Afterimages of Gilles Deleuze's Film Philosophy

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Overview

The French philosopher Gilles Deleuze was one of the most innovative and revolutionary thinkers of the twentieth century. Author of more than twenty books on literature, music, and the visual arts, Deleuze published the first volume of his two-volume study of film, Cinema 1: The Movement-Image, in 1983 and the second volume, Cinema 2: The Time-Image, in 1985. Since their publication, these books have had a profound impact on the study of film and philosophy. Film, media, and cultural studies scholars still grapple today with how they can most productively incorporate Deleuze's thought.

The first new collection of critical studies on Deleuze's cinema writings in nearly a decade, Afterimages of Gilles Deleuze's Film Philosophy provides original essays that evaluate the continuing significance of Deleuze's film theories, accounting systematically for the ways in which they have influenced the investigation of contemporary visual culture and offering new directions for research.

Contributors: Raymond Bellour, Centre Nationale de Recherches Scientifiques; Ronald Bogue, U of Georgia; Giuliana Bruno, Harvard U; Ian Buchanan, Cardiff U; James K. Chandler, U of Chicago; Tom Conley, Harvard U; Amy Herzog, CUNY; András Bálint Kovács, Eötvös Loránd U; Patricia MacCormack, Anglia Ruskin U; Timothy Murray, Cornell U; Dorothea Olkowski, U of Colorado; John Rajchman, Columbia U; Marie-Claire Ropars-Wuilleumier, U Paris VIII; Garrett Stewart, U of Iowa; Damian Sutton, Glasgow School of Art; Melinda Szaloky, UC Santa Barbara.

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Product Details

  • ISBN-13: 9780816650071
  • Publisher: University of Minnesota Press
  • Publication date: 1/11/2010
  • Edition description: New Edition
  • Pages: 416
  • Product dimensions: 5.40 (w) x 8.40 (h) x 1.20 (d)

Meet the Author


D. N. Rodowick is professor of visual and environmental studies and director of Graduate Studies in Film and Visual Studies at Harvard University. He is the author of many books, including The Virtual Life of Film and Gilles Deleuze’s Time Machine.
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Table of Contents

Introduction, D. N. Rodowick

Part I: Doublings

1. The Image of Thought: Art or Philosophy, or Beyond?, Raymond Bellour
2. Image or Time? The Thought of the Outside in The Time Image (Deleuze and Blanchot), Marie-Claire Ropars-Wuilleumier
3. Notes to a Footnote: The Open Work According to Eco and Deleuze, András Bálint Kovács
4. Mutual Images: Reflections of Kant in Deleuze's Transcendental Cinema of Time, Melinda Szaloky
5. Darkness and Light, Dorothea Olkowski

Part II: Ethics

6. The World, Time, D. N. Rodowick
7. To Choose to Choose-To Believe in This World, Ronald Bogue

Part III: Becomings

8. Is a Schizoanalysis of Cinema Possible? Ian Buchanan
9. Cinemasochism: Submissive Spectatorship as Unthought, Patricia MacCormack
10. Unthinkable Sex, D. N. Rodowick

Part IV: Experiments

11. The Strategist and the Stratigrapher, Tom Conley
12. Pleats of Matter, Folds of the Soul, Giuliana Bruno
13. The Affection-Image and the Movement-Image, James Chandler
14. Becoming-Fluid: History, Corporeality, and the Musical Spectacle, Amy Herzog

Part V: Futures

15. Deleuze's Time, or How the Cinematic Changes Our Idea of Art, John Rajchman
16. Immanent Images: Photography After Mobility, Damian Sutton
17. Cimnemonics vs. Digitime, Garrett Stewart
18. Time @ Cinema's Future: New Media Art and the Thought of Temporality, Timothy Murray
Publication History
Contributors
Index

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