The Adventures of Augie March (Penguin Great Books of the 20th Century)

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Overview

The best postwar American novel, The Adventures of Augie March (1953), magnificently terminates and fulfills the line of Melville, Twain, and Whitman," acclaimed James Wood in The New Republic. Nobel Laureate Saul Bellow's modern picaresque takes his unlikely hero--a poor Chicago boy--on a wild ride that grandly illustrates twentieth-century man's restless pursuit of an elusive meaning.
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Overview

The best postwar American novel, The Adventures of Augie March (1953), magnificently terminates and fulfills the line of Melville, Twain, and Whitman," acclaimed James Wood in The New Republic. Nobel Laureate Saul Bellow's modern picaresque takes his unlikely hero--a poor Chicago boy--on a wild ride that grandly illustrates twentieth-century man's restless pursuit of an elusive meaning.
Read More Show Less

Editorial Reviews

Robert Gorham Davis
In writing a long, crowded picaresque narrative of ups and downs of fortune, letting the hero tell his own life history in the first person, Mr. Bellow goes back to the earliest and most generic form of the novel. It is a form which has always been congenial to observant humorists who relish human variety, who are fertile in creating characters and who are not afraid to seem more interested in life than in art.
— The New York Times, 1953
Martin Amis
The Adventures of Augie March is the Great American Novel. Search no further. All the trails went cold 42 years ago. The quest did what quests very rarely do; it ended.
The Atlantic Monthly
Christopher Hitchens
I do not set up as a member of the jury in the Great American Novel contest, if only because I´d prefer to see the white whale evade capture a while longer. It´s more interesting that way. However, we do belong to a ranking species, and there´s no denying that the contest is a real one. The advantage The Adventures of Augie March, Saul Bellow´s third novel, has over The Great Gatsby (1925), which, coincidentally, was F. Scott Fitzgerald´s third novel too, derives from its scope, its optimism, and, I would venture, its principles.... Not much in Bellow´s preceding work prepared readers for The Adventures of Augie March. It´s not necessary to believe, as I do, that the novel is the summit of his career (he has published 19 books to date), but let´s call Augie his gold standard.
The Wilson Quarterly
Library Journal
Bellow's 1953 novel is among the first crop in Penguin's new "Great Books of the 20th Century" series, which will see 15 additional volumes published through January 2000. Each is a quality trade-size paperback on heavy, ragged-edged, acid-free paper. Volumes range from Conrad's 1902 Heart of Darkness to Toni Morrison's 1987 Beloved. Prices will run from roughly $10.95 to $14.95. Copyright 1999 Cahners Business Information.
The New Republic
The best postwar American novel.
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Product Details

Meet the Author

Saul Bellow
Saul Bellow
A literary giant, Saul Bellow loomed large over writers attempting the Great American Novel, since many would argue that he has already achieved this feat at least once over. He was considered a foremost chronicler of the Jewish-American post-war experience, but the "human understanding and subtle analysis of contemporary culture that are combined in his work" are what won him the Nobel, and helped him transcend cultural and national borders.

Biography

Praised for his vision, his ear for detail, his humor, and the masterful artistry of his prose, Saul Bellow was born of Russian Jewish parents in Lachine, Quebec in 1915, and was raised in Chicago. He received his Bachelor's degree from Northwestern University in 1937, with honors in sociology and anthropology, and did graduate work at the University of Wisconsin. During the Second World War he served in the Merchant Marines.

His first two novels, Dangling Man (1944) and The Victim (1947) are penetrating, Kafka-like psychological studies. In 1948 he was awarded a Guggenheim Fellowship and spent two years in Paris and traveling in Europe, where he began his picaresque novel The Adventures of Augie March, which went on to win the National Book Award for fiction in 1954. His later books of fiction include Seize the Day (1956); Henderson the Rain King (1959); Mosby's Memoirs and Other Stories (1968); Mr. Sammler's Planet (1970); Humboldt's Gift (1975), which won the Pulitzer Prize; The Dean's December (1982); More Die of Heartbreak (1987);Theft (1988); The Bellarosa Connection (1989); The Actual (1996); and, most recently, Ravelstein (2000). Bellow has also produced a prolific amount of non-fiction, collected in To Jerusalem and Back, a personal and literary record of his sojourn in Israel during several months in 1975, and It All Adds Up, a collection of memoirs and essays.

