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Bernard Evslin (1922–1993) was a bestselling and award-winning author known for his works on Greek and other cultural mythologies. The New York Times called him “one of the most widely published authors of classical mythology in the world.” He was born in New Rochelle, New York, and attended Rutgers University. After several years working as a playwright, screenwriter, and documentary producer, he began publishing novels and short stories in the late 1960s. During his long career, Evslin published more than seventy books—over thirty of which were for young adults. His bestseller Heroes, Gods and Monsters of the Greek Myths has been translated into ten different languages and has sold more than ten million copies worldwide. He won the National Education Association Award in 1961, and in 1986 his book Hercules received the Washington Irving Children’s Book Choice Award. Evslin died in Kauai, Hawaii, at the age of seventy-seven.
The leader of the Greek forces returning from Troy encounters the Cyclops, the beautiful sorceress Circe and more, as he tries to ward off the anger of the gods.
Ships and Men
After Troy was burned, Ulysses sailed for home with three ships holding fifty men each.
Three thousand years ago ships were very different; through the years they have changed much more than the men who sail them.
These beaked warships used by the pirate kingdoms of the Middle Sea were like no vessels you have ever seen. Imagine a very long narrow rowboat with twenty oars on each side. The timbers of the bow curve sharply to a prow, and this prow grows longer and sharper, becomes in fact a long, polished shaft tipped by a knife-edged brass spearhead. This was called the ram, the chief weapon of ancient warships.
In battle, the opposing ships spun about each other, swooping forward, twirling on their beams, darting backward, their narrow hulls allowing them to backwater very swiftly. The object was to ram the enemy before he rammed you. And to ram first was the only defense, for the brass beak of the ramming ship sheared easily through the timbers of its victim, knocking a huge hole in the hull and sinking it before its men could jump overboard.
These warships were also equipped with sail and mast—used only for voyaging, never in battle—a square sail, and a short mast, held fast by oxhide stays. The sail was raised only for a fair wind, or could be tilted slightly for a quartering wind, but was useless against headwinds.
This meant that these ships were almost always at the mercy of the weather and were often blown off course. Another thing that made them unfit for long voyages was the lack of cargo space. Only a few days' supply of food and water could be carried, leaving space for no other cargo. That is why these fighting ships tried to hug the coast and avoid the open sea.
Ulysses' problem was made worse by victory. When Troy was sacked, he and his men captured a huge booty—gold and jewels, silks, furs—and after ten years of war, the men refused to leave any loot behind. This meant that each of his ships could carry food and water for a very few days.
This greed for treasure caused many of his troubles at first. But then troubles came so thick and fast that no one could tell what caused them; hardships were simply called bad luck, or the anger of the gods.
But bad luck makes good stories.CHAPTER 2
The voyage began peacefully. A fair northeast wind blew, filling the sails of the little fleet and pushing it steadily homeward. The wind freshened at night, and the three ships scudded along joyfully under a fat moon.
On the morning of the second day Ulysses saw a blue haze of smoke and a glint of white stone. He put in toward shore and saw a beautiful little town. The men stared in amazement at this city without walls, rich with green parks and grazing cattle, its people strolling about in white tunics. Ten years of war had made Ulysses' men as savage as wolves. Everyone not a shipmate was an enemy. To meet was to fight; property belonged to the winner.
Ulysses stood in the bow, shading his eyes with his hand, gazing at the city. A tough, crafty old warrior named Eurylochus stood beside him.
"We attack, do we not?" he asked. "The city lies there defenseless. We can take it without losing a man."
"Yes, it looks tempting," said Ulysses. "But the wind blows fair, and good fortune attends us. Perhaps it will spoil our luck to stop."
"But this fat little city has been thrown into our laps by the gods, too," said Eurylochus, "and they grow angry when men refuse their gifts. It would be bad luck not to attack."
Ulysses heard the fierce murmur of his men behind him and felt their greed burning in his veins. He hailed the other ships and gave orders, and the three black-hulled vessels swerved toward shore and nosed into the harbor, swooping down upon the white city like wolves upon a sheepfold.
They landed on the beach. The townsfolk fled before them into the hills. Ulysses did not allow his men to pursue them, for there was no room on the ship for slaves. From house to house the armed men went, helping themselves to whatever they wanted. Afterward they piled the booty in great heaps upon the beach.
Then Ulysses had them round up a herd of the plump, swaying, crook-horned cattle, and offer ten bulls in sacrifice to the gods. Later they built huge bonfires on the beach, roasted the cattle, and had a great feast.
