen Small (Pembroke College, Oxford).

14. Realism and Anti-Realism in Contemporary Philosophy: “What’s truth got to do with it?”: Christopher Norris (Cardiff University).

15. A Note on Literary Realism in Conclusion: Fredric Jameson (Duke University).


Read More Show Less

Customer Reviews

Be the first to write a review
( 0 )
Rating Distribution

5 Star


4 Star


3 Star


2 Star


1 Star


Your Rating:

Your Name: Create a Pen Name or

Barnes & Review Rules

Our reader reviews allow you to share your comments on titles you liked, or didn't, with others. By submitting an online review, you are representing to Barnes & that all information contained in your review is original and accurate in all respects, and that the submission of such content by you and the posting of such content by Barnes & does not and will not violate the rights of any third party. Please follow the rules below to help ensure that your review can be posted.

Reviews by Our Customers Under the Age of 13

We highly value and respect everyone's opinion concerning the titles we offer. However, we cannot allow persons under the age of 13 to have accounts at or to post customer reviews. Please see our Terms of Use for more details.

What to exclude from your review:

Please do not write about reviews, commentary, or information posted on the product page. If you see any errors in the information on the product page, please send us an email.

Reviews should not contain any of the following:

  • - HTML tags, profanity, obscenities, vulgarities, or comments that defame anyone
  • - Time-sensitive information such as tour dates, signings, lectures, etc.
  • - Single-word reviews. Other people will read your review to discover why you liked or didn't like the title. Be descriptive.
  • - Comments focusing on the author or that may ruin the ending for others
  • - Phone numbers, addresses, URLs
  • - Pricing and availability information or alternative ordering information
  • - Advertisements or commercial solicitation


  • - By submitting a review, you grant to Barnes & and its sublicensees the royalty-free, perpetual, irrevocable right and license to use the review in accordance with the Barnes & Terms of Use.
  • - Barnes & reserves the right not to post any review -- particularly those that do not follow the terms and conditions of these Rules. Barnes & also reserves the right to remove any review at any time without notice.
  • - See Terms of Use for other conditions and disclaimers.
Search for Products You'd Like to Recommend

Recommend other products that relate to your review. Just search for them below and share!

Create a Pen Name

Your Pen Name is your unique identity on It will appear on the reviews you write and other website activities. Your Pen Name cannot be edited, changed or deleted once submitted.

Your Pen Name can be any combination of alphanumeric characters (plus - and _), and must be at least two characters long.

Continue Anonymously

    If you find inappropriate content, please report it to Barnes & Noble
    Why is this product inappropriate?
    Comments (optional)