After the Fall, Before the Fall, During the Fall: A Novelby Nancy Kress
2012 Nebula Award Winner
2012 Locus Award Winner
2013 Hugo Nominee
2013 Sturgeon Award Nominee
In the year 2035, all that is left of humanity lives in the Shell.
No one knows why the Tesslies attacked in 2014, devastated the environment, and nearly destroyed humanity. Or why the aliens imprisoned twenty-six survivors in a/b>/b>/b>/b>… See more details below
2012 Nebula Award Winner
2012 Locus Award Winner
2013 Hugo Nominee
2013 Sturgeon Award Nominee
In the year 2035, all that is left of humanity lives in the Shell.
No one knows why the Tesslies attacked in 2014, devastated the environment, and nearly destroyed humanity. Or why the aliens imprisoned twenty-six survivors in a sterile enclosure built on the barren remains of the Earth.
Fifteen-year-old Pete, one of only six children born in the Shell, is determined to lead humanity to a new beginning. But Pete struggles to control his anger as, one by one, the survivors sicken and die. Although the Earth appears to be slowly healing, the Shell’s inhabitants may not live long enough to see it. The only chance for humanity lies within brief time portals. Peter and the survivors hatch a desperate plan: to increase their numbers by abducting children from the past.
In the year 2013, a brilliant CIA consultant sees a pattern in seemingly unrelated kidnappings. As Julie Kahn’s predictive algorithms reveal that the world is in imminent danger, she discovers that she may also play a role in its possible rebirth. Julie and Pete are rapidly converging in timea chance encounter between them may be the Earth’s only hope.
"This isn't the usual post-environmental apocalypse/alien invasion survival book. . . . Readers of science fiction and those interested in environmental issues will question the current wisdom about our environment and climate science, as well as how much effect humans may—or may not—have on the future." —School Library Journal (April 2012)
"A very impressive and obviously heartfelt work." —www.bookgasm.com
"It's hard to imagine a better writer of science fiction in America today than Nancy Kress – to call Kress a science-fiction writer seems too limiting. She's one of our best writers." —Salt Lake Tribune
"I highly recommend this book." —www.NerdsInBabeland.com
"A disturbing, lively piece of fiction." —www.SeattlePI.com
"Nebula- and Hugo-winner Kress mixes time travel, global catastrophe, and mysterious aliens in this strong postapocalyptic tale. . . . Kress handles the crisscrossing timelines with cool elegance." —Publishers Weekly (March 19, 2012)
"An elegant novella that combines several wildly different science fiction ideas into a tight package. . . . Expect to see this one on the final ballots of the major awards next year." —www.tor.com
"A highly intelligent, sublimely understated glimpse into humankind's future – it's comparable in thematic impact to Walter M. Miller, Jr.'s classic A Canticle for Leibowitz." —Paul Goat Allen, www.bn.com
- Tachyon Publications
- Publication date:
- Sales rank:
- Product dimensions:
- 4.90(w) x 7.90(h) x 0.70(d)
Read an Excerpt
After the Fall, Before the Fall, During the Fall
By Nancy Kress
Tachyon PublicationsCopyright © 2012 Nancy Kress
All rights reserved.
It wasn't dark and it wasn't light. It wasn't anything except cold. I'm dead, Pete thought, but of course he wasn't. Every time he thought that, all the way back to his first time when McAllister had warned him: "The transition may seem to last forever."
Forever was twenty seconds on Pete's wrister.
Light returned, light the rosy pink of baby toes, and then Pete stood in a misty dawn. And gasped.
It was so beautiful. A calm ocean, smooth and shiny as the floor of the Shell. A beach of white sand, rising in dunes dotted with clumps of grasses. Birds wheeled overhead. Their sharp, indignant cries grew louder as one of them dove into the waves and came up with a fish. Just like that. A fresh breeze tingled Pete's nose with salt.
This. All this. He hadn't landed near the ocean before, although he'd seen pictures of it in one of Caity's books. This—all destroyed by the Tesslies, gone forever.
No time for hatred, not even old hatred grown fat and ripe as soy plants on the farm. McAllister's instructions, repeated endlessly to all of them, echoed in Pete's mind: "You have only ten minutes. Don't linger anywhere."