But while the looting and feasting was going on, the men of the city had withdrawn into the hills and called together their kinsmen of the villages, the Ciconians, and began preparing for battle. They were skillful fighters, these men of the hills. They drove brass war chariots that had long blades attached to the wheels, and these blades whirled swiftly as the wheels turned, scything down the foe.
They gathered by the thousands, an overwhelming force, and stormed down out of the hills onto the beach. Ulysses' men were full of food and wine, unready to fight, but he had posted sentries, who raised a shout when they saw the Ciconians coming down from the hills in the moonlight. Ulysses raged among his men, slapping them with the flat of his sword, driving the fumes of wine out of their heads. His great racketing battle cry roused those he could not whip with his sword.
The men closed ranks and met the Ciconians at spearpoint. The Hellenes retreated slowly, leaving their treasure where it was heaped upon the beach and, keeping their line unbroken, made for their ships.
Ulysses chose two of his strongest men and bade them lift a thick timber upon their shoulders. He sat astride this timber, high enough to shoot his arrows over the heads of his men. He was the most skillful archer since Heracles. He aimed only at the chariot horses, and aimed not to kill, but to cripple, so that the horses fell in their traces, and their furious flailing and kicking broke the enemy's advance.
Thus the Hellenes were able to reach their ships, roll them into the water, leap into the rowers' benches, and row away. But eighteen men were left dead on the beach—six from each ship—and there was scarcely a man unwounded.
Eurylochus threw himself on his knees before Ulysses and said:
"I advised you badly, O Chief. We have angered the gods. Perhaps, if you kill me, they will be appeased."
"Eighteen dead are enough for one night," said Ulysses. "Our luck has changed, but what has changed can change again. Rise and go about your duties."
The ships had been handled roughly in the swift retreat from the Ciconian beach. Their hulls had been battered by axes and flung spears, and they had sprung small leaks. The wind had faded to a whisper, and the men were forced to row with water sloshing around their ankles. Ulysses saw that his ships were foundering and that he would have to empty the holds. Food could not be spared, nor water; the only thing that could go was the treasure taken from Troy. The men groaned and tore at their beards as they saw the gold and jewels and bales of fur and silk being dropped overboard. But Ulysses cast over his own share of the treasure first—and his was the largest share—so the men had to bite back their rage and keep on rowing.
As the necklaces, bracelets, rings, and brooches sank slowly, winking their jewels like drowned fires, a strange thing happened. A shoal of naiads—beautiful water nymphs—were drawn by the flash of the jewels. They dived after the bright baubles and swam alongside the ships, calling to the men, singing, tweaking the oars out of their hands, for they were sleek, mischievous creatures who loved jewels and strangers. Some of them came riding dolphins, and in the splashing silver veils of spray the men thought they saw beautiful girls with fishtails. This is probably how the first report of mermaids arose.
Poseidon, God of the Sea, was wakened from sleep by the sound of this laughter. When he saw what was happening, his green beard bristled with rage, and he said to himself:
"Can it be? Are these the warriors whom I helped in their siege of Troy? Is this their gratitude, trying to steal my naiads from me? I'll teach them manners."
He whistled across the horizon to his son, Aeolus, keeper of the winds, who twirled his staff and sent a northeast gale skipping across the sea. It pounced upon the little fleet and scattered the ships like twigs. Ulysses clung to the helm, trying to hold the kicking tiller, trying to shout over the wind. There was nothing to do but ship the mast and let the wind take them.
And the wind, in one huge gust of fury, drove them around Cythera, the southernmost of their home islands, into the open waters of the southwest quarter of the Middle Sea, toward the hump of Africa called Libya.CHAPTER 3
Now, at this time, the shore of Libya was known as "The land where Morpheus plays." Who was Morpheus? He was a young god, son of Hypnos, God of Sleep, and nephew of Hades. It was his task to fly around the world, from nightfall to dawn, scattering sleep. His father, Hypnos, mixed the colors of sleep for him, making them dark and thick and sad.
"For," he said, "it is a little death you lay upon man each night, my son, to prepare him for the kingdom of death."
But his aunt, Persephone, sewed him a secret pocket, full of bright things, and said:
"It is not death you scatter, but repose. Hang the walls of sleep with bright pictures, so that man may not know death before he dies."
These bright pictures were called dreams. And Morpheus became fascinated by the way a little corner of man's mind remained awake in sleep, and played with the colors he had hung, mixing them, pulling them apart, making new pictures. It seemed to him that these fantastic colored shadows the sleepers painted were the most beautiful, most puzzling things he had ever seen. And he wanted to know more about how they came to be.
