After Hours

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Like so many of his baby boomer peers, Glenn Frey is getting a little misty as he's reaching his golden years so he's chosen to look back to the past -- all the way past rock & roll and to the standards of the days before Elvis, picking a bunch of classics for the mellow covers album After Hours. Aging rebel that he is, Frey bends the rules a bit so he can shoehorn in songs by Brian Wilson "Caroline, No" and Randy Newman "Same Girl" along with Burt Bacharach's "The Look of Love," the latter suggesting the true vibe of After Hours. It's halfway between cabaret and lounge, smooth and relaxed and just this side of cornball. Frey has never been a vocal ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
Like so many of his baby boomer peers, Glenn Frey is getting a little misty as he's reaching his golden years so he's chosen to look back to the past -- all the way past rock & roll and to the standards of the days before Elvis, picking a bunch of classics for the mellow covers album After Hours. Aging rebel that he is, Frey bends the rules a bit so he can shoehorn in songs by Brian Wilson "Caroline, No" and Randy Newman "Same Girl" along with Burt Bacharach's "The Look of Love," the latter suggesting the true vibe of After Hours. It's halfway between cabaret and lounge, smooth and relaxed and just this side of cornball. Frey has never been a vocal powerhouse, but his subdued singing is a strength here as he eases into the gossamer arrangements, letting everything glide by with poise. It's music for smoky, romantic late nights -- nothing more and nothing less.
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Product Details

  • Release Date: 5/8/2012
  • Label: Umvd Labels
  • UPC: 602537003334
  • Catalog Number: 001678702
  • Sales rank: 16,198

Album Credits

Performance Credits
Glenn Frey Primary Artist, Background Vocals
Putter Smith Bass
Kevin Axt Bass
Jacqueline Brand Violin
Jodi Burnett Cello
Lenny Castro Percussion, Bongos, Conga
Jonathan Clark Upright Bass
Scott Crago Drums
Al Garth Recorder
Paula Hochhalter Cello
Nick Lane Trombone
Greg Leisz Steel Guitar
Dimitrie Leivici Violin
Les Lovitt Trumpet
Reggie McBride Bass
Maria Newman Violin
Anatoly Rosinsky Violin
Greg Smith Alto Saxophone
Steuart Smith Acoustic Guitar, Electric Guitar
Margaret Wooten Violin
Chris Mostert Tenor Saxophone
Bill Armstrong Flugelhorn
Novi Novog Viola
Mike Harlow Guitar (Baritone)
Adriana Zoppo Violin
A-Mei Chang Violin
Susan Rishik Violin
Eric Gorfain Violin
Robert Berg Viola
Margot Aldcroft Viola
Elizabeth Wright Cello
Olivia Tsui Violin
Cameron Patrick Violin
Timothy Loo Cello
Neli Nikolaeva Violin
Ira Glansbeek Cello
Stephanie O'Keefe French Horn
Alyssa Park Violin
Deborah Vukovitz Violin
Scott Hosfeld Violin
Amy Wickman Violin
Mike Ferril Violin
Brett Banducci Viola
Suzanna Giordano Viola
Mario de León Violin
Mitch Manker Trumpet
Marcy Vaj Violin, Concert Master
Tom Evans Clarinet, Flute, English Horn, Tenor Saxophone
Technical Credits
Randy Newman Composer
Brian Wilson Composer
Alan Broadbent String Arrangements, Orchestral Arrangements
Bobby Troup Composer
Burt Bacharach Composer
Jack Tempchin Composer
Putter Smith Principal
Irving Azoff Management
Artie Butler Composer
Hal David Composer
Walter Donaldson Composer
Glenn Frey Arranger, Composer, Producer
Gus Kahn Composer
Bob Ludwig Mastering
Johnny Mandel Composer
Elliot Scheiner Engineer
Deek Watson Composer
Paul Francis Webster Composer
Margaret Wooten Principal
Una Mae Carlisle Composer
Jeri Heiden Art Direction
Mike Harlow Engineer
Deborah Chessler Composer
Timothy Loo Principal
Tony Asher Composer
Ira Glansbeek Principal
Phyllis Molinary Composer
Richard F.W. Davis Arranger, Producer, Engineer
Suzanna Giordano Principal
William "Pat" Best Composer
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