Afterglow [Import Bonus CD]

Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
During the mid-'90s, Sarah McLachlan was a near-ubiquitous presence in pop music, establishing adult alternative pop radio with 1994's Fumbling Toward Ecstasy and 1997's Surfacing and spearheading the popular Lilith Fair touring festival, but once the last Lilith wound up in 1999, she retreated from the spotlight, had a baby, and seemingly retired from music. Four years later, she made a typically subdued return with Afterglow, her first album in six years. Not much has changed in the time she was away. Afterglow is firmly within the McLachlan signature sound -- a softly tuneful, mildly atmospheric blend of classic singer/songwriterism and a touch of vaguely ...
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Editorial Reviews

All Music Guide - Stephen Thomas Erlewine
During the mid-'90s, Sarah McLachlan was a near-ubiquitous presence in pop music, establishing adult alternative pop radio with 1994's Fumbling Toward Ecstasy and 1997's Surfacing and spearheading the popular Lilith Fair touring festival, but once the last Lilith wound up in 1999, she retreated from the spotlight, had a baby, and seemingly retired from music. Four years later, she made a typically subdued return with Afterglow, her first album in six years. Not much has changed in the time she was away. Afterglow is firmly within the McLachlan signature sound -- a softly tuneful, mildly atmospheric blend of classic singer/songwriterism and a touch of vaguely dreamy alternative pop, all shined and immaculately produced by Pierre Marchand. Prior to its release, the album was touted as the first collection of songs she wrote entirely on piano, not guitar, but ultimately this doesn't make much of a difference to the overall feel and effect of the album, which perfectly dovetails with Surfacing. At times, the pacing is so languid and the production so open-ended, the album kind of drifts away, but it's not only in a pleasant fashion; it's also no different than its immediate predecessor, which also could meander. In other words, after a prolonged absence, Sarah McLachlan re-emerges with a record that could have followed Surfacing by six months, not years. Some may call that predictable, some may call it reliable, but there's little arguing that Afterglow is a solid effort -- it won't win new fans, but it will certainly satisfy the old ones. [An import bonus CD was also available.]
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Product Details

  • Release Date: 4/13/2004
  • Label: Bmg Int'l
  • UPC: 828765967129
  • Catalog Number: 59671

Tracks

Disc 1
  1. 1 Fallen (3:47)
  2. 2 World on Fire (4:22)
  3. 3 Stupid (3:23)
  4. 4 Drifting (3:23)
  5. 5 Train Wreck (4:36)
  6. 6 Push (3:55)
  7. 7 Answer (3:57)
  8. 8 Time (4:07)
  9. 9 Perfect Girl (4:43)
  10. 10 Dirty Little Secret (6:26)
Disc 2
  1. 1 Fallen (3:44)
  2. 2 Answer (3:39)
  3. 3 Dirty Little Secret (3:41)
  4. 4 Building a Mystery (6:31)
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Album Credits

Performance Credits
Sarah McLachlan Primary Artist, Guitar, Piano, Keyboards, Vocals, fender rhodes
Bill Dillon Organ, Guitar, Guitorgan
Ethan Johns Guitar
Darryl Johnson Bass
Dave Kershaw Hammond Organ
Tony Levin Bass
Pierre Marchand Bass, Guitar, Piano, Keyboards, Synthesizer Bass
Jerry Marotta Percussion
Jim Creeggan Acoustic Bass
Ashwin Sood Percussion, Drums, Loops, keyboard bass
Sean Ashby Guitar
Mark Jowett Guitar
Michel Pepin Guitar
Yves Desrosiers Guitar
Michael Chaves Guitar
Jorane Cello, Background Vocals
Technical Credits
Sarah McLachlan Composer
Bob Ludwig Mastering
Pierre Marchand Composer, Producer, Engineer
John Oliviera Engineer
Christopher Marc Potter Producer, Engineer
Roman Klun Engineer
Jorane Vocal Treatments
Pete Caigan Engineer
Yanick Daunais Engineer
Brian Hogue Engineer
Linda Strawberry Engineer
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