Bellow's many awards included the International Literary Prize for Herzog, for which he became the first American to receive the prize; the Croix de Chevalier des Arts et Lettres, the highest literary distinction awarded by France to non-citizens; the B'nai B'rith Jewish Heritage Award for "excellence in Jewish Literature"; and America's Democratic Legacy Award of the Anti-Defamation League of B'nai B'rith, the first time this award has been made to a literary personage. In 1976 Bellow was awarded the Nobel Prize for Literature "for the human understanding and subtle analysis of contemporary culture that are combined in his work."

Bellow passed away on April 5, 2005 at the age of 89.

Author biography courtesy of Penguin Group (USA).

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    1. Also Known As:
      Solomon Bellow (real name)
      Saul Bellow
    1. Date of Birth:
      June 10, 1915
    2. Place of Birth:
      Lachine, Quebec, Canada
    1. Date of Death:
      April 5, 2005
    2. Place of Death:
      Brookline, Massachusetts

Read an Excerpt

INTRODUCTION

The Adventures of Augie March burst on the postwar literary scene with the exuberance of a great American author finding his true voice. The most freewheeling of Bellow's heroes, Augie paints a fresh, gritty, comic view of the American landscape and poses anew the perennial questions: How do you reconcile freedom and love? How do you simultaneously find liberty and home in a chaotic world?

Bellow was already a well-known author when he began writing his third novel, but his early works, Dangling Man and The Victim, are very different books, written in a constrained, naturalistic form that he ultimately rejected as too limiting. Their central characters, introspective intellectuals trapped in claustrophobic circumstances, are reminiscent of Kafka's narrators. "I was afraid to let myself go," Bellow says of these works. He discarded the drafts of two additional novels because he felt they, too, were too bleak. Tired of the "solemnity of complaint," the plaintive tone he heard in the novels of his contemporaries and in his own first books, Bellow turned to his boyhood home in Chicago for inspiration.

The change proved immensely liberating and gave rise to the colorful cast of Augie March: Grandma Lausch, Einhorn, Five Properties, Dingbat, and many others, all of whom were rooted in the Humboldt Park neighborhood of Bellow's youth. Augie, a poor but spirited boy growing up in Chicago during the Depression, leaves his mother and disabled younger brother to find his way in the world. He enters a wild succession of occupations- dog groomer, saddle soap salesman, smuggler, shoplifter, boxing coach-guided by an equally fantastic array of mentors. Each of these "recruiters" attempts to determine Augie's lot in life, but whenever he is at risk of being taken by a person or profession, he slips away to a new misadventure, equal parts joiner and escapist. Not until his affair with Thea Fenchel does Augie begin to realize that love and independence are irreconcilable.

In one sense Augie is a characteristic Bellow hero, a young man with an ironic sense of the world, wary of taking direct action but certain that he belongs to a greater destiny. Like Bellow's other central characters, he is intent on finding a "good enough fate" eager to write his own part on life's stage yet stubbornly resistant to the limits imposed by any scripted role. But he is also dramatically different from the brooding thinkers of Bellow's early works. Augie is playful, subversive, adventurous, and ever optimistic. He is a new American Adam, innocently poised for a future full of promise in a land full of possibilities. No profession, no lover, no commitment can capture him. He risks his job as a book thief because he can't resist the desire to keep and read the books he has stolen. Although this very adaptability, this lack of firm obligations makes him hard to characterize or define, his first-person narrative conveys a compelling vision of American freedom, a fresh spirit of irresistible charm.

While Augie's character remains protean, the world he inhabits is painted with magnificent detail and texture. Infused with the vivid, hyperbolic Yiddish of his childhood, Bellow's narrative revels in the melodramatic people and language of 1920s Chicago. As Bellow said:

"The most ordinary Yiddish conversation is full of the grandest historical, mythological, and religious allusions. The Creation, the fall, the flood, Egypt, Alexander, Titus, Napoleon, the Rothschilds, the Sages, and the Laws may get into the discussion of an egg, a clothes-line, or a pair of pants."