He went to Persephone and said, "I need a flower that makes sleep. It must be purple and black. But there should be one petal streaked with fire-red, the petal to make dreams."
Persephone smiled and moved her long white hand in the air. Between her fingers a flower blossomed. She gave it to him.
"Here it is, Morpheus. Black and purple like sleep, with one petal of fire-red for dreams. We will call it lotus."
Morpheus took the flower and planted it in Libya, where it is always summer. The flower grew in clusters, smelling deliciously of honey. The people ate nothing else. They slept all the time, except when they were gathering flowers. Morpheus watched over them, reading their dreams.
It was toward Lotusland that Ulysses and his men were blown by the gale. The wind fell while they were still offshore. The sky cleared, the sea calmed, a hot sun beat down. To Ulysses, dizzy with fatigue, weak with hunger, the sky and the water and the air between seemed to flow together in one hot blueness.
He shook his head, trying to shake away the hot blue haze, and growled to his men to unship the oars and row toward land. The exhausted men bent to the oars, and the ships crawled over the fire-blue water. With their last strength they pulled the ships up on the beach, past the high-tide mark, and then lay down and went to sleep.
As they slept, the Lotus-eaters came out of the forest. Their arms were heaped with flowers, which they piled about the sleeping men in great blue and purple bouquets, so that they might have flowers to eat when they awoke, for these people were very gentle and hospitable.
The men awoke and smelled the warm, honey smell of the flowers and ate them in great handfuls—like honeycomb—and fell asleep again. Morpheus hovered over we sleeping men and read their dreams.
"These men have done terrible things," the god whispered to himself. "Their dreams are full of gold and blood and fire. Such sleep will not rest them."
And he mixed them some cool green and silver dreams of home. The nightmares faded. Wounded Trojans stopped screaming, Troy stopped burning; they saw their wives smile, heard their children laugh, saw the green wheat growing in their own fields. They dreamed of home, awoke and were hungry, ate the honeyed lotus flowers, and fell into a deeper sleep.
Then Morpheus came to Ulysses, who was stretched on the sand, a little apart from the rest. He studied his face—the wide, grooved brow, the sunken eyes, the red hair, the jutting chin. And he said to himself: "This man is a hero. Terrible are his needs, sudden his deeds, and his dreams must be his own. I cannot help him."
So Morpheus mixed no colors for Ulysses' sleep but let him dream his own dreams and read them as they came. He hovered above the sleeping king and could not leave.
"What monsters he makes," he said to himself. "Look at that giant with the single eye in the middle of his forehead. And that terrible spider-woman with all those legs ... Ah, the things he dreams, this angry sleeper. What bloody mouths, what masts falling, sails ripping, what rocks and reefs, what shipwrecks ... How many deaths?"
Ulysses awoke, choking, out of a terrible nightmare. It seemed to him that in his sleep he had seen the whole voyage laid out before him, had seen his ships sinking, his men drowning. Monsters had crowded about him, clutching, writhing. He sat up and looked about. His men lay asleep among heaped flowers. As he watched, one opened his eyes, raised himself on an elbow, took a handful of flowers, stuffed them into his mouth, and immediately fell asleep again.
Ulysses smelled the honey sweetness and felt an overpowering hunger. He took some of the flowers and raised them to his mouth. As their fragrance grew stronger, he felt his eyelids drooping, his arms growing heavy, and he thought: "It is these flowers that are making us sleep. Their scent alone brings sleep. I must not eat them."
But he could not put them down; his hand would not obey him. Exerting all the bleak force of his will, he grasped his right hand with his left—as if it belonged to someone else—and one by one forced open his fingers and let the flowers fall.
Then he dragged himself to his feet and walked slowly into the sea. He went under and arose snorting. His head had cleared. But when he went up on the beach, the sweet fragrance rose like an ether and made him dizzy again.
"I must work swiftly," he said.
One by one he carried the sleeping men to the ships and propped them on their benches. His strength was going. The honey smell was invading him, making him droop with sleep. He took his knife and, cutting sharp splinters of wood to prop open his eyelids, staggered back among the men. He worked furiously now, lifting them on his shoulders, carrying them two at a time, throwing them into the ships.
Finally, the beach was cleared. The men lolled sleeping upon the benches. Then, all by himself, using his last strength, he pushed the ships into the water. When the ships were afloat in the shallow water, he lashed one to another with rawhide line, his own ship in front. Then he raised his sail and took the helm.
