×

Uh-oh, it looks like your Internet Explorer is out of date.

For a better shopping experience, please upgrade now.

The Adventures of Johnny Vermillion
     

The Adventures of Johnny Vermillion

3.3 3
by Loren D. Estleman
 

See All Formats & Editions

Johnny Vermillion's theater troupe brings masterpieces to the Wild West. The four actors are versatile enough to wear many costumes and play many roles. A few props, a little makeup, a costume and--voilà--applause on the rugged frontier.

Johnny also arranges a special attraction for each town. While his actors bustle in and out of costumes, on and

Overview

Johnny Vermillion's theater troupe brings masterpieces to the Wild West. The four actors are versatile enough to wear many costumes and play many roles. A few props, a little makeup, a costume and--voilà--applause on the rugged frontier.

Johnny also arranges a special attraction for each town. While his actors bustle in and out of costumes, on and off the stage in many roles, one plays the villain in the bank. Then the actors take their curtain calls and railroad away.

Who? Us? Rob a bank? But you saw all of us on stage. When could we have done that?

A Pinkerton man becomes the troupe's severest critic: He notices the news reports of stage performances one day and bank robberies the next. He follows the troupe, packing his suspicions. Finally, he sets a clever trap.

Loren D. Estleman's The Adventures of Johnny Vermillion features one of the most entertaining rogues ever to turn a dishonest dollar. Any audience will love a troupe that can transform A Midsummer Night's Dream into grand larceny.

At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Editorial Reviews

Publishers Weekly
Every one of Estleman's more than 50 crime novels and westerns (Port Hazard, etc.) offers suspense, action, humor and plot twist, with the westerns all refreshingly devoid of formula horse opera antics. This one, set in 1873, is even funnier than most. Led by a handsome and charmingly slick con artist, Johnny Vermillion, the Prairie Rose Repertory Company performs Shakespeare onstage, and robs banks offstage. They are masters of disguise and role-playing and are more tricksters than anything else, but they've unwittingly cut in on the turf of Black Jack Brixton's Ace-in-the-Hole Gang, a murderous bunch who vow to wipe out their criminal competition. A resourceful Pinkerton detective gets on the trail of both outfits. Of course, four-time Spur Award-winner Estleman ensures that the actors, the outlaws and the detective will converge at the same location, in a final showdown filled with laughs and gunsmoke. (June) Copyright 2006 Reed Business Information.
From the Publisher

“Estleman's prose snaps like fresh linen Treasury bills.” —Kirkus Reviews (starred review) on The Master Executioner

“What we have here is a true professional, a writer of a sort increasingly rare . . . a craftsman so given to his work as to spontaneously combust to genius.” —Boston Globe on The Master Executioner

“Stylist extraordinaire Estleman shapes sentences like prose poems to the craft at hand, his details sharp as metal shavings, in a voice all his own.” —Kirkus Reviews on Black Powder White Smoke

“Loren Estleman brings high style to his writing; the sentences are things of beauty in and of themselves.” —Tulsa World on The Master Executioner

Product Details

ISBN-13:
9781429911849
Publisher:
Tom Doherty Associates
Publication date:
04/01/2007
Sold by:
Macmillan
Format:
NOOK Book
Pages:
272
File size:
1 MB

Read an Excerpt


Chapter One

Most of what follows took place in the West.

Not just any West.

It was the West of legend and suckling-memory, where drifters caked head to heel with dust swilled red-eye whiskey at long mahogany bars, punching holes in the tin ceilings with their big Colts to impress their half-naked, quartz-eyed hostesses; where buffalo rolled thunder across gaunt desert, grass ocean, and the great mountain ranges where the earth showed its tusks, stopping only to splash in the wallows and scratch their burlap hides against the cowcatchers of the Central and Western Pacific and the mighty Atchison; where red-lacquer Concords barreled down the western face of the Divide, pulled by teams of six with eyes rolling white, whips cracking like Winchesters above their heads; where glistening black locomotives charged across trestles of latticework oak, burning scrubwood in greasy black streamers and blasting their arrogant whistles; where highwaymen in slouch hats and long dusters pulled bandannas up over their faces and stepped suddenly from behind boulders, firing at the sky and bellowing at shotgun messengers to throw up their hands and throw down the box; where all the towns were named Lockjaw and Busted Straight, Diablo and Purgatory and Spunk.

