African Cinema / Edition 1

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Overview

"Manthia Diawara is quite simply the best critic (in any language) currently writing on African cinema." —Robert Stam

"Diawara has produced a useful history, a cogent analysis, and, in his arguments on how African cinema should develop, an undoubtedly controversial book." —Studies in Popular Culture

"This is a good, solid and reliable history of filmmaking on the African continent, beginning with colonial production and moving on to independent filmmaking... an important and welcome reference source." —Classic Images

"Diawara's work is comprehensive, based on rigorous research and sound analyses... it aptly illustrates the intricate correlations between politics, economics and culture." —Black Film Review

"In a relatively new field of historical ‘film theory’, African Cinema: Politics and Culture will become indispensable." —The Year’s Work in Critical and Cultural Theory, Vol.
1-3, 1996

Drawing on political science, economics, history, and cultural studies, Diawara provides an insider’s account of the development and current status of
African cinema. He discusses such issues as film production and distribution, and film aesthetics from the colonial period to the present.

Indiana University Press

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Product Details

  • ISBN-13: 9780253207074
  • Publisher: Indiana University Press
  • Publication date: 4/1/1992
  • Series: Blacks in the Diaspora Series
  • Edition description: New Edition
  • Edition number: 1
  • Pages: 208
  • Product dimensions: 6.00 (w) x 9.00 (h) x 0.56 (d)

Meet the Author

MANTHIA DIAWARA is Professor of English and Associate Director of the Center for the
Study of Black Literature and Culture at the University of Pennsylvania.

Indiana University Press

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Table of Contents

ACKNOWLEDGMENTS
INTRODUCTION

I. ANGLOPHONE AFRICAN
PRODUCTION
II. ZAIRIAN PRODUCTION
III. FRANCE’S CONTRIBUTION TO THE
DEVELOPMENT OF FILM PRODUCTION IN AFRICA
IV. THE ARTIST AS THE LEADER OF THE REVOLUTION:
THE HISTORY OF THE FEDERATION PANAFRICAINE DES CINEASTES
V. THE SITUATION OF NATIONAL AND
INTERNATIONAL FILM PRODUCTION IN FRANCOPHONE AFRICA
VI. FIL PRODUCTION IN LUSOPHONE AFRICA:
TOWARD THE KUXA KENEMA IN MOZAMBIQUE
VII. FIM DISTRIBUTION AND EXHIBITION IN FRANCOPHONE
AFRICA
VIII. THE PRESENT SITUATION OF THE FILM INDUSTRY IN ANGLOPHONE AFRICA
IX.
ARICAN CINEMA AND FESTIVALS; FESPACO
X. AFRICAN CINEMA
TODAY

NOTES
BIBLIOGRAPHY
INDEX

Indiana University Press

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