The Adventures of Tom Sawyerby Mark Twain, John Falter
Mischief is Tom Sawyer's middle name. There is nothing he likes better than playing hookey from school, messing about on the Mississippi with his best friend, the hobo Huckleberry Finn, or wooing the elusive beauty Becky Thatcher. Lazy and reckless, he is a menace to his Aunt Polly - 'Tom, I've a notion to skin you alive' - an embarrassment to his teachers and the… See more details below
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Mischief is Tom Sawyer's middle name. There is nothing he likes better than playing hookey from school, messing about on the Mississippi with his best friend, the hobo Huckleberry Finn, or wooing the elusive beauty Becky Thatcher. Lazy and reckless, he is a menace to his Aunt Polly - 'Tom, I've a notion to skin you alive' - an embarrassment to his teachers and the envy of his peers. But there is method in his badness. He exhibits all the cunning of a magpie when hatching an elaborate scheme to avoid whitewashing a fence, and an adventure downriver with Huck and Joe Harper plunges the little town of St Petersburg into such an outpouring of grief that Tom is spared the belt on his return. But the innocent adventures end suddenly when Tom and Huck witness a murder in the graveyard. Should they tell of what they saw under the moonlight, when Injun Joe slipped the bloodstained knife into the hands of Muff Potter? Or should they 'keep mum' and risk letting an innocent man go to the gallows?
'Most of the adventures recorded in this book really occurred; one or two were experiences of my own, the rest of those boys who were schoolmates of mine', Mark Twain wrote in the preface to the original 1876 edition. Inspired by his upbringing in a small township on the Mississippi, and written 'to remind adults of what they once were themselves, and of how they felt and thought and talked, and what queer enterprises they sometimes engaged in', Twain's hymn to childhood and the great outdoors remains a classic account of boys on the loose in frontier-era America.
Gr 4–8—Tom, Becky, Aunt Polly, and the other residents of St. Petersburg, MO, come to vivid life through Payne's exuberant artwork in this handsome reprint edition of the classic story. Finely detailed pencil drawings, stunning watercolors, and mixed-media compositions depict playful, Norman Rockwell-esque portraits, Americana, and thoughtful visualizations of Twain's iconic scenes. A work of art, this oversize edition is a lovely addition for collectors and libraries with large classics collections.—Kiera Parrott, School Library Journal
- Macmillan Publishing Company, Incorporated
- Publication date:
- Age Range:
- 10 - 13 Years
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"What's gone with that boy, I wonder? You TOM!"
The old lady puffed her spectacles down and looked over them and about the room; then she put them up and looked out under them. She seldom or never looked through them for so small a thing as a boy; they were her state pair, the pride of her heart, and were built for "style," not service-she could have seen through a pair of stovelids just as well. She looked perplexed for a moment, and then said, not fiercely, but still loud enough for the furniture to hear:
"Well, I lay if I get hold of you I'll--"
She did not finish, for by this time she was bending down and punching under the bed with the broom, and so she needed breath to punctuate the punches with. She resurrected nothing but the cat.
"I never did see the beat of that boy!"
She went to the open door and stood in it and looked out among the tomato vines and "jimpson" weeds that constituted the garden. No Tom. So she lifted up her voice at an angle calculated for distance and shouted:
There was a slight noise behind her and she turned just in time to seize a small boy by the slack of his roundabout and arrest his flight.
"There! I might 'a' thought of that closet. What you been doing in there?"
"Nothing! Look at your hands. And look at your mouth. What is that truck?"
"I don't know, aunt."
"Well, I know. It's jam-that's what it is. Forty times I've said if you didn't let that jam alone I'd skin you. Hand me that switch."
The switch hovered in theair-the peril was desperate
"My! Look behind you, aunt!"
The old lady whirled round, and snatched her skirts out of danger, The lad fled on the instant, scrambled up the high board fence, and disappeared over it.
His aunt Polly stood surprised a moment, and then broke into a gentle laugh.
