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James PoniewozikWhat saves Adverbs from Handler's unconvincing dystopian themes is his exuberantly funny voice and his ability to lard his stories with details that return, pages later, with multiplied resonance. Like many a concept album, Adverbs has implausibilities, indulgences and a track list that drags on a few cuts too long. But what stays with you is the music: the elegantly rendered emotion, the linguistic somersaults, the brilliantly turned reminders that there are a million ways to describe love and none of them will ever be the last word.
— The New York Times