The wind was blowing from the southwest. It filled his sail. The line grew taut; the file of ships moved away from Lotusland.
The men began to awake from their dreams of home and found themselves upon the empty sea again. But the long sleep had rested them, and they took up their tasks with new strength.
Ulysses kept the helm, grim and unsmiling. For he knew that what he had seen painted on the walls of his sleep was meant to come true and that he was sailing straight into a nightmare.CHAPTER 4
The Cyclops' Cave
After he had rescued his crew from Lotusland, Ulysses found that he was running from one trouble into another. They were still at sea, and there was no food for the fleet. The men were hungry and getting dangerous. Ulysses heard them grumbling: "He should have left us there in Lotusland. At least when you're asleep you don't know you're hungry. Why did he have to come and wake us up?" He knew that unless he found food for them very soon he would be facing a mutiny.
That part of the Aegean Sea was dotted with islands. On every one of them was a different kind of enemy. The last thing Ulysses wanted to do was to go ashore, but there was no other way of getting food. He made a landfall on a small, mountainous island. He was very careful; he had the ships of the fleet moor offshore and selected twelve of his bravest men as a landing party.
They beached their skirl and struck inland. It was a wild, hilly place, full of boulders, with very few trees. It seemed deserted. Then Ulysses glimpsed something moving across the valley, on the slope of a hill. He was too far off to see what they were, but he thought they must be goats since the hill was so steep. And if they were goats they had to be caught. So the men headed downhill, meaning to cross the valley and climb the slope.
Excerpted from The Adventures of Ulysses by Bernard Evslin. Copyright © 1969 Scholastic Inc.. Excerpted by permission of OPEN ROAD INTEGRATED MEDIA.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
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Posted June 29, 2013
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Posted January 25, 2008
um to be honest with you im 16 and we are reading this book in school and i really dont like it. i think it boring to be straight up.
0 out of 1 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted February 24, 2008
Posted January 4, 2008
I thought, Great. This book is going to be BORING... but, it was better than I thought it would be! I did get confused sometimes but, hey! This book is good for 7th and 8th graders.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted September 5, 2007
It is inapropriate for little kids, it is all pervertive stuff, how could a school tell the students to read this kinda adultary book and it was so boring that I got a F on this Quiz
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Posted June 23, 2007
Posted January 26, 2007
Posted January 10, 2007
you know something this book is so wack its not even funny and by reading this it does not look interesting (dont know wat people are saying)sodo not say that this book is the best and that its the boom so sugest my feeling for this book it suck ha lol
0 out of 2 people found this review helpful.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted December 23, 2006
When my soscial studies teacher gave me this book I thought immeditly it would be long, boring, and a complete waste of time as most social studies books are. When I started reading it, I was hooked. It had everything. Yes, it got a slight bit confusing at times but I love it nevertheless.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted February 28, 2006
In the beginning since I didn't think I would like it I wasn't interested. Then I gave it a change and found it quite enjoyable. Definately easy to read. Lots of detail and descriptive word choice.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted November 19, 2005
Posted May 13, 2005
Personally, this book was just long, confusing, and boring. I wouldn't recommend it to anyone without any previous knowledge on Greek mythology. Otherwise, it's a complete waste of time.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted May 14, 2005
Posted January 17, 2005
This is a wonderful and quick book. I recommend it to anyone that likes to read. I just started reading it in class and it was really good. I thought it would be boring, but it really isn't it shows wonderful description and makes you feel you went back to that period of time. It's an excellent book and thats why i give it a five. Wonderful job Bernard Evslin.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted February 23, 2005
Another book to read in my class. Of course, Greek mythology sleuths would love it, but others would too. This book is recommended if you like action, adventure, constant happenings and mythology.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted October 14, 2004
I read this book in my 7th grade World Studies class and I loved it! It's exciting and gets in quite a bit of descriptive detail and covers the whole story without being overwhelmingly wordy. It presents the story in a complete sense but in a neat prose style that is easier to follow than the actual epic poem in its unabridged form. This, I thought, was a better comprimise for an abridged 'student version' than choppy excerpts of the real thing that leave half the good (not to mention important) stuff out.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.
Posted September 24, 2004
Posted May 20, 2004
This book rocks!!! I had to read it in school and I thought it would absolutely suck, but to my surprise...I LOVED it!! (and I really dont like reading) This book just picks up right away in the beginning and is never boring. It kept my interest all thru it and thats hard to do, lol.Was this review helpful? Yes NoThank you for your feedback. Report this reviewThank you, this review has been flagged.