The sand slipped under his shoes and got into the holes. He had to leave them, even though shoes were so hard to come by. Cursing, he ran clumsy and barefoot along the shoreline, his weak knee already aching and head bobbing on his spindly neck, toward the lone house emerging from the mist. The cold air seeped into his lungs and hurt them. He could see his breath.
Seven minutes remained on his wrister.
The house stood on a little rocky ridge rising from the dunes and jutting into the water. No lights in the windows. The back door was locked but McAllister had put their precious laser saw onto the wrister. ("If you lose it, I will kill you.") Pete cut a neat, silent hole, reached in, and released the deadbolt.
Dark stairs. A night light in the hallway. A bedroom with two sleeping forms, his arm thrown over her body, the window open to the sweet night air. Another bedroom with a single bed, the blanketed figure too long, shadowy clothes all over the floor. And at the end of the hallway, a bonanza.
Two of them.
The baby lay on its back, eyes closed in its bald head, little pink mouth sucking away on dreams. It had thrown off its blanket to expose a band of impossibly smooth skin between the plastic diaper and tiny shirt. Pete took precious seconds to unfasten a corner of the diaper, but he was already in love with the little hairless creature and would have been devastated if it were male. It was a girl. Carefully he hoisted her out of the crib and onto his shoulder, painfully holding her with one crooked arm. She didn't wake.
No doubt that the toddler was a girl. Glossy brown ringlets, pink pajamas printed with bunnies, a doll clutched in one chubby fist. When Pete reached for her, she woke, blinked, and shrieked.
"No! Mommy! Dada! Cooommme! No!"
Pete grabbed her by the hand and dragged her off the low bed. That wrenched his misshapen shoulder and he nearly screamed. The child resisted, wailing like a typhoon. The baby woke and also screamed. Footsteps pounded down the hall.
"McAllister!" Pete cried, although of course that did no good. McAllister couldn't hear him. And ten minutes was fixed by the Tesslie machinery: no more, no less. McAllister couldn't hurry the Grab.
The parents pounded into the room. Pete couldn't let go of either child. Pete shrieked louder than both of them—his only real strength was in his voice, did they but know it—the words Darlene had taught him: "Stop! I have a bomb!"
They halted just inside the bedroom door, crashing into each other. She gasped: perhaps at the situation, perhaps at Pete. He knew what he must look like to them, a deformed fifteen-year-old with bobbly head.
"Moommmeeeee!" the toddler wailed.
"Bomb! Bomb!" Pete cried.
The father was a hero. He leaped forward. Pete staggered sideways with his burden of damp baby, but he didn't let go of the toddler's hand. Her father grabbed at her torso and Pete's wrister shot a laser beam at him. The man was moving; the beam caught the side of his arm. The air sizzled with burning flesh and the father let go of his child.
But for only a few precious seconds.
Now the mother rushed forward. Pete dodged behind the low bed, nearly slipping on a pillow that had fallen to the floor. Both of them sprang again, the man's face contorted with pain, and clutched at their children. Pete fired the laser but his hold on the child had knocked the wrister slightly sideways and he missed. Frantically he began firing, the beams hitting the wall and then Pete's own foot. The pain was astonishing. He screamed; the children screamed;the mother screamed and lunged.
The father tore the little girl from Pete. Pete jerked out his bad arm, now in as much pain as his foot, as much pain as the man's must be, and twined his fingers in the child's hair. The mother slipped on a throw rug patterned with princesses and went down. But the father held on to the toddler and so did Pete, and—
All four of them went through in a blaze of noise, of light, of stinking diapers and roasted flesh, of shoulder pain so intense that Pete had to struggle to stay conscious. He did, but not for long. Once under the Shell, he collapsed to the metal floor. The father, of course, was dead. The last thing Pete heard was both children, still wailing as if their world had ended.
It had. From now on, they were with him and McAllister and the others. From now on, poor little devastated parentless miracles.
On the high plateau of the Brazilian state of Paraná, the arabica trees rustled in a gentle rain. Drops pattered off dark green, lance-shaped leaves, cascading down until they touched the soil. The coffee berries were small, not ready for harvest until the dry season, months away. At the far edge of the vast field, a fertilizer drove slowly among the rows of short, bushy trees, some of them fifty years old. A rabbit raced ahead of the advancing machinery.
Deep underground, something happened.