A West where gamblers wore linen and pomade and dealt aces from both sides of the deck and derringers from inside their sleeves; where cowboys ate beans and drank coffee around campfires to harmonica music, and everything was heavily seasoned with tin. At sunup, drowsy and stiff, the cowboys drove undulating herds of grumbling, lowing, high-strung longhorns past ridges where feathered warriors balanced their horses square on the edge, bows and lances raised against the sky while the brass section blared and kettle drums pounded. Gun battles cleared busy streets in a twinkling and bullets rang off piles of rock in the alkali flats with a p-tweeeeee!, kicking dust into the eyes of lawman and outlaw alike. The U.S. Cavalry was invincible, and bandits and gunfighters were celebrities, trailing battalions of paparazzi in brown derbies: Custer had yet to stand on his hill, Jesse to turn his back on Bob, and Wild Bill to draw his fabled hand. All the wagon trains came with concertinas, and all the undertakers and hangmen looked like John Carradine.

It was a West where prospectors, cotton-bearded and toothless, led mules over foothills riddled with shafts, Russian grand dukes shot buffalo from Pullman cars, bandidos wore their ammo belts crossed and flashed gold teeth in duplicitous grins and called everybody Gringo; where women baked bread in gingham and looked cute in buckskins and spilled like ripe peaches out of corsets and sequins and wore feathers in their hair. Train robbers shinnied up telegraph poles, tapped into the lines, and rapped out misleading messages to citizens' vigilance committees on the barrels of their six-shooters. Posses sprang up like cottonwoods, lynch mobs stormed jails, fiddlers played "Little Brown Jug" at church raisings, and legions of tin-tack piano players knew all the notes to "Buffalo Gals" by heart.

A West, this, where cattle barons gathered in clubs and railroad magnates sat in parlor cars to smoke cigars and plot mayhem; where assassins in their employ took target practice on grangers and Chinamen and shot at the heels of tenderfeet to make them dance. Where tall saguaro cactus grew everywhere, even places where it had never existed; where saloon mirrors were in inexhaustible supply and every bluebelly sergeant was named O'Hara and wore his hat brim turned up in front. Men rolled cigarettes and spat into cuspidors. Most of the lumber went into saloons and gallows and markers on Boot Hill.

Sam Grant was in Washington, soldiering his way through his troubled second term, chain-smoking General Thompsons, drinking Hermitage by the case, and wishing he'd never heard the name Bill Belknap. Lily Langtry was on tour. So were Lotta Crabtree and Jenny Lind, and Edwin Booth was performing as Prospero in Denver. Judges Bean and Parker adjudicated in Texas and the Indian Nations. Ned Buntline guzzled Old Gideon, philandered with married women, and wrote reams of frontier claptrap that sold millions in New York and San Francisco. Wyatt Earp was in Dodge City getting a tooth pulled by Doc Holliday. Chiefs Crazy Horse and Gall rested on the Powder River, watching old Sitting Bull smoking up dreams with a blend of open skepticism and hidden contempt. These things are matters of history and bear no direct application to our tale, but they help set the stage for the rip-roaring action to come.