The language of Augie March is likewise rife with heroic allusions, casting a mythic glow on Augie's smallest move. Augie's thoughts about his job as a labor organizer invoke John the Baptist, Stonewall Jackson, the Tower of Babel, and Ghandi's India in quick succession. Yet the extravagant metaphors sound uncalculated, falling as easily on the ear as a street-corner conversation. "The great pleasure of the book was that it came easily," Bellow said in an interview. "All I had to do was be there with buckets to catch it. That's why the form is loose."

Praise for Bellow's ebullient new style was enthusiastic, if not unanimous, and he won the National Book Award in 1953. Augie March was compared to Ulysses and described as "a howlingly American book." Supporters and critics alike recognized in him a powerful voice, a vision of America that could not be ignored. The book brought "a new sense of laughter," wrote Alfred Kazin. "In Augie, Bellow . . . discovered himself equal to the excitement of the American experience, he shook himself all over and let himself go."

Ultimately Augie's vision finds a tamer, more mature expression in Herzog, Bellow's masterwork. But Augie March holds a unique place for its rev- olutionary joy and exuberance. This rollicking tale of modern-day heroism is not only a portrait of determination and survival, but also a keenly observed drama of one man's "refusal to lead a disappointed life."

ABOUT SAUL BELLOW Praised for his vision, his ear for detail, his humor, and the masterful artistry of his prose, Saul Bellow was born of Russian Jewish parents in Lachine, Quebec in 1915, and was raised in Chicago. He received his Bachelor's degree from Northwestern University in 1937, with honors in sociology and anthropology, and did graduate work at the University of Wisconsin. During the Second World War he served in the Merchant Marines.

His first two novels, Dangling Man (1944) and The Victim (1947) are penetrating, Kafka-like psychological studies. In 1948 he was awarded a Guggenheim Fellowship and spent two years in Paris and traveling in Europe, where he began his picaresque novel The Adventures of Augie March. Augie March went on to win the National Book Award for fiction in 1954. His later books of fiction include Seize the Day (1956); Henderson the Rain King (1959); Mosby's Memoirs and Other Stories (1968); Mr. Sammler's Planet (1970); Humboldt's Gift (1975), which won the Pulitzer Prize; The Dean's December (1982); More Die of Heartbreak (1987); Theft (1988); The Bellarosa Connection (1989); The Actual (1996); and, most recently, Ravelstein (2000). Bellow has also produced a prolific amount of non-fiction, collected in To Jerusalem and Back, a personal and literary record of his sojourn in Israel during several months in 1975, and It All Adds Up, a collection of memoirs and essays.

Bellow's many awards include the International Literary Prize for Herzog, for which he became the first American to receive the prize; the Croix de Chevalier des Arts et Lettres, the highest literary distinction awarded by France to non-citizens; the B'nai B'rith Jewish Heritage Award for "excellence in Jewish Literature"; and America's Democratic Legacy Award of the Anti-Defamation League of B'nai B'rith, the first time this award has been made to a literary personage. In 1976 Bellow was awarded the Nobel Prize for Literature "for the human understanding and subtle analysis of contemporary culture that are combined in his work."