Nonmotile, rod-shaped bacteria clung to the roots of the coffee trees, as they had for millennia. The bacteria stuck to the roots by exuding a slime layer, where it fed on and decomposed plant matter into nutrients. In the surrounding soil other bacteria also flourished, carrying on their usual life processes. One of these was mitosis. During the reproductive division, plasmids were swapped between organisms, as widely promiscuous as all of their kind.
A new bacterium appeared.
Eventually it, too, began to divide, not too rapidly in the dry soil. By and by, another plasmid exchange took place, with a different bacterium. And so on, in an intricate chain, ending up with a plasmid swap with the nonmotile, rod-shaped root dweller. A mutation now existed that had never existed before. Such a thing happened all the time in nature—but not like this.
Above ground, thunder rumbled, and the rain began to fall harder.
The woman was hysterical. As she had every right to be, Julie thought. Julie laid her hand across her own belly, caught herself doing it, and removed the hand. Quickly she glanced around. No one had noticed. They all watched the woman, and all of them, even the female uniform, had the expressions that cops wore in the presence of hysterical victims: a mixture of stern pity and impatient disgust.
"Ma'am ... ma'am ... if you could just calm down enough to tell us what happened ..."
"I told you! I told you!" The woman's voice rose to a shriek. She wore a gaping bathrobe over a flimsy white nightdress, and her hair was so wild it looked as if she had torn out patches by the roots, like some grieving Biblical figure. Perhaps she had. A verse from Julie's unwilling Temple childhood rose, unbidden, in her mind: "In Rama was there a voice heard, lamentation, and weeping, and great mourning, Rachel weeping for her children, and would not becomforted, because they were no more."
"Ma'am ... shit. Get a doctor here with a sedative," the "detective" said. He was a captain in this seaside town's police. Julie had picked up from Gordon an FBI agent's contempt for local law enforcement; she would have to rid herself of that, or else turn into as much of a machine as Gordon could be. She stepped forward.
"May I try?"
"No." The captain glared; he hadn't wanted her along in the first place. They never did. Julie stepped back into the shadows. Gordon would be here soon.
The woman continued to wail and tear her hair. A uniform phoned for a doctor. In the bedroom the forensics team worked busily, and through the window Julie could see men fanning out across the beach, looking for clues. Had this mother drowned her infants? Buried them? Hidden them safe in baskets of bulrushes, a crazy latter-day Jochebed with two female versions of Moses? Julie knew better. She studied the room around her.
Simple, classic North Atlantic beach cottage: white duck covers on the wicker furniture, sisal mats on the floor, light wood and pale colors. But the house had central heating and storm windows already in place; evidently the family lived here year-round. Bright toys spilled from a colorful box. Beside the sofa, a basket of magazines, TIME shouting: CAN THE PRESIDENT CONTROL CONGRESS? and THE DESERTIFICATION OF AFRICA. On the counter separating the kitchen from the living area, a homemade pie under a glass dome, next to a pile of fresh tomatoes, onions, zucchini. Everything orderly, prosperous, caring.
Gordon strode through the door and went unerringly to the detective. "Captain Parsons? I'm Special Agent in Charge Gordon Fairford. We spoke on the phone."
Parsons said sourly, "No change from what I told." On the sofa, the woman let out another air-splitting wail.
"What do you think happened, Captain?" Gordon said. Whatever his private opinion, Gordon was always outwardly tactful with locals, who always resented both the tact and the FBI involvement. The eternal verities.
Parsons said, "The husband took the kids, of course. Or they disposed of them together and he took a powder."
"Any signs of his leaving, with or without them?"
"No," Parsons said, with dislike.
Nor would there be, Julie thought. Gordon went on extracting as much information from Parsons as he could, simultaneously smoothing over as much as possible of the inevitable turf war. Julie stopped listening. She waited until Parsons moved off and Gordon turned to her.
He said, "This time your location forecast was closer."
"Not close enough." If it had been, Gordon would have been at the beach house before the kids' disappearance happened. As it was, he and she had only managed to be in the next town over. Not enough, not nearly enough.
The woman on the couch had quieted slightly. Gordon said softly to Julie, "Go."
This was never supposed to be part of her job. She was the math wizard, the creator of algorithms, the transformer of raw data into useful predictions. But she and Gordon had been working closely together for over six months now, and he had discovered her other uses.
No, no, not what I meant!
Julie sat next to the sobbing woman, without touching her. "Mrs. Carter, I'm Julie Kahn. And I know you're telling the truth about what happened to your husband and children."