It was a West of ruthless ranchers, patient housewives, crooked sheriffs, courageous pioneers, eager hellcats, leather-lung bullwhackers, scheming carpetbaggers, spinster schoolteachers, blacksmiths, gunsmiths, wheelwrights, farriers, dressmakers, swampers, grave diggers, and prostitutes with hearts of gold; also of ice and iron. One out of three men answered to Frank or Jack or Billy, regardless of whether his real name was Henry or Leander, the women all seemed to be either Sadie or Jane, and any cowpuncher worth his found knew which one to kiss and which to marry. Everyone seemed to walk around wearing a sandwich board advertising his or her true nature: card cheat, music-hall lecher, bushwhacker, army deserter, wife beater, husband poisoner, snake-oil merchant, newspaper rat, whiskey trader, reader of French novels. All wore the uniform of his station: the top hat tilted at a disreputable angle, the garish waistcoat, the rhinestone buckle on the pointed shoe, the leaded walking stick, the boots with flaps over the toes. But it was also the West of elaborate obfuscation. Dry-goods stores sold muffs with pistol pockets in the linings, spring-operated wrist holsters, and knife scabbards to be worn on lanyards around the neck. Unescorted women walked the streets in safety, but the theaters and ballrooms dripped with murder. It was possible to purchase arsenic in quantity and pistols small enough to conceal in the palm of one's hand. The West's reputation for politeness and hospitality was based on the threat of imminent death for transgressors.

It was the West also of rampant optimism. The consumptive in search of a cure, the criminal in quest of redemption, the failure in pursuit of a fresh start, the bigamist in flight from his wives; each found a fresh page upon which to start his journal anew. A world bereft of records, fingerprints, and the ubiquitous camera, and a blank amorphous map labeled the Great American Desert, offered panacea to a variety of ills. Not since Alexander fled the shadow of his father into the vast reaches of the Known World had our solitary planet so plainly beckoned to the wanderer to cast aside his burdens and press on.

It was the West of Daniel Boone, Kit Carson, and Billy the Kid; but it was also the West of William S. Hart, Roy Rogers, and John Wayne. It was big enough to encompass the bombastery of Buffalo Bill and Cecil B. DeMille and the skullduggery of the bloody brothers Harte.

This was Johnny Vermillion's West; a West that should have been, but never quite was.

Copyright © 2006 by Loren D. Estleman

Meet the Author

Loren D. Estleman is the author of more than fifty novels, including the Amos Walker, Page Murdock, and Peter Macklin series. Winner of three Shamus Awards, three Western Heritage Awards, four Spur Awards and many other literary prizes. He lives outside Detroit with his wife, author Deborah Morgan.

Customer Reviews

Average Review:

Post to your social network

     

Most Helpful Customer Reviews

See all customer reviews

Adventures of Johnny Vermillion 3.3 out of 5 based on 0 ratings. 3 reviews.
Guest More than 1 year ago
It's not often I pick up a book at random and decide then and there that I want it. Like most people, I have to read inside the jacket and get the lowdown. But for some reason or another, I did not do that. This is one GEM of a book. Very well written and the characters just leap off the pages at you. Very hard to put down as the book takes you right in and your ducking bullets right along with Johnny Vermillion. A truly great read!
Henry_McLaughlin More than 1 year ago
A troupe of traveling actors supplement their earnings by robbing banks during performances. This is a highly enjoyable light-heated romp through the Old West (and Europe) as we follow the Prairie Rose Repertory Company, led by mastermind, Johnny Vermillion. The actors are pursued by the Pinkerton Detective Agency and by the outlaw Ace-in-the-Hole gang. The agency, in the person of Philip Rittenhouse, pieces together the connection between the actors and the robberies, but they always keep on step in front of him. The outlaws are out for revenge because they believe the actors stole money that was rightfully theirs to steal. The plots twists are ingenious, and the dialogue snaps and crackles. The humor woven throughout keeps the reader smiling on every page. The good guys and the bad guys are wonderfully drawn. Estleman does an excellent job with the acting troupe. The thieves are very much the heroes. I found myself rooting for them to succeed. The climax, where all three forces come together and the final plot twist is revealed, is riveting yet retains the light-hearted tone of the whole book. The ending is a sweet coda to the adventures of Johnny Vermillion and his crew.
Anonymous More than 1 year ago
I liked the story idea, but that was pretty much all I liked. The characters were over done and came off more like characatures. I found i had no interest in them. The writing style was overly clever and long winded, and that made his play on words seem forced at best. But the ending, or lack thereof, was a huge disappointment. I really don't recommend this.