DISCUSSION QUESTIONS

  1. "A man's character is his fate," says Augie, but his own character is elusive. As Robert Penn Warren wrote at the time of the novel's publication, "it is hard to give substance to a man who has no commitments." What are Augie's commitments? What defines his character?
  2. Augie repeatedly invokes mythic and historic figures to describe his mentors. Grandma Lausch is like a pharaoh, a Caesar, a Machiavelli. William Einhorn is Croesus or the Sun King at Versailles. Thea Fenchel evokes Queen Elizabeth and Helen of Troy. Simon is Napoleon. Why are the lives of small-time operators portrayed in such grandiose terms?
  3. The book's title invites comparison to another quintessentially American novel, The Adventures of Huckleberry Finn. Each work features a poor boy who leaves his Midwestern home town to undertake a liberating pilgrimage. How are Augie and Huck alike in their outlook and dreams? How is Mark Twain's America different from Bellow's?
  4. Getting involved with Thea Fenchel and her eagle is a turning point for Augie. After leading a life of escape from others, he is abandoned for the first time. What happens to Augie's sense of reality when Thea leaves him?
  5. Augie's adventures initially resemble a picaresque novel like Tom Jones, in which a clever, likable rogue, after a series of misadventures, eventually comes to repent the error of his ways. Does Augie ever achieve such a repentance? What prevents him? What does Bellow's subversion of this genre suggest about his view of the human condition?
  6. Near the end of the novel, Augie makes an important commitment when he marries Stella. Why, after a life unbound by any one job or person, does he make this decision? How does Stella influence him?
  7. Grandma Lausch shows Augie that "wit and discontent" can go together and teaches him to lie- not because he needs to, but simply for the joy of the contest. How does this gaming spirit, this joy in subversion inform his later temperament and professions?
  8. What forces interfere with Augie's dream of happiness on the "axial lines of life"? Does Bellow allow the reader to believe in the fulfillment of Augie's wish to become a teacher? Why, among all his professions, is teaching the one that captures his imagination?
  9. In one sense Augie is obsessed with learning, weaned on the Encyclopedia Americana and compelled to read the books he steals rather than selling them. What drives Augie's intellectual hunger? Is knowledge an end in itself for him, or does he put it to practical use?
  10. Bellow's prose in Augie March has been described as "a child's wildest ice-cream sundae dream." Nouns and verbs are strung six or eight in a row, coupled with abundant similes and historical allusions. Discuss the impact of Bellow's language in Augie March, on character, landscape, and tempo in the novel.
Read More Show Less

Reading Group Guide

THE ADVENTURES OF AUGIE MARCH
by Saul Bellow

INTRODUCTION

The Adventures of Augie March burst on the postwar literary scene with the exuberance of a great American author finding his true voice. The most freewheeling of Bellow's heroes, Augie paints a fresh, gritty, comic view of the American landscape and poses anew the perennial questions: How do you reconcile freedom and love? How do you simultaneously find liberty and home in a chaotic world?

Bellow was already a well-known author when he began writing his third novel, but his early works, Dangling Man and The Victim, are very different books, written in a constrained, naturalistic form that he ultimately rejected as too limiting. Their central characters, introspective intellectuals trapped in claustrophobic circumstances, are reminiscent of Kafka's narrators. "I was afraid to let myself go," Bellow says of these works. He discarded the drafts of two additional novels because he felt they, too, were too bleak. Tired of the "solemnity of complaint," the plaintive tone he heard in the novels of his contemporaries and in his own first books, Bellow turned to his boyhood home in Chicago for inspiration.

The change proved immensely liberating and gave rise to the colorful cast of Augie March: Grandma Lausch, Einhorn, Five Properties, Dingbat, and many others, all of whom were rooted in the Humboldt Park neighborhood of Bellow's youth. Augie, a poor but spirited boy growing up in Chicago during the Depression, leaves his mother and disabled younger brother to find his way in the world. He enters a wild succession of occupations- dog groomer, saddle soap salesman, smuggler, shoplifter, boxing coach-guided by an equally fantastic array of mentors. Each of these "recruiters" attempts to determine Augie's lot in life, but whenever he is at risk of being taken by a person or profession, he slips away to a new misadventure, equal parts joiner and escapist. Not until his affair with Thea Fenchel does Augie begin to realize that love and independence are irreconcilable.

In one sense Augie is a characteristic Bellow hero, a young man with an ironic sense of the world, wary of taking direct action but certain that he belongs to a greater destiny. Like Bellow's other central characters, he is intent on finding a "good enough fate" eager to write his own part on life's stage yet stubbornly resistant to the limits imposed by any scripted role. But he is also dramatically different from the brooding thinkers of Bellow's early works. Augie is playful, subversive, adventurous, and ever optimistic. He is a new American Adam, innocently poised for a future full of promise in a land full of possibilities. No profession, no lover, no commitment can capture him. He risks his job as a book thief because he can't resist the desire to keep and read the books he has stolen. Although this very adaptability, this lack of firm obligations makes him hard to characterize or define, his first-person narrative conveys a compelling vision of American freedom, a fresh spirit of irresistible charm.

