After Blue

After Blue

by Tierney Sutton
     
 
Tierney Sutton claims she had never really encountered Joni Mitchell until she heard the songwriter's 2000 album Both Sides Now, a collection mainly comprised of standards. (An album she holds in the same regard as Frank Sinatra's In the Wee Small Hours and

Overview

Tierney Sutton claims she had never really encountered Joni Mitchell until she heard the songwriter's 2000 album Both Sides Now, a collection mainly comprised of standards. (An album she holds in the same regard as Frank Sinatra's In the Wee Small Hours and Billie Holiday's Lady in Satin.) In 2011 she performed four of Mitchell's songs during a performance with the Turtle Island String Quartet; that gig set this project in motion. After Blue is Sutton's first offering that doesn't include her regular band -- its members were involved with other projects at the time. Instead, her collaborators are a collection of jazz luminaries who include Peter Erskine, Larry Goldings, Ralph Humphrey, Hubert Laws, the TISQ, and Al Jarreau, who duets on "Be Cool" (the only track to feature one of Sutton's own musicians, bassist Kevin Axt). Sutton reads Mitchell by moving through the songwriter's various creative periods, embracing the singer/songwriter's jazz leanings in her phrasing, improvisation, and syncopation, and their shared love of the Great American Songbook. This last notion is evidenced by Sutton's version of "Don't Go to Strangers" and "Answer Me My Love," both of which Mitchell poignantly delivered on Both Sides Now. She also seamlessly melds closer "Freeman in Paris" with "April in Paris." Other standouts include "Blue" and "Little Green" with TISQ, the fingerpopping "The Dry Cleaner from Des Moines" with Laws, Erskine, and Goldings, and the swinging, thoroughly re-envisioned "Big Yellow Taxi." On "Both Sides Now," she is accompanied only by Mark Summer's cello. For those accustomed to hearing Sutton re-interpreting standards from the golden era, After Blue retains her trademark gifts of phrasing, restraint, and emotional honesty. But as an album, it is just as remarkable as Herbie Hancock's The Joni Letters in its creative rapprochement of Mitchell's music with the jazz tradition, and reveals Sutton at a vocal and interpretive peak.

Product Details

Release Date:
09/24/2013
Label:
Varese Sarabande
UPC:
0030206241921
catalogNumber:
062419
Rank:
14161

Related Subjects

Tracks

Album Credits

Performance Credits

Tierney Sutton   Primary Artist,Vocals
Jarreau   Vocals,Guest Appearance
Peter Erskine   Drums
Larry Goldings   Piano,Hammond B3
Hubert Laws   Flute
Turtle Island String Quartet   String Quartet
David Balakrishnan   Violin
Ralph Humphrey   Drums
Mark Summer   Cello
Mateusz Smoczynski   Violin
Benjamin von Gutzeit   Viola
Serge Merlaud   Guitar

Technical Credits

Joni Mitchell   Composer
Charles Mingus   Composer
Vernon Duke   Composer
Kevin Axt   Arranger
David Balakrishnan   Arranger
Redd Evans   Composer
E.Y. "Yip" Harburg   Composer
David Luke   Engineer
Elaine Martone   Producer
Carl Sigman   Composer
Mark Summer   Arranger
Andy Waterman   Engineer
Dave Mann   Composer
Tierney Sutton   Arranger,Producer,Cover Illustration
Arthur Kent   Composer
Gerhard Winkler   Composer
Julie Bernstein   Arranger
Fred Rauch   Composer
Steven Corn   Executive Producer
Jean Taxis   Engineer
Steven Weber   Executive Producer
Chris Digirolamo   Publicity
Serge Merlaud   Arranger

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