The woman jerked as if she had been shot and fastened both hands on Julie's arm. Her nails dug in, and her eyes bored silently into Julie's face, wider and wilder than any eyes Julie had ever seen. She tried not to flinch.
Julie said, "There was a flash of light when they were taken, wasn't there? Very bright. Almost blinding."
"Tell me everything, from the beginning."
"Can you get them back? Can you? Can you?"
No. "I don't know."
"You must get them back!"
"We'll do what we can. Was it a short teenage boy with a wobbling head, as if the head were too big for his neck? Or was it a girl?"
Mrs. Carter shuddered. "It was a demon!"
Oh. It was going to be like that.
"A demon from Hell and he has Jenny and Kara!" She began to wail again and tear her hair.
Slowly, painfully, Julie extracted the story. It wasn't much different from the others, except that this time there had been two children, and the husband had disappeared, too. Apparently he had been hanging onto one of the kids. Was that significant?
How did you know what was significant when it was all unthinkable?
Eight other children in the last year, all vanished without a trace, each taken from a different town on the Atlantic coast. Only three of the abductions had been witnessed, however, and one of those had not succeeded. The mother had beaten off the kidnapper—a young girl—before the perp vanished in a dazzlingly bright light. Or so the mother said. But children disappeared all the time, which is why the press had not yet gotten the larger story. But even the unwitnessed disappearances followed a pattern, and patterns were what Julie did. There were other incidents, too: mostly thefts from locked stores. She was less sure those fitted, and her algorithms had to weight for that. But the geographical pattern was there, if bizarrely nonlinear, and what kind of kidnapper was both smart enough to plan tenflawless abductions and stupid enough to leave any signature at all in their geography?
Julie was not law enforcement. Gordon was, and they had discussed the question endlessly over the last months. Gordon's answer: A psycho who wants to be caught.
Julie had no answers. Only terrible fears.
"It was a demon! A demon!" Mrs. Carter suddenly shrieked. "I want Ed and my kids back!" She tore out of the dune cottage, robe flapping and hair whipping around her ravaged face, as if she could find her husband and children on the cold beach. A cop leaped after her; she was of course a suspect.
Julie wiped the blood off her arm where Mrs. Carter's nails had pierced the skin. Did that mean she needed a tetanus shot? Was a tetanus shot even safe for her now?
She crossed her arms over her belly and closed her eyes. When she opened them again, Gordon stood watching her.
The sun rose above the salt marsh on the Connecticut coast. The tide flowed gently out, toward the barrier island that sheltered the land. A light breeze ruffled the cordgrass, although the breeze was not strong enough to cause waves on the pearly water. A blue heron did disturb the water, landing on a mudflat to dip its long bill, searching for breakfast. A sea-pink bloomed on a raised hummock, turning its dome-shaped cluster of flowers toward the sun.
In the mud beside the heron's long thin toes, something changed.
Bacteria sliming the roots of cordgrass swapped plasmids with another species, the result of a long and intricate chain of such exchanges. The new bacteria began to feed. Abruptly, it died, unable in this mutated form to tolerate the high salt content of brackish marsh.
The heron rose and flew away into the dawn.
It took Pete days and days to recover from the laser burn on his foot, which became infected. McAllister was out of her special medicine—"antibiotics," Pete thought it was called—because one of the Grab kids had needed the last dose. Sometimes McAllister sat beside Pete, sometimes Paolo and once Caity, but usually no one tended him. No one could be spared.
He came to loathe his tiny, bare "bedroom" with no bed, just a pile of blankets on the floor and a shit bucket in the corner. Why hadn't he taped something to the wall like Caity did in her room—something, anything to look at? They still had some tape left. Caity had taped up a picture that one of the children tore out of a precious book, a girl riding a big black horse, and beside it a bright piece of patterned cloth from an old Grab. All Pete had to look at was white Tesslie-metal walls, white Tesslie-metal ceiling, white Tesslie-metal floor.
He drifted in and out of sleep that never refreshed him. When his fever rose high enough he thought he saw other rooms around him: The impossibly gorgeous, rich bedroom from which he'd taken the round-headed baby that Bridget had named Kathleen. The ugly city apartment with stained and crumbling walls where he'd found Tina, alone in her bed except for the rat attracted by the milk around her unwiped little mouth. The strange house, decorated only with bright pillows and low, silver-inlaid tables where he'd snatched dark, curly-haired Karim, whose name he knew only because his mother had screamed it just before Pete pushed her down that short flight of stairs to get away. Those other rooms rose around him, shimmered on the air like the world he'd seen only in snatches on Grabs, and then collapsed into so much rubble.
