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| Johnny Adams | Primary Artist, Bass, Guitar, Trombone, Violin, Vocals, Mouth Trombone |
| Wilbert "Junkyard Dog" Arnold | Drums |
| Wayne Bennett | Guitar |
| E.L.S. | Background Vocals |
| Elaine Foster | Background Vocals |
| Lisa Foster | Vocals, Background Vocals |
| Sharon Foster | Background Vocals |
| Darrel Francis SR. | Bass |
| Ernie Gautreau | Trombone, Valve Trombone |
| Renard Poché | Guitar |
| Elijah Rodgers | Rhythm Guitar |
| Bill "Foots" Samuel | Alto Horn, Alto Saxophone, Baritone Saxophone, Soprano Saxophone, Tenor Saxophone |
| Terry Tullos | Trumpet, Flugelhorn |
| Craig Wroten | Keyboards |
| Johnny Adams | Contributor |
| Scott Billington | Producer |
| David Farrell | Engineer |
| Tom Coyne | Mastering |
Editorial Reviews
All Music Guide - Ron Wynn
When Johnny Adams signed with Rounder in the mid-'80s, few outside the R&B/soul and blues world were aware of his skills or eclectic range. After Dark was Adams' second Rounder session. It included amazing covers of Doc Pomus' "I Don't Know You" and "Give a Broken Heart a Break," John Hiatt's "Lovers Will," and the Dan Penn/Chips Moman soul classic "Do Right Woman -- Do Right Man." This was one of the first records on which Adams' wondrous voice, with its extensive range at the top and bottom, was both well-produced and effectively mastered and recorded.