"Hang the boy, can't I never learn anything? Ain't he played me tricks enough like that for me to be looking out for him by this time? But old fools is the biggest fools there is. Can't learn an old dog new tricks, as the saying is, But my goodness, he never plays them alike, two days, and how is a body to know what's coming? He 'pears to know just how long he can torment me before I get my dander up, and he knows if he can make out to put me off for a minute or make me laugh, it's A down again and I can't hit him a tick. I ain't doing my duty by that boy, and that's the Lord's truth, goodness knows, Spare the rod and spile the child, as the Good Book says. I'm a laying up sin and suffering for us both, I know. He's full of the Old Scratch, but laws-a-me! he's my own dead sister's boy, poor thing, and I ain't got the heart to lash him, somehow. Every time I let him off, my conscience does hurt me so, and every time I hit him my old heart breaks. Well-a-well, man that is born of woman is of few days and full of trouble, as the Scripture says, and I reckon it's so. He'll play hockey this evening,* and I'll just be obleeged to make him work, to-morrow, to punish him, It's mighty hard to make him work Saturdays, when all the boys is having holiday, but he hates work more than he hates anything else, and Ive got to do some of my duty by him, or I'll be the ruination of the child."
Tom did play hookey, and he had a very good time. He got back home barely in season to help Jim, the small colored boy, saw next-day's wood and split the kindlings before supper-at least he was there in time to tell his adventures to Jim while Jim did three-fourths of the work. Torn's younger brother (or rather half-brother) Sid was already through with his part of the work (picking up chips), for he was a quiet boy, and he had no adventurous, troublesome ways.
While Tom was eating his supper, and stealing sugar as opportunity offered, Aunt Polly asked him questions that were full of guile, and very deep-for she wanted to trap him into damaging revealments. Like many other simple-hearted souls, it was her pet vanity to believe she was endowed with a talent for dark and mysterious diplomacy, and she loved to contemplate her most transparent devices as marvels of tow cunning. Said she:
"Tom, it was middling warm in school, warn't it?"
"Powerful warm, warn't it?"
"Didn't you want to go in a-swimming, Tom?"
A bit of a scare shot through Tom--a touch of uncomfortable suspicion. He searched Aunt Polly's face, but it told him nothing. So he said:
"No'm--well, not very much."
The old lady reached out her hand and felt Tom's shirt, and said:
"But you ain't too warm now, though." And it flattered her to reflect that she had discovered that the shirt was dry without anybody knowing that that was what she had in her mind. But in spite of tier, Tom knew where the wind lay, now. So he forestalled what might be the next move:
"Some of us pumped on our hcads--mine's damp yet. Sec?"
Aunt Polly was vexed to think she had overlooked that bit of circumstantial evidence, and missed a trickThen she had a new inspiration:
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Meet the Author
Mark Twain was born Samuel Clemens in Florida, Missouri, in 1835, and died in Redding, Connecticut in 1910. In his person and in his pursuits, he was a man of extraordinary contrasts. Although he left school at twelve when his father died, he was eventually awarded honorary degrees from Yale University, the University of Missouri, and Oxford University. His career encompassed such varied occupations as printer, Mississippi riverboat pilot, journalist, travel writer, and publisher. He made fortunes from his writing but toward the end of his life he had to resort to lecture tours to pay his debts. He was hot-tempered, profane, and sentimental—and also pessimistic, cynical, and tortured by self-doubt. His nostalgia for the past helped produce some of his best books. He lives in American letters as a great artist, the writer whom William Dean Howells called “the Lincoln of our literature.”
Robert Tilton is a Professor of English at the University of Connecticut, Torrington. He is the author of Pocahontas: The Evolution of an American Narrative and co-author of Pocahontas: Her Life and Legend, George Washington: The Man Behind the Myths, Old Virginia: The Pursuit of a Pastoral Ideal, and Lee and Grant, and has written the Introduction to the Signet Classics edition of Cooper's The Deerslayer.
Geoffrey Sanborn, professor of literature at Amherst College, is the author of The Sign of the Cannibal: Melville and the Making of a Postcolonial Reader, Whipscars and Tattoos: The Last of the Mohicans, Moby-Dick, and the Maori, and Plagiarama! William Wells Brown and the Aesthetic of Attractions.
- Date of Birth:
- November 30, 1835
- Date of Death:
- April 21, 1910
- Place of Birth:
- Florida, Missouri
- Place of Death:
- Redding, Connecticut
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