While Augie's character remains protean, the world he inhabits is painted with magnificent detail and texture. Infused with the vivid, hyperbolic Yiddish of his childhood, Bellow's narrative revels in the melodramatic people and language of 1920s Chicago. As Bellow said:

"The most ordinary Yiddish conversation is full of the grandest historical, mythological, and religious allusions. The Creation, the fall, the flood, Egypt, Alexander, Titus, Napoleon, the Rothschilds, the Sages, and the Laws may get into the discussion of an egg, a clothes-line, or a pair of pants."

The language of Augie March is likewise rife with heroic allusions, casting a mythic glow on Augie's smallest move. Augie's thoughts about his job as a labor organizer invoke John the Baptist, Stonewall Jackson, the Tower of Babel, and Ghandi's India in quick succession. Yet the extravagant metaphors sound uncalculated, falling as easily on the ear as a street-corner conversation. "The great pleasure of the book was that it came easily," Bellow said in an interview. "All I had to do was be there with buckets to catch it. That's why the form is loose."

Praise for Bellow's ebullient new style was enthusiastic, if not unanimous, and he won the National Book Award in 1953. Augie March was compared to Ulysses and described as "a howlingly American book." Supporters and critics alike recognized in him a powerful voice, a vision of America that could not be ignored. The book brought "a new sense of laughter," wrote Alfred Kazin. "In Augie, Bellow . . . discovered himself equal to the excitement of the American experience, he shook himself all over and let himself go."

Ultimately Augie's vision finds a tamer, more mature expression in Herzog, Bellow's masterwork. But Augie March holds a unique place for its rev- olutionary joy and exuberance. This rollicking tale of modern-day heroism is not only a portrait of determination and survival, but also a keenly observed drama of one man's "refusal to lead a disappointed life."

ABOUT SAUL BELLOW Praised for his vision, his ear for detail, his humor, and the masterful artistry of his prose, Saul Bellow was born of Russian Jewish parents in Lachine, Quebec in 1915, and was raised in Chicago. He received his Bachelor's degree from Northwestern University in 1937, with honors in sociology and anthropology, and did graduate work at the University of Wisconsin. During the Second World War he served in the Merchant Marines.

His first two novels, Dangling Man (1944) and The Victim (1947) are penetrating, Kafka-like psychological studies. In 1948 he was awarded a Guggenheim Fellowship and spent two years in Paris and traveling in Europe, where he began his picaresque novel The Adventures of Augie March. Augie March went on to win the National Book Award for fiction in 1954. His later books of fiction include Seize the Day (1956); Henderson the Rain King (1959); Mosby's Memoirs and Other Stories (1968); Mr. Sammler's Planet (1970); Humboldt's Gift (1975), which won the Pulitzer Prize; The Dean's December (1982); More Die of Heartbreak (1987); Theft (1988); The Bellarosa Connection (1989); The Actual (1996); and, most recently, Ravelstein (2000). Bellow has also produced a prolific amount of non-fiction, collected in To Jerusalem and Back, a personal and literary record of his sojourn in Israel during several months in 1975, and It All Adds Up, a collection of memoirs and essays.

Bellow's many awards include the International Literary Prize for Herzog, for which he became the first American to receive the prize; the Croix de Chevalier des Arts et Lettres, the highest literary distinction awarded by France to non-citizens; the B'nai B'rith Jewish Heritage Award for "excellence in Jewish Literature"; and America's Democratic Legacy Award of the Anti-Defamation League of B'nai B'rith, the first time this award has been made to a literary personage. In 1976 Bellow was awarded the Nobel Prize for Literature "for the human understanding and subtle analysis of contemporary culture that are combined in his work."