Excerpted from After the Fall, Before the Fall, During the Fall by Nancy Kress. Copyright © 2012 Nancy Kress. Excerpted by permission of Tachyon Publications.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
Meet the Author
Nancy Kress is the best-selling author of twenty science-fiction and fantasy novels, including Beggars in Spain, Probability Space, and Steal Across the Sky. She has also published four short-story collection and three books on the fundamentals of writing. Kress frequently explores biology and genetic engineering in her fiction, as in her acclaimed Beggars series and her bio-thriller, Dogs. She is a five-time Nebula Award winner and the recipient of two Hugos, the Sturgeon, and Campbell awards. Her fiction has been translated into nearly two dozen languages, including Klingon. She teaches at venues including the Clarion Writers' Program and as a guest professor at the University of Leipzig in Germany.
and post it to your social network
Most Helpful Customer Reviews
See all customer reviews >
This new novella, a length Nancy Kress excels at, is a highly crafted work of short fiction. Each chapter is short, sometimes very much so, but conveys a detailed event along one of the three interwoven story arcs. Some readers might find this style uncomfortably fragmentary yet the method moves the story along rapidly. Every scene is densely packed with plot and character development. The catastrophes depicted in the novella are meticulously researched and based in current science. This is another hallmark of the author’s work. It is an interesting commentary that two of the three global disasters would probably have left substantial survivors. It would, in all likelihood, take all three to shake humanity loose from the planet in the fashion proposed by “After the Fall”. I found this a short, thought provoking and entertaining read.
A relatively short (under 200 pages) but interesting novel that puts a unique spin on the apocalypse. As the title suggests, each chapters carries us backwards or forwards in time, telling three intersecting stories: AFTER THE FALL: A claustrophobic, emotionally charged, post-apocalyptic tale of dying adults, damaged adolescents, and stolen children. BEFORE THE FALL: Cold and efficient, a contemporary drama surrounding one woman's struggle to decipher a mystery while preparing for single motherhood. DURING THE FALL: Brief, tantalizing, and the heart of the story, these mini chapters offer a terrifying glimpse into just how simply catastrophic change can begin. This is a book where execution is everything, where the telling of the story trumps the story itself. Personally, I saw the 'twist' revelation coming very early on, but that's OK. Instead of being something that hooks the reader or sets the stage for an earth-shattering climax, the twist is more a key to unlocking the melancholy truth behind the end of human civilization. Fortunately, the telling is solid, populated by characters who may not be entirely likeable, but to whom we can either relate, or with whom we can sympathize. Pete (AFTER) is a spoiled teenager, a sad, angry, lonely young man who fills his time by having emotionless sex with teenagers as damaged as himself, and with secret, painful, unrequited longing for an older woman who serves as teacher, mother, doctor, aunt, and friend. His only escape from The Shell (a sterile bubble in which the human race has been preserved) is through brief jaunts into the past, where he steals supplies he doesn't understand . . . and young children to help repopulate the race. Julie (BEFORE) is a lonely, independent, brilliant mathematician who has been helping the FBI to find a pattern in the bizarre string of child abductions and store thefts. Having become too close to her FBI partner, she chooses to embark on a path of single motherhood, even as she finds herself cast adrift by an agency that doesn't believe her theories. Driven as much by her need to find a purpose behind the pattern as she is by the need to protect her child, she sets herself on a course that will ultimately see her cross paths with Pete . . . before it's too late to satisfy either need. A solid effort, with a well thought out, appreciably detailed, yet somehow understated catastrophic end to humanity's reign in the final chapters. I would have like a bit more insight into the aliens, but that's a minor quibble and doesn't detract from my appreciation for the story Nancy Kress has crafted here.
I'm a long time sci-fi reader. I also love good literature. This is an exceptional book on both counts. I like big world building books like Alistair Reynolds and Kim Stanley Robinson's latest, but sometimes it's so pleasant to experience a more intimate and concise story as presented by the brilliant Ms. Kress. I wish she'd publish more often.
Not kress's best by a long shot but still a good story well written......but really a novella rather than a full novel.