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Building on the work of cultural theorists like Lacan, Foucault, Baudrillard, Irigiray, and others, Leonard examines commodity culture in Joyce's work and demonstrates the ways in which characters use (or are used by) modern advertising techniques to make their own identities more intelligible and to fill the Lacanian "permanent lack" of modern identity.
The commonality of religion and advertising, the use of "kitsch" as a rhetorical device, the commodity market's exploitation of the proletariat, the role of pornography, the impact of advertising's "normative" modes of dress and behavior, and the role of the modern city as a modernist trope are all explored as aspects of Joyce's work or as pressures faced by his characters. As Leonard demonstrates, "culture" in Joyce is the product of a complex response to psychological, sociological, political, economic, and aesthetic pressures. In Joyce, advertising, as a product of that culture, serves both to reinforce the hegemonic discourse of the day and to subvert it.
Excellent work has been done on aspects of commodity culture in Joyce by other writers but Leonard's is the first comprehensive study of Joyce and the advertising/commodity nexus, certain to be of equal interest to students and scholars of Joyce, modernism, and cultural studies.
|Introduction: A Capital Couple - Joyce and Advertising||1|
|1||Advertising and Religion: The New (Improved!) Testament||35|
|2||Kitschy, Kitschy Coup: "Life" and "History" in a World of Mass-Produced Objects||50|
|3||Power, Pornography, and the Problem of Pleasure: The Semerotics of Desire and Commodity Culture||72|
|4||The Virgin Mary and the Urge in Gerty: Praying, Buying, and the Packaging of Desire||98|
|5||Molly Bloom's "Lifestyle": The Performative as Normative||142|
|6||When a Fly Gets in Your I: The City, Modernism, and Aesthetic Theory in A Portrait of the Artist as a Young Man||175|