DISCUSSION QUESTIONS

  1. "A man's character is his fate," says Augie, but his own character is elusive. As Robert Penn Warren wrote at the time of the novel's publication, "it is hard to give substance to a man who has no commitments." What are Augie's commitments? What defines his character?
  2. Augie repeatedly invokes mythic and historic figures to describe his mentors. Grandma Lausch is like a pharaoh, a Caesar, a Machiavelli. William Einhorn is Croesus or the Sun King at Versailles. Thea Fenchel evokes Queen Elizabeth and Helen of Troy. Simon is Napoleon. Why are the lives of small-time operators portrayed in such grandiose terms?
  3. The book's title invites comparison to another quintessentially American novel, The Adventures of Huckleberry Finn. Each work features a poor boy who leaves his Midwestern home town to undertake a liberating pilgrimage. How are Augie and Huck alike in their outlook and dreams? How is Mark Twain's America different from Bellow's?
  4. Getting involved with Thea Fenchel and her eagle is a turning point for Augie. After leading a life of escape from others, he is abandoned for the first time. What happens to Augie's sense of reality when Thea leaves him?
  5. Augie's adventures initially resemble a picaresque novel like Tom Jones, in which a clever, likable rogue, after a series of misadventures, eventually comes to repent the error of his ways. Does Augie ever achieve such a repentance? What prevents him? What does Bellow's subversion of this genre suggest about his view of the human condition?
  6. Near the end of the novel, Augie makes an important commitment when he marries Stella. Why, after a life unbound by any one job or person, does he make this decision? How does Stella influence him?
  7. Grandma Lausch shows Augie that "wit and discontent" can go together and teaches him to lie- not because he needs to, but simply for the joy of the contest. How does this gaming spirit, this joy in subversion inform his later temperament and professions?
  8. What forces interfere with Augie's dream of happiness on the "axial lines of life"? Does Bellow allow the reader to believe in the fulfillment of Augie's wish to become a teacher? Why, among all his professions, is teaching the one that captures his imagination?
  9. In one sense Augie is obsessed with learning, weaned on the Encyclopedia Americana and compelled to read the books he steals rather than selling them. What drives Augie's intellectual hunger? Is knowledge an end in itself for him, or does he put it to practical use?
  10. Bellow's prose in Augie March has been described as "a child's wildest ice-cream sundae dream." Nouns and verbs are strung six or eight in a row, coupled with abundant similes and historical allusions. Discuss the impact of Bellow's language in Augie March, on character, landscape, and tempo in the novel.
Read More Show Less

Customer Reviews

Average Rating 4
( 11 )
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Sort by: Showing all of 11 Customer Reviews
  • Anonymous

    Posted February 5, 2005

    The Great American Novel

    If you have the time and patience, I highly recommend this novel. It's a bit tedious, but you'll soon forget. I loved reading how Augie floated through life, LIVED HIS LIFE, and experienced more, than we in society today allow ourselves to feel and live. As he chases after the American Dream, we the reader come to the harsh reality, that even Augie, trying to survive and find himself along the way, can account for more in every aspect of life than we, the self-involved patrons of the 21st century, can.

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted January 16, 2004

    Breakthrough book 1

    This was Bellow's first breakthrough book. The second , and one which captured America's heart, and in my opinion the better one ( and one truer to Bellow himself) is Herzog. This book opens with the now famous line' I am an American Chicago born' And it is the Jewish American writer's step toward identifying himself as one hundred percent fully American. It is a picaresque work on a great carnival of characters canvass. It does have a spirit of adventure, but I found it ( It is a very long book) too long. After a thousand turns in the plot, the thousand and first is not that interesting. Nontheless its colloquial language, its Bellowese ,its energy, its zest for life mark it out as an important work. If I were asked to choose which Bellow to read I would not choose this one first. But it is nonetheless a very good book , and one well - worth going at least part of the distance with .

    1 out of 1 people found this review helpful.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted March 15, 2003

    Stick with this one

    Think of this as a mid-20th century 'Great Expectations'. Occasionally strays and challenges your attention span, but an entertaining read in the end.

    Was this review helpful? Yes  No   Report this review
  • Anonymous

    Posted December 30, 2002

    A mixed bag that requires some effort

    I liked this better than ¿Henderson The Rain King,¿ because it was a little more believable. However, it is about 200 pages too long. Of course, the writing is wonderful, but I sometimes found it difficult to keep the characters straight. Augie is likable, despite chronic foolishness, and, as he comes to realize, his ¿disappointed life¿ is anything but. He is buffeted from one precarious situation to another, with little regard for the likely consequences. The discussion on what it means to ¿make a living¿ pretty much sums it up: Augie may live somewhat parasitically from a financial standpoint, but he loves life and lives it to the fullest.

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    Posted February 1, 2013

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    Posted September 27, 2011

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    Posted March 25, 2010

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    Posted November 3, 2008

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    Posted April 7, 2011

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    Posted August 23, 2010

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    Posted December 23, 2008

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