Aesthetic Sexuality: A Literary History of Sadomasochism
To understand why the concept of aesthetic sexuality is important, we must consider the influence of the first volume of Foucault's seminal The History of Sexuality. Arguing against Foucault's assertions that only scientia sexualis has operated in modern Western culture while ars erotica belongs to Eastern and ancient societies, Byrne suggests that modern Western culture has indeed witnessed a form of ars erotica, encompassed in what she calls 'aesthetic sexuality'.

To argue for the existence of aesthetic sexuality, Byrne examines mainly works of literature to show how, within these texts, sexual practice and pleasure are constructed as having aesthetic value, a quality that marks these experiences as forms of art. In aesthetic sexuality, value and meaning are located within sexual practice and pleasure rather than in their underlying cause; sexuality's raison d'être is tied to its aesthetic value, at surface level rather than beneath it. Aesthetic sexuality, Byrne shows, is a product of choice, a deliberate strategy of self-creation as well as a mode of social communication.
1115580983
Aesthetic Sexuality: A Literary History of Sadomasochism
To understand why the concept of aesthetic sexuality is important, we must consider the influence of the first volume of Foucault's seminal The History of Sexuality. Arguing against Foucault's assertions that only scientia sexualis has operated in modern Western culture while ars erotica belongs to Eastern and ancient societies, Byrne suggests that modern Western culture has indeed witnessed a form of ars erotica, encompassed in what she calls 'aesthetic sexuality'.

To argue for the existence of aesthetic sexuality, Byrne examines mainly works of literature to show how, within these texts, sexual practice and pleasure are constructed as having aesthetic value, a quality that marks these experiences as forms of art. In aesthetic sexuality, value and meaning are located within sexual practice and pleasure rather than in their underlying cause; sexuality's raison d'être is tied to its aesthetic value, at surface level rather than beneath it. Aesthetic sexuality, Byrne shows, is a product of choice, a deliberate strategy of self-creation as well as a mode of social communication.
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Aesthetic Sexuality: A Literary History of Sadomasochism

Aesthetic Sexuality: A Literary History of Sadomasochism

by Romana Byrne
Aesthetic Sexuality: A Literary History of Sadomasochism

Aesthetic Sexuality: A Literary History of Sadomasochism

by Romana Byrne

eBook

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Overview

To understand why the concept of aesthetic sexuality is important, we must consider the influence of the first volume of Foucault's seminal The History of Sexuality. Arguing against Foucault's assertions that only scientia sexualis has operated in modern Western culture while ars erotica belongs to Eastern and ancient societies, Byrne suggests that modern Western culture has indeed witnessed a form of ars erotica, encompassed in what she calls 'aesthetic sexuality'.

To argue for the existence of aesthetic sexuality, Byrne examines mainly works of literature to show how, within these texts, sexual practice and pleasure are constructed as having aesthetic value, a quality that marks these experiences as forms of art. In aesthetic sexuality, value and meaning are located within sexual practice and pleasure rather than in their underlying cause; sexuality's raison d'être is tied to its aesthetic value, at surface level rather than beneath it. Aesthetic sexuality, Byrne shows, is a product of choice, a deliberate strategy of self-creation as well as a mode of social communication.

Product Details

ISBN-13: 9781441158796
Publisher: Bloomsbury Publishing
Publication date: 11/28/2013
Sold by: Barnes & Noble
Format: eBook
Pages: 192
File size: 602 KB

About the Author

Romana Byrne is an independent scholar based in France. Formerly, she was a Research Fellow at The University of Melbourne, Australia, where she lectured in the history of queer theory, pornography and aesthetics, and sadomasochism in cinema. She has published in Criticism: A Quarterly for Literature and the Arts and Papers on Language&Literature.
Romana Byrne is an independent scholar based in France. Formerly she was a Research Fellow at The University of Melbourne, Australia, where she lectured in the history of queer theory, pornography and aesthetics, and sadomasochism in cinema. She has published in Criticism: A Quarterly for Literature and the Arts and Papers on Language&Literature.

Table of Contents

Acknowledgements
1. Introduction | Aesthetic sexuality: a literary history of sadomasochism
2. Universal perversion and the laws of judgment: the Marquis de Sade
3. Brutal beauty: Swinburne's Poems and Ballads and Mirbeau's Le Jardin des supplices
4. Tragic self-shattering I: Nietzsche's aesthetics
5. Tragic self-shattering II: delirious materialism in Bataille's L'Érotisme and Histoire de l'œil
6. Tragic self-shattering III: mortifying metaphysics in Réage's Histoire d'O and Berg's L'image
7. Sadomasochism as anti-aesthetic theatre
8. Conclusion | Fashioning BDSM today
Works